After Inez, I try every hint and innuendo in the book, but to my surprise, Travis doesn't seem interested in us spending the night together, either at his place or mine. Not that night, or the nights that follow. I'm confounded by this. Here, we had enjoyed a variety of dates together, and experienced mind-bogglingly hot sex that pushed the envelope of decency. What's the big deal about sharing a bed at night?
Travis is perfectly nice about it, excusing himself because of plans early in the morning, sparing me the embarrassment of a flatly rejected invitation. But after all we shared together, I begin to feel a little overextended and decide to pull back and give the man some space. The approaching holidays allow for a natural cooling off period to quench the fire of Inez. Scheduling time during Christmas season is virtually impossible even when both parties try earnestly to make it happen. Nevertheless, we do manage to book one innocuous get-together three days before Christmas--brunch at Leona's Place, a lovely, upscale casual restaurant off of South Lamar.
I arrive early (again), and I'm shown through the restaurant to a small two-person table in what was once Leona's living room, the centerpiece of which is a beautiful brick fireplace, pregnant with a stack of low-burning logs despite the 70 degree weather. I shrug off my purse and slide into the seat facing the hearth. The restaurant has a quaint elegance thanks to the good bones of the converted arts-and-crafts home. While the proprietors had tastefully added on to accommodate their growing patronage, somehow they managed to retain a wonderfully warm, welcoming vibe throughout. If Leona has cozy ambiance year-round, she has really outdone herself for the season. Aromatic live garland, tinkling silver bells and warm white strings of lights abound. Christmas is draped over every architectural detail of the establishment. Even the art on the walls has been replaced by vintage Norman Rockwell depictions of holiday scenes--rosy-nosed children on ice skates; a man stealing a kiss from his blushing blonde wife under the mistletoe; toddlers slumped together in a sleeping heap like puppies on a large wingback chair, waiting for Santa.
As I wait for Travis to arrive, I remember bittersweet Christmases past. An only child, Christmas was a relatively lonely time for me, the third wheel among two grownups divorced from their own childhood families, and who fully despised one another by the time I was ten. To this day, I question why they stayed together as long as they did, but the answer is always there, waiting for me:
For you, Erin, duh
. This makes me feel worse. We always had the music, food, tree, and gifts, but the holiday always failed to connect on the emotional level. Looking around, I compared Rockwell's depictions to my reality. I craved the Rockwell Christmas.
Reaching into my bag, I bring out a small package about the size and shape of a few CD cases stacked together, and set it on the white tablecloth before me. Nervous that offering a gift after just a few dates is overly sentimental, I've deliberately downplayed the wrapping, using simple brown butcher paper tied with red and white twine. Attached at the center are some sprigs of rosemary and a cinnamon stick. It's artful, but not over the top.
As I fondle my gift, I feel a hand on my shoulder. "Merry Christmas," Travis says as he leans over to kiss my cheek. I motion to stand, but he insists "don't get up" as he slides into his seat across from me.
Travis opens the small talk, seemingly unaware of the brown package I discreetly slide to the side of the table behind a little vase of poinsettia.
"I'm glad we could make this happen. I know it's a crazy time of year."
"It is, but the crazy is part of the fun, right? I have the kids this year at my dad's. His place is really too small for the chaos they generate but that's part of the charm. It's nice having them underfoot and over-sugared for a few days. You're headed to your brother's right?"
"Yeah. I got the kids for Thanksgiving, so it's an adults-only Christmas for me this year." Travis looks a little wistful, very briefly, but then his eyes regain a steely quality that I've come to recognize as a "do not enter" sign.
"I'm sorry," is all I offer.
"It's ok. Seeing my brother in Colorado will be good for me--clear my head. Getting out on the slopes is always invigorating."
Clear his head of what?
I wonder.
A plump waitress approaches with a glass pitcher of ice water and two mason jar drinking glasses, which she skillfully fills.
"Have you two had a moment to consider the menu?" Her Texan drawl is thick like honey.
We had not, but the question prods us to do so. Everything on the small paper menu sounds delicious--crepes with blueberry drizzle, eggs benedict, french toast topped with fresh cream and berries, field greens salad with goat cheese. When the waitress returns, I order the benedict, Travis the croque madame.
There's a lull in the conversation as the waitress waddles off, the space between us filled with an seasonal piano tune wafting through the space.
Travis breaks the quiet. "Hey--I meant to tell you before, but I wasn't sure... I hope I didn't make you too uncomfortable at Inez."
