(You'll want to first read the Literotica entry "Everybody's Callgirl", about my wife's mostly-nude role in a sex comedy. That story is her interview in a local arts newspaper about her starring role in the play.)
Nobody interviewed me, so here's my side of the story. I'll give you my view of her performance, a bit about the actress herself, and how I feel about her having sex on the stage. But first, a bit on the theater: three dozen or so seats are set up in a U-shape around the small stage, so everyone gets a close, intimate view, so intimate they don't need a sound system. Every member of the audience sees, hears, and even smells, everything taking place on the stage. The house is dark, while overhead spotlights follow the action.
The stage company itself is cutting-edge, producing very risky plays for small, adult-only audiences. Cast and stage crew are drawn from the local community. The entire enterprise is well supported by the community, and, once the word gets out, most performances are sell-outs.
About my wife: at middle age she's extremely attractive and sought after by local thespian organisations not only for her looks and willingness to be appear fully nude, but also for her acting skills and dedication. Often, she'll take time off from her regular position in a marketing firm to make time for acting.
With all the excitement she was bringing home after each rehearsal, we both looked forward to opening night. In our years together I've enjoyed many stories about her sexual adventures from before we'd met, and now she was hinting that some of those experiences could be useful for getting into her new role.
Opening night she got me a front-center seat. Because I'd read the script, I knew in broad terms what to expect: she'd appear nude, which was nothing new, and act out some sex scenes--nothing new there, either. But by the end of the second or third scene I suspected they had modified the script to relive some of those sexual adventures she'd told me about from before we met!
As this was an adult comedy, or "sex-farce", most of the scenes were humourous. Like the one where we see her trying to fit a penis into her rear with one already in her vagina. If you saw the play then you remember the crowd roaring as the three sweaty naked bodies kept sliding over one another, sometimes falling off the bed, swapping positions, mounting and unmounting each other. The dialogue alone is funny enough to elicit wild laughter, as the three plan how to fit their parts together, then shout back and forth trying to find the correct holes. With my wife wedged between her two lovers and limbs flying every which way, the bed suddenly breaks under the weight of the three. They tumble around on the floor trying to re-connect body parts, and finally end up in awkward positions with my wife impaled on one gent as we watch the other steering into her from behind, then they set up a steady pace until the three collapse into a heap, exhausted from their orgasms. A very adult game of "Twister", without clothes! As mentioned, the stage setting is very intimate, so I can see and smell sperm, sweat, and fluids everywhere. I know the sweet scent of my lovely wife's arousal, and now so do all the other theater-goers!
She'd entertained me with her stories many times, with both of us wondering how I'd have acted if I'd been there. So now here I was, along with the rest of the audience, as she relived these events from her past! In actual flesh-and-blood, not just a narration, she was doing it again, right before my eyes! And lots of other eyes!
That's how the play unfolded, scene after scene of my lovely nubile wife romping around the stage, nude or quickly becoming so. The male actors mostly remained clothed, only taking out their penises to insert them, or nude if the scene called for it. Her bare breasts are just large enough to jiggle delightfully as she moves, but small enough to not need support. Her nipples seem to be erect for the entire performance, and the arousal between her legs is hard to miss.
As we drove home after that first performance, she told me she had indeed gotten permission to change much of the script so she could perform in the flesh what I'd missed of her earlier life. She knew I loved hearing her stories but that I was skeptical of some of the wilder ones. So this was her chance to prove the events true.
Before arriving home she asked how I felt about her performance. Not just the fact of it, but what she was actually doing. After all, she'd just spent two hours on public display, so how did I feel? Well, I told her that until I saw that first penetration I'd assumed the sex would be simulated, and now I was shocked to see that the sex was real. Then a second cock, followed by a third; in total I counted twelve different ones actually entering her, with most leaving a deposit. I admitted an initial jealousy, which might have stuck if she'd been with only one man throughout the play, but when I saw her with additional ones I was relieved: there wouldn't be much chance for emotional involvement! This made her feel better about me accepting her onstage nudity and sex, since we hadn't discussed any of this before that first night! There'd be several more stagings and she needed to know now, if I was OK with it before calling in an understudy, or at least making her performance less explicit.
I told her I was fully onboard with it, that I really enjoyed watching her perform, and why I was relieved that she was having sex with multiple actors rather than just one.