I don't really remember the day that I turned 18. I don't know why. Perhaps, at the time, it was 'just another day'. However, I do remember, in some detail, a number of things that happened in the year following my 18th birthday.
For example, sometime soon after I turned 18 I moved to London.
I was born, in an old farmhouse, on my grandfather's farm, on top of a hill in The Cotswolds. Later, my mother, my cabinet-making father, and I lived on the outskirts of one of The Cotswolds' prettiest villages. And then, soon after I turned 18, I moved to the Big Smoke, where I rented a small flat within a short Tube ride of the West End.
I had originally been going to share a semi-derelict house with some musicians, one of whom I had known at school. On the day that I arrived in London, the lads were on tour up North, and so I was to collect a key from my friend's older sister. Dawn lived on the edge of Notting Hill. She knew the house. In fact she knew it well. And when I arrived at her place, she took one look at me and said: 'No. No, I don't think that place is for you.' And she set me up in the spare room of her own flat while we found something that she considered 'a little more appropriate'.
The abode we found was no palace. But it had a decent-sized living room with a small kitchen off one end, a small bedroom, and a bathroom. It was everything that I needed. And it was surprisingly affordable.
A couple of days after I moved in, I had a surprise visit from the estranged wife of a chap who used to work for my father. I think that my mother must have given her my address.
Joanna was probably in her mid-to-late 30s at that stage. She arrived with a bottle of vodka as a house-warming gift and, for a moment or two, after we had made a bit of a dent in the bottle, there was a possibility that she might have become my 'first'. But, at the last minute, we both backed away. Looking back now, it had probably been the sensible thing to do.
My actual first was Chrissy, a good-looking English Lit student with an IQ of about one thousand. She had been at school with one of my cousins. Chrissy came for supper one Saturday night and stayed for breakfast on Sunday morning. In between, we both did it for the first time. I think that we were both a bit underwhelmed. It was OK. But I think that we had both expected more.
Speaking for myself, I'm not sure why I had expected more. I'm not sure why I thought that it would be perfect the first time. When I first picked up a tennis racquet, I was certainly under no illusion that I would automatically be invited to play at Wimbledon the following season. Likewise, when I first picked up a clarinet, I knew that it would be at least a year or so before my playing was indistinguishable from that of Acker Bilk or Artie Shaw. But sex? Really? Did that require practice? It seemed that it did. Oh well, at least Chrissy was happy to sign on as my training partner.
I think that it was about three weeks after Chrissy and I first did it that I met Heather, one of my neighbours. Heather was a fashion model. She did a bit of catwalk modelling. But she mainly did photographic work. And she was stunning, absolutely stunning.
'And what do you do?' she asked.
'I'm a writer,' I told her. 'I write.'
She nodded. 'Oh? What do you write?'
'Anything,' I told her. 'Anything that pays.'
'Advertising copy?'
'Yeah.' (It wasn't a complete untruth. I had written a bit of advertising copy when I had worked part-time at the local newspaper back in The Cotswolds.)
Heather said that she knew a marketing guy who was looking for someone to write the copy for a major lingerie catalogue he was working on. Was that something that I could do?
'No problem,' I told her - with all the confidence of an 18-year-old who needed to eat.
Heather made a phone call. I met with Colin (her marketing friend) and, next thing I knew, I had three months of copywriting work: studying bras, and knickers, and other fripperies, and writing about them in some detail.
A few days later I took Heather a bottle of wine to say thank you. 'Oh, great,' she said, and she got out a couple of glasses and a corkscrew, and opened the wine there and then. About halfway through the bottle, she asked if I wanted to fuck. I told her that I already had a girlfriend. Chrissy. Heather looked at me with a rather puzzled expression. But then she said: 'Oh well ... if you ever change your mind, you know where I am.'
It was while I was working on the lingerie catalogue that I met Larry. Larry was in his last year at art school - Central St Martin's - but he had already developed a bit of a reputation as a more-than-competent illustrator. Even as a student, he was getting work from several top advertising agencies and a few magazines.
Larry and I hit it off right from the start. He had a studio - well, no more than an over-sized broom cupboard really - in an old warehouse overlooking the river. He was also one of the first people I knew to have his own espresso machine.
'I bought it second hand at a liquidator's sale,' he said. 'No one else was bidding. I don't know why. I figured that it must have been broken or something. But no. I brought it back here, set it up, and it worked just fine.'
I was at Larry's studio one afternoon, drinking coffee and chatting, when he asked me if I liked watching other people having sex. 'Don't know,' I said. 'It's not something I've ever done.' (I was, after all, only 18.)
'It's just that I've been seeing this chick,' he explained. 'Horny as fuck. But she's a bit weird. She wants someone to watch us doing it.'
