I was on my way home when I saw the advertisement in the window of the newsagents on Bridge Street, it read;
Local artist requires male model, must be of average height and build and between 30-40 years. Contact Anna on (01222) 1909 1222 – NO TIMEWASTERS PLEASE.
Being an artists model was something that I had long fantasised about but had always assumed that one had to be slim and of an athletic build, so to see that there was an artist in the area that required an averagely sized model was too good an opportunity to pass up. I eagerly jotted down the name and number and walked as briskly as I could back to my car in order to ring her as soon as I could.
My hands were shaking as I dialled the number, to my surprise it was answered on only the second ring.
"Hello" said the voice at the other end of the line.
"Oh! hi, um... my name is Martin, I saw your ad in the window of Bridge Street News, I understand you are looking for a male model" I said nervously but trying my best not to do so.
"Yes, that's right, I've already seen a few men but I haven't made a decision on which one to use yet so if you'd like to come and see me at my studio I'd be happy to give you the once-over" she said.
"Ok, when would be good for you?" I asked.
"How about tomorrow afternoon?" she said.
"Um... fine, is it ok to come around some time after 4:30?" I said, that meant I could go there on my way home from work.
"Ok, sounds fine to me, I'd better give you my address..." she replied.
I made a note of the address of Anna's studio and headed for home, my head spinning.
The next day I had trouble concentrating at work and I watched on impatiently as the clock on the wall of my office gradually came around to 4:15, it was the longest day I had ever known. I was filled with a mix of excitement, nervousness and maybe even a hint of fear. But eventually the time came to leave the office and make my way over to Anna's studio for what felt like a date with destiny.
Anna's studio was in a small village few miles south of where I worked, as I pulled up outside the address she had given me on the outskirts of the village I hoped that I was brave enough to go through with it and not bottle out at the last minute. I took a deep breath, got out of the car, walked to the front door and rang the doorbell.
"Ah, you must be Martin, please come in" said Anna, she looked like the typical arty type; mid-fifties, greying hair and she wore a long chain of brightly coloured beads around her neck.
We sat down in her living room where she conducted a short interview of sorts.
"Have you done any modelling before Martin?" she asked.
"No, never, but it's something I've often considered doing for quite some time although I never thought I'd get the opportunity seeing as I'm not exactly athletically built" I replied as honestly as I could.
"Well, in this case I definitely don't want someone who is athletically built!" chuckled Anna, "What I am after is a specimen of a more average man, one who is maybe a little overweight but without being obese, I want to show that an average man is actually just as beautiful as the idealised image portrayed in western media" she continued, "I will be using both male and female models to complete a body of work examining the relationship between men and women, both with each other and on their own and how they can possess an innate beauty which is all too overlooked by a perception that beauty can only be achieved by unnatural means such as excessive dieting, constantly working out at the gym or even by resorting to surgical enhancement".
"It all sounds like an interesting concept" I said in reply.
"An ambitious one too I might add, I haven't decided how many works I shall create for this collection but I shall be requiring to use the same model for at least the next five years or so" Anna said, "so if I decide to employ you we shall be getting to know each other pretty well!"
"Just out of interest, what exactly is the going rate for modelling sessions? Will I be paid per session or do I get a percentage of the sale of the completed painting?" I asked.
"Well basically, I tend to pay my models £20 per session, with each session lasting about two hours and then a cut of 15% of the sale price after that, which I hope you should find fairly reasonable for your services" she said, "I should like to point out however that I shall be requiring you to pose in the nude, I hope you don't have a problem with that".
My heart skipped a beat as she spoke, posing nude was exactly what I wanted to do, I only hoped that I had the guts to go through with it and not wimp out of it.
"No, not at all" I replied, "after all, I'm only human, I'm sure I haven't got anything you haven't seen before!"
"That's the spirit" she said, "but to clarify further, I shall be requiring the model to sit in a variety of poses both solo and with a female model. Some of the poses shall see the female nude while the male is clothed and some will see the male nude while the female is clothed. Also I shall be painting a selection of poses from classic nude poses to more sensual and even erotic situations, although I shall only paint what the model is comfortable with. But I'm hoping that you will be open minded enough to take part in the saucier stuff!"
"I guess we shall just cross that bridge when we get to it" I replied.
"Excellent! Well, I suppose I'd better take a good look at you then! If you'd just like to follow me into my studio" she said.
So I followed her out through the back door of the house and into the garden where at one end was a windowless single storey building with only a single yellow door. Anna unlocked the door and we went inside. In the ceiling were a series of skylights so that the room was filled with natural daylight. Along two walls were easels of various sizes, canvasses both large and small, hundreds of tubes of paint and just as many brushes on a long workbench. On the opposite side was a couch on a small, low stage, draped in various coloured cloths and various other props and accessories, and a single wooden chair.
"Welcome to my studio" she said brightly, "now then, if you would care to get undressed for me we'll see what's what so to speak".
So this was the moment I had waited for, the only question in my mind was would I be brave enough to do it? Would I be able to expose my naked body to a woman I had met less than half an hour ago? The only way to find out was to take a deep breath and see what happened. So I took off my sweater and placed it on the chair. Then I took off my shirt and placed it on top of my jumper – so far so good. Then I took off my shoes and socks and added them to my shirt and jumper. Then I took off my t-shirt so that I was now topless – starting to feel a little nervous now. Then I unbuckled my belt, undid the button and unzipped my flies and lowered my trousers down to the floor. As I stepped out of them and realising that all that separated me from total nudity were my pants, I considered bottling out but as I placed my trousers on the chair I took another deep breath and just decided to go for it. I hooked my thumbs inside the elastic waistband of my pants – blue ones which were my best pair – and in one swift motion pulled them down. I stepped out of them, placed them on the chair with the rest of my clothes and stood there, as naked as the day that I was born.
Anna studied my naked body for several moments.
"Hmmm..." she said finally, "not bad, I reckon I could do something with you. You're a good height, a reasonable build, well defined genitals and I notice that you like to keep yourself shaved down there".
"Yes" I replied, "I prefer to be shaved because, well, I've never really liked pubic hair – I find it a little unsightly, and I never had much of an impressive bush in the first place so I shave it all off every few days".
"Well, those are my thoughts exactly Martin!" said Anna, "I find pubic hair to be a bit of a distraction, to me it does nothing more than cover up the inherent beauty of the genitals, especially the male genitalia which I find particularly beautiful".