"Uncomfortable? No. I was very, very comfortable, trust me." I don't want Travis to think I regret anything.
"Well... I know that sort of pushed the bounds for you, at least. I was acting on impulse. It felt right at the time, but if you--"
"Travis, it's fine," I interrupt. "Really. It was crazy, and definitely new territory for me, but... crazy is part of the fun, right?" I ask with a sweet smile.
Travis chuckles under his breath, looking down at the tablecloth. "I suppose you're right."
What is going on in his head?
Our waitress returns with our meal, and as I cut into my perfectly over-easy egg, watching the golden yolk ooze sensuously over the plate, I can't help but feel Inez was just a dream. Sitting here, across a tidy tablecloth from Travis, drenched in Leona's wholesomeness, the thought of the raunchy abandon of being brought to orgasm in public... in front of a stranger...
with
a stranger makes me blush like a sinner in church. And yet, inside my underwear, my body remembers the evening, and responds.
We delight in our meals, and each others' company. My heart skips a beat when Travis reaches across the table to wipe a bit of yolk from the corner of my mouth with his thumb, brings it to his own mouth, and licks it off suggestively before wiping the remainder on his napkin.
When the table is cleared, I gather the courage to offer my gift.
"So. I know it's early, but I got you a little something," I say primly, sliding the brown package across the table. "Merry Christmas."
Travis looks surprised. "Oh. Wow. You didn't have to do that." It takes him a moment to touch the package, like it's hot out of the oven.
"It's just a ho-ho, so don't get your hopes up." I give him a "go ahead" look. Travis admires the package, and brings it to his face to smell the rosemary while his eyes ask quizzically, "What could it be?" He pulls a Swiss army knife from his pocket and with a quick flick, cuts the twine.
Travis unfolds the brown paper and reveals a 7" square slab of wood, on which is painted in delicate, exquisite detail the head and torso of a little anoll lizard peeking up from the bottom edge of the block, looking alive with the textured iridescence of its skin and glossy eyes. The sky in the background--the negative space surrounding the reptile--is equally central to the artwork. The nuanced periwinkle dawn is tangible, complimenting the delicate, dragonfruit-like color and texture of the creature's dewlap. I wish I could say the talent is my own, but it's not. The painting is by Matt Adrian, who I commissioned years ago to create the artwork featured in a major ad campaign for a household-name outdoor brand, from which he profited wildly. That is to say, he owed me one, and I called in a favor. Birds are usually his thing, but I twisted his arm for the lizard. I offered to compensate him for it, but he insisted it was on the house. On the back of the block, in silver ink, I've penned "To conquering fears."
Travis takes in the piece, feeling the wood edges with his fingertips, reading the inscription on the back.
Watching him, I hoped that he wouldn't take offense to the attention pointed at his hilarious and irrational fear of small lizards, which he confessed to me on one of our first dates. It was meant in a playful way. But also, I hoped he'd understand the deeper meaning--the hopeful message that together, perhaps we could tear down barriers and fears of other varieties, as we started to do alongside the highway, and at Inez.
That's a lot to get across with a lizard painting
, I think, feeling regret creep in.
Travis looks at me, his hands still exploring the artwork. "It's beautiful," he says, but his voice has a certain coldness to it. I didn't think he would do backflips or anything, but this isn't the reaction I expected. I wasn't sure what I expected, in fact.
I try to gloss over it. "I'm glad you like it. I wish I could say I painted it myself, but it's by a friend."
"Well, thank you. To you and your friend." Travis's words are taut as he carefully wraps the artwork in the brown paper whence it came, and sets it down on the booth beside him.
A little wounded, I check my phone and mutter some excuse that I need to get home and knock out some last minute shopping and wrapping. When we get the bill, I insist on splitting it. I don't want him feeling like he owes me anything.
Ever the gentleman, Travis walks me to my car. His kiss goodbye lights me up like the Rockefeller Christmas tree, full of sincerity and desire and... something else. When he breaks our kiss, he looks into my eyes as if searching for something.
I'd give him anything he asks for, if he'd just ask for it already.
But he doesn't. He just opens the driver's side door of my Volkswagen, closes it after me once I've slipped behind the wheel, and waves goodbye with one hand in his pocket as I pull away. Glancing in the rear view, though, I see him pull the brown parcel from the interior of his jacket and examine it tenderly before turning on his heel.