'Just watch?'
'Yeah. Although you could probably get your todger out and jerk off if you wanted to. I don't think Angel would mind that. In fact I think that she might quite like that.' And Larry smiled.
I didn't know what to say.
I think it was that same day that I got a letter (there was no email back in those days) from the editor of Freedom saying that they would like to buy the experimental short story that I had submitted. Although she did want to edit slightly. She wanted to lop off the first three-and-a-half paragraphs. I was a bit disappointed. I had put a lot of effort into that opening. But when I looked at it again, I could see what she meant. Yeah, those first three-and-a-half paragraphs didn't really add anything.
When I telephoned Rosemary, the editor, she asked if I had any other stuff. I said that I was working on a couple of things. 'Well, no rush,' she said. 'But when you're ready, I'd probably like to see them. And if you're over this way, drop in for a coffee.' Freedom's office was over by London Bridge Station.
'Thank you. I will,' I told her.
As good as it was that I had some well-paid copywriting work, and that I had sold a short story, my main reason for moving to London had been to soak up the atmosphere and write a London novel. I couldn't see much future in writing a novel set in the West Country, the only part of the UK that I really knew well enough to write about. And, anyway, Laurie Lee had already done that with his novel about drinking cider - among other things - with Rosie Burdock.
In pursuit of my novel, I gave myself Friday afternoons to explore London. Rain or shine, armed with my notebook, I set off at about midday, and tried to be back at the flat by six. Most weeks, that was when Chrissy arrived to spend the weekend with me. It was on one of my Friday afternoon excursions that I found myself outside Freedom magazine's offices.
'Is Rosemary Hamlin in?' I asked the girl at the reception desk.
She looked me up and down, frowned slightly, and then said: 'If it's a delivery, I can sign for it.'
'Thanks. But no. She invited me for coffee,' I said. 'Jonathan Bridges.'
The girl frowned again, and then smiled. 'Oh. Jonathan Bridges. Yes. I'll see if I can find her.'
Rosemary Hamlin looked a little like Germaine Greer. She even peered over her glasses the way that Germaine Greer did. 'Jonathan!' she said. 'What a pleasant surprise. Come on in.'
I followed her into what I assumed was her office. At one end, there was a desk with a typewriter and six or seven stacks of 'stuff': loosely-bound manuscripts, single pages, magazines, books, etc. And taking up most of the room was a long table surround by mis-matched chairs. The table also bore its share of stacks of stuff.
'You're quite young, aren't you?' Rosemary said, eyeing me up and down.
'Twenty-two,' I said, adding on a few years for bad behaviour.
Rosemary nodded. 'From your writing, I expected you to be ... well ... older. A bit of a prodigy, eh?'
'Is that bad?' I asked.
'Oh, no. Not at all. It's just ...' And she smiled.
Chrissy wasn't coming over that evening. She had gone to visit her parents up in Lincolnshire. And so, after coffee with Rosemary, I made my way across to Chelsea to see if Larry was at his studio. (In those pre-cell phone days, if you were out and about, it was often easiest just to turn up somewhere and press the doorbell.)
Not only was Larry at his studio, but he had 'the weird chick', Angela (pronounced the German way, with a hard G) there with him. Angela was quite a bit older than Larry. And she certainly didn't look weird. She was wearing a smart brick-coloured, short-skirted suit with a navy blue silk blouse. I thought that she looked like someone important from a bank or something like that.
'Perfect timing!' Larry said. 'We were just thinking that we should stroll up to the King's Road for some Chinese. Are you a starter?'
'Umm ... yes. I suppose so,' I said. 'If you guys are OK with that. You know.'
I had never been to a Chinese restaurant before. Back then, Cotswolds' restaurants tended to serve good English country fare. 'Foreign food' hadn't really caught on. At my parents' favourite restaurant, the exotically-named Xanadu, the principal offerings were roasted hake with a creamy white parsley sauce, grilled steak with an earthy mushroom sauce, and duck with an orange sauce. You could also order the duck with 'game gravy' instead of the orange sauce. And many of the Gloucestershire locals - on their once-a-year outing - did just that.
'Are you happy with family style?' Larry asked me when the waitress, a petite Chinese woman, arrived to take our order.
I had no idea what he meant. But ... 'Yeah. Whatever. You're in charge,' I said.
Larry rattled off something in what sounded like another language. The waitress scribbled on her pad, smiled, and asked if we wanted char. Larry nodded and smiled back at her.
'So ... what have you been up to today?' Larry asked me.
'This and that. Oh, and I had coffee with my editor,' I told him.
'Your editor? That sounds very grown up.'