Both of the poems included in this story are the author's own work and can be accessed via her profile page [click on her name just under the title]. The second poem, "Something..." is on Literotica in audio format so you can hear the author reading it as it should be read. Why not play it while you read the story to get the full effect?
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My footsteps rang out loudly as I walked across the hollow flooring of the stage.
"Hellooo!" I called out, just to hear the echoes bounce around the empty auditorium.
It bounced a couple of times, then whispered to a halt. Theatres are built so as to amplify, not to echo and I felt a little silly for trying. A stage manager should really know better.
I walked over to the wing to check the props table. It looked exactly as I'd left it last night; covered with all things romantic. It was the day before Valentine's and we were preparing for a 'Weekend of Romance,' or three days of soppy sonnets, romantic skits and tear-jerking monologues. To be entirely frank I couldn't think of anything less romantic than dragging your other half to see something like this, but then I'm just the stage-manager, not the director.
That's the thing with these old, regional theatres though. They're glorious buildings that were erected at the height of the music hall era when there was precious little else for the general populace to do in terms of entertainment, but nowadays they struggled to even half-fill the seats available.
As a way of pulling in the audience, theatres up and down England were putting on 'seasonal' shows to maximise attendance. This went beyond the traditional pantomimes and ballets at Christmas time to Hallo'w'een themed shows in October and so-called 'Romance' performances on Valentine's Day.
I rolled my eyes in the dimness of the wings. I loved these moments when the theatre was empty and belonged, in its entirety, to me. It was one of the very few perks of being a stage manager.
This theatre was a new one to me; I'd been asked to step into the breach by the director, who'd worked with me before, because the usual stage manager was sick. I'd spent the previous two days watching rehearsals, making sure I knew the performance backwards, checking the lighting cues, props etc... At least the costuming was fairly easy -- black trousers and a pink or red top. I rolled my eyes again: there were so many hearts and flowers in this show that they ought to rename it 'ClichΓ© Weekend.'
I picked up a copy of the script that lay, pages splayed, underneath the table. Hmmm... "Shall I compare thee to a summer's day?" Yawn. How predictable
were
their selections?
I flicked through a few more pages... now this was interesting. I'd been so intent on watching the staging, lighting and little extraneous details I hadn't bothered listening to the words properly; seems like someone had seen fit to include a little light erotica in the selection. I started reading out loud
"My body trembles. Is this passion just lust..."
I paused, this wasn't bad. It deserved a better reading than that.
I walked over so I was in the middle of the stage and, head up, read the first verse out loud.
"My body trembles. Is this passion just lust Or could it be the love It so resembles? My body trembles."
My projection was good, but it was a bit lacking in... expression. I tried the second verse, this time injecting a touch of breathlessness and some longer pauses.
"My body quivers. I wait, tensed, for the touch, For the kiss that sends Cascading ripples of little shivers. My body quivers."
I had caught the rhythm of it now and read the next two verses in the same way, relishing every line. I had forgotten how much fun it was to perform. Hastily I flicked through the script, seeing if I could find another piece of poetry.
Oh... here was the group piece we were going to do today. I remembered the director winking when he'd mentioned it and assumed it was some ghastly sentimental dross like the other pieces I'd seen so far.
"Something..."
I read the first few lines through in my head, then muttered them out loud. I understood why the director had winked now; this piece was really something and performed as a group piece... I heard the soft lines whispered and repeated, some actors repeating the base refrain while the primary actor spoke over the top. Oh yes, this was going to be good.
I dragged one of the chairs forward from the back of the stage and sat down on it in the centre of the stage. Rapidly I ran the lines through in my head, trying to memorise them. I wanted to try my hand at this before I heard how the actors performed it. It had been a while since I last recited and I'd stopped because it was so deathly dull and prescribed, but a piece like this could be... played with.
"Tight pulse, pulse pulse And growing dizzy"
I intoned the words in a rough, breathless voice, running my hand down over my breasts towards my waist.
"Wanting...something Anything Something"
My voice grew more urgent now, trying to communicate that need that I could feel building up inside me as I said the words.
"Slow and steady, Hot and heavy; Something like the something that you gave me before."
"When you touched me When you fucked me,"
I stumbled a little over saying 'fucked' out loud on a stage, but I liked how it sounded and repeated it a couple of times. It would be great to have the actors repeat that bit over and over: challenge the audience's preconceptions of theatre...
I closed my eyes then, imagined what it would be like to be on stage for real, in front of an audience full of people and saying "when you fucked me" over and over. My body was hot and tingling and I put my hand between my legs, running my thumb over the seam there, sending gentle pressure down to the hot and responsive spot underneath.
"When you touched me, When you fucked me, When you touched me, When you
fucked