This is part 11 in Emma's Adventures. For the back story please read
1) Emma's Awakening
2) Emma's Empowerment
3) Emma Unleashed
4) Emma Becomes a Team Player
5) Emma and Charlie and Brandon
6) Emma and the Proposal
7) Emma Moves In and Training Begins
8) Emma and Charlie and Claire
9) Emma, Charlie, Claire, and Brandon
10) Emma Takes Control
One day Claire came to Emma and said, "The art department has requested two natural nude female models. They were wondering if we would help them out. I am willing to pose but I need a second. Would you be willing to help too? I know it's a big ask and you can say no with no hard feelings."
Emma was no longer surprised when a request out of left field came to her. It was beginning to be expected to a certain degree. She had always loved the way it felt when someone ogled her as she undressed. But those people were expecting something sexual from her. Maybe it would be interesting to see how it felt to be merely appreciated for her body in a nonsexual way.
"Will we do it together?" Emma asked. "If so then I am willing but if I will be alone, I don't think I want to do that."
"My understanding is they need two models to pose together," Claire clarified.
"Then sure why not?" Emma responded much to Claire's delight.
"Thank you this will give me material for my dissertation," Claire added.
"I love being naked with you," Emma said. "I guess I should let other people enjoy it too."
"You're the best," Claire remarked.
Claire and Emma showed up to the art room studio to discuss with the professor what would be needed. The room had a stage up front that was a semicircle pointing out into the room. There were two nice, padded chairs with padded arms and a high back in the middle of the stage. The seats on the chairs were not normal. They were U shaped but with plenty of room for a person's legs and ass. Just the middle was missing. There were 10 easels spaced equidistant apart facing the stage with stools for the artists.
"Thank you for agreeing to pose for my class," the professor said. "My name is Haden. Since this is an art class and you will be nude there is no need for titles like doctor or professor or anything formal. Just call me Haden. You will each be paid $300 for posing today."
He reached out a hand to shake Claire's then Emma's.
"Nice to meet you, Haden," Claire said.
"Nice to meet you," Emma echoed.
Haden was a 50-year-old widowed professor who had taught painting, sketching, and drawing at the college for 25 years. He was 6' 2" and around 180 lbs. You could tell he was blond when he was younger but as he aged his hair darkened. Now gray was sprinkling in more each year. He was fit and toned because he liked to spend time outdoors hiking where he could paint nature.
"I want my students to become familiar with a woman's true beauty, the way nature intended," Haden continued. "I asked Dr Coopersmith for any suggestions, and he recommended the two of you. If you don't mind could you disrobe so I can see what we have."
"Certainly," Claire answered as she and Emma undressed.
"Please turn around so I can see all of you," Haden requested. "My you are both beautiful and exactly what I am looking for in models. Would you please take a seat on the chairs, so you are comfortable then spread your legs."
Claire and Emma did as they were instructed. The way the seat of each chair was designed allowed for their pussies to be more exposed and yet they could sit comfortably for an extended period. Haden inspected both of them and then went down by the easels to see what the view was like.
"You are both uniquely beautiful and I love the contrast between your bodies," Haden confessed. "Claire your more pronounced labia and bigger breasts provide a wonderful juxtaposition to Emma's smaller breasts and more hidden labia. The natural rawness of your pubic hair is especially appealing. It looks very soft and luxurious. The two of you together complement each other nicely and will give my students great material to work with."
Claire and Emma smiled at each other while hearing their bodies described so reverently. There was no overt sexuality in the way Haden spoke of them but more of an appreciation of what nature had given them. It felt good to be thought of in such a way.
"The purpose of this exercise is for the students to understand the proportions and relationship between a woman's vagina and breasts when she is seated," Haden continued. "I want them to be able to replicate what they see. There are robes in the back you can cover up until the students arrive."
The students filed in five women and five men. When they were all seated at their easels the professor brought Claire and Emma up to the front. He then had them take their robes off and take their seats. Emma loved the feeling of 10 sets of eyes studying her body. Every 20 to 30 minutes the professor let the girls get up and stretch. The session lasted about two hours.
When the session was over the professor asked Claire and Emma if they would be interested in some other modelling of a more advanced nature. He had an advanced painting class for grad students that focused on erotic painting, and he needed models for that too. Since the subject of her dissertation was sexuality, he thought Claire might be willing to help.
"What would you need from us?" Claire inquired.