The study was everything I had anticipated, but so much more.
Beyond the view of the garden, which, obviously, was completely unexpected, everything else was so perfectly in line with what one would expect from such an urbane woman. The hardwood desk, impeccably organized, was set back and to the side of the center of the room, leaving space for several people comfortably to stand in the room for a conversation. It had a brass lamp, a quill and blotter, but also a fountain pen, a stack of possibly hand-made parchments, coarse and off-white, and a neat pile of binders on the other side of the desk, discretely concealing their contents.
The walls on either side of the room were entirely bookshelves. Apart from a door, I might add, which seemed to shrink amid the imposing bulk of the books surrounding and overwhelming it, in each of the walls. A ladder was attached to each wall, with wheels, so that it could be pulled from one end to the other to allow access to the highest books. And on the opposite side of the window from where the desk sat, two large, overstuffed, as predicted, comfortable-looking armchairs with a small coffee table were both facing the spectacular outlook over the gardens. In the corner behind the door was a tea-making area, with a steaming hot urn.
But I was drawn to the books. All those books.
They weren't modern books, either. These were Dickens, Austen, Darwin, and Jules Verne. There were novels, encyclopedias, anthologies of poetry, books on art, music, culture... but all of them, every single one, looked to be hand-crafted, and could easily have been over a hundred years old.
I looked to Miss Havisham for approval before drawing one out, and she exuded delight that I was taking an interest in what, for her, must also have been a passion. I had randomly selected Pride and Prejudice, as it happens, but it was not like any edition I'd ever seen.
The hard cover was clothed in a navy blue material, embossed with intricate patterns. The front cover had an oval frame with a hand-drawn portrait of, I presume, Elizabeth and Mr Darcy. The title was elaborate cursive calligraphy, apparently gilt, so that it shone. It was spectacular.
Creaking it open, I found the hand-sewn binding, and the thick pages with a beautiful serif typeface, including additional flourishes on the g, the y, and so forth. It fell open to a page containing an illustration of what was surely a dashing Mr Darcy, matching the picture on the cover, and perhaps Pemberley in the background. The musty scent arising from the tome beckoned me to nestle somewhere and lose myself in Hertfordshire once again, among the intrigues of the Bennet girls.
But I looked up from this meticulous work of art to the next book, and the next, and then tried to comprehend the enormous collection spanning both walls. I turned again to Miss Havisham, agape. She was allowing me to sense her delight. She was deeply gratified that her love of these books was appreciated and shared. We exchanged, silently, for several moments, sensations of joy, comfort, adventure, escape, and thrill, that these books represented.
Eventually I closed Pride and Prejudice with great care, and replaced it respectfully in the shelf. I reached out and lightly touched its binding, then let my finger trace along the bindings of the other books, drinking in the enormity of this collection of artworks as I slowly made my way along the row, awestruck.
Miss Havisham stood patiently as I took it in. She was beaming with satisfaction. When I finally, reluctantly, withdrew my hand from the array of books, I started to speak, but Miss Havisham started also to speak at the same time. We both stopped apologetically, each offering the other to go first. Miss Havisham insisted.
"I'm just... um, I wonder where the bathroom is, please?" I hadn't realized before just then, but the need had become acute.
Overtly embarrassed, Miss Havisham gushed, "Oh, my dear I'm a terrible host. How rude! I'm dreadfully embarrassed. Here," she stepped towards the door in the opposite wall, surrounded by books. "Be my guest." She opened the door and stood to the side.
I thanked her diminutively (I may have courtesyed. Is that weird?) and quickly scurried towards the now open door. As I reached the opening, which led into a very short walkway between shelves of towels and assorted linen, she whipped out from her reticule my green knickers from that morning. "I suppose I could give these back to you now," she smiled.
I gave it barely a moment's thought as I skipped past, completely aware that skipping would make my recalcitrant little dress jump and flit in completely indecent ways. I looked over my shoulder and flashed a smile, "You keep those. I think I'm growing accustomed to life without them."
Miss Havisham really should keep her guard up, I tutted to myself, catching the distinct hint of an erotic flicker behind her contrivance of a scandalized gasp. She closed the door over, but not before saying, as if to herself but loud enough for me to hear, "what an incurable little flirt". And there I went again, filled with cheeky pleasure, eroticism coursing through my body from head to toe. Yeah, I reflected, she was right.
The bathroom was, unsurprisingly by now, magnificent. Everything was perfect, from the gleaming porcelain free-standing bath tub to the tri-fold changing screen, draped with two or three colorful scarves as if to remind the observer that intimate clothing is draped frequently over that barest of modesty screens, as the concealed immodesty beyond is agonizingly close, but so far away, out of sight except for the narrow gaps between the vertical screens, which merely serve to amplify the knowledge of what else might be seen if only one were arranged at a different angle. Such a burlesque accessory to voyeuristic intrigue, and beyond that, perfectly superfluous, since anyone actually wanting privacy would surely use another room.
And the sink was lined with every imaginable shape and color of perfume beneath a wide and tall mirror with a heavy frame. Some fragrant soaps sat invitingly at the foot of a small porcelain figurine of a bathing woman, half protected by a garment or towel from the sculptor's gaze, but with her breasts and plump tummy exposed unreservedly as she washed, apparently, one of her arms. It was hypnotically beautiful. Not at all sexual, but intimately sensual, and subtly erotic in ways difficult to articulate. Or was it just me, in my buzzed state?
When I emerged from the bathroom, much refreshed and relieved, Miss Havisham was almost finished preparing our tea. "Did you find the perfumes on the, ah!" she inhaled deeply through her nostrils, staring at the ceiling as she ruminated. "You found the Quelques Fleurs. A perfect