THE CHANGELING - The Insertion PT2
I was sitting in my underwear on a soft upholstered bench in a darkened alcove. My clothes were neatly folded in a basket next to me. My jewelry, watch, and rings were in a small container in the basket. I was waiting for Estelle Husdon, the receptionist in The Puzzle Palace’s 3rd Floor Visitor’s Lounge to deliver appropriate attire. I had been sent from the 5th floor Executive Suites to Mrs Husdon in the Visitor’s to be prepared to join him watching today’s web-cast.
Upstairs, in the Executive offices, Mr Erickson had listened sympathetically when I explained that after my husband, a commercial artist, and I lost our jobs and couldn’t find work, a friend suggested I send my photographs in. The real Maggie Dowd told me to keep a cover story simple and as close to the truth as possible to avoid explanations.
Mr Erickson, his thinning hair perfectly combed, opened his computer notebook to study my photographs carefully. As he reviewed my photo spread he stopped at my nude, he commented, “We do not regard what we do here as porn or humiliation theatre. Of course, there are males who subscribe to our services just to drool but do you have any idea how much women spend on the clothing and accessories and health and beauty aids promoted by the show? Perhaps, you’d like to join me during the taping of the webcast.”
My work as an investigative journalist brought me to unexpected situations. Here waiting for Mrs Husdon to return with appropriate clothing was part of my application for employment at The Puzzle Palace whose webcast broadcast a popular strip game show. I had been sent to Mrs Husdon from the 5th floor Executive Suite with its panoramic view of the suburban sprawl-o-polis of little wood frame houses sitting pretty on cookie cutter lots. Somewhere out there, was my real life, but that didn’t matter. Today, I was Maggie Dowd, applicant for employment.
If the real Maggie Dowd were elsewhere on an unstated mission, who had applied for a job at The Puzzle Palace under her name? It was a changeling, a substitute!
You might say an investigative journalist is an actress without a script who has to ad lib convincingly through every difficulty encountered playing the part. “In undercover journalism,” I told my skeptical editor who dispatched me on this mission to uncover the secret behind TPP’s meteoric rise to prestige, prominence and influence from a webcast begun n its CEO’s two car garage, “Like an actress, I transform myself into a different person, but I do have an advantage over a stage actress. I invent the part and invent the script as well as play it.”
Many journalists, like my overbearing editor seduced by the prospect of making a juicy prize-winning story about a secretive, glittery world of salacious sex, exploitation, money and influence, sought to penetrate The Puzzle Palace as a prospective employee, but, of the few accorded an interview, none had made it past the initial meeting with Mr Erickson.
Up in the 5th Floor executive suite, bespeckled Mr Erickson creator of TPP brushed aside with a smile my attempt to question him about TPP’s rise. “I’m here to find out about you.” Looking over my photo spread, “I’m impressed. It follows instructions. TPP has prescribed format: head shot, fully dressed casual, fully dressed formal, lingerie, swim suit, topless, and nude.”
“Following directions,” I questioned, “in a webcast dedicated to art aren’t you more interested in creative expression?”
“In TPP following directions is critical,” Mr Erickson replied, “Suggestion of alternatives is not discouraged.” Continuing to examine the photo spread, Erickson asked, “Jim, your husband, took these?”
“Yes Jim is quite the artist, both with paint and the camera. He did hold the camera straight, fortunately.” I smiled.
“You are aware TPP,” declared Mr Erickson pointing to the reel of Maggie performing an oral on me, “employs couples capable of standing by or even assisting while a partner engages another actor in a steamy scene.”
“An actress on stage becomes a different person from herself,” I responded, “Jim understands that.”
How much did Jim understand? In seeking employment at TPP with TPP preference for working couples, I regarded acquisition of Jim as a significant asset in making the insertion. A graphic artist, Jim was left behind when his employer computerized and went offshore. Jim could have been reactivated with Maggie, but chose not to. Unaware of true nature of myreal mission, Jim had no need to know anything more than I had borrowed Maggie’s identity because I needed a job. “A man of few words,” Maggie presented Jim former intelligence as reliable enough “to respect his bounds.”
“At your height,” Erickson critiqued my appearance, “you would not be considered the headlining super-star, but I was struck by that reel you shot. We might be interested in the other girl – as well as you. Girls next door blowing off steam?”
“Oh, the romp on the floor with my husband’s Jim’s model,” I recounted the limited authorization that model granted me, “The condition the other woman set on her participation was that her face would not appear and her name would go unmentioned.”
“Understandable,” Mr Ericksen observed.
I recalled, “The other woman did not want her co – workers to know of her sideline posing nude. She wasn’t averse to having fun.”
I gulped. Before she left, the real Maggie had told me that the best cover stories are simple, somewhat close to the truth. Actually, employment was at the heart of the truth. The undisclosed nature of the real Maggie’s undercover work for the military or the police, precluded photographing her face.
With Maggie, I had an advantage over previous investigators attracted to the glitzy world of The Puzzle Palace in search of a story about money, sex-ploitation and abuse . I had a solid legend behind me, the real Maggie Dowd. My resemblance to the real Maggie Dowd was more than a passing similarity. It was a virtual congruence which Maggie and I demonstrated to my editor funding the investigation by standing buck naked back-to-back in the communal shower of the gym where I met Maggie. My editor was suitably impressed, “Everything seems to match up, nicely,” my editor declared as she circled around us, taking an opportunity to scrooch my nipple in the process.
With the real Maggie reactivated into an undescribed intelligence deployment, I was installed in her house, drove her car and wore her clothes. Early this morning in preparation for this interview at the Puzzle Palace, I awoke in the real Maggie’s bed. To emulate the attire of the contestants on the Puzzle Palace’s webcast, I had ample pickings in Maggie’s closet. Carefully selecting conservative business ensemble, a black skirt, a white top, a black one button jacket from Maggie’s closet, I wore my own charcoal grey stockings. I checked the mirror to take a thorough assessment of myself and decided to bind my hair grown to shoulder length in a black bow.
Introducing me to her wardrobe, Maggie advised, “Think of it like a second skin, like a snake, you shed it to blend into the terrain you’re in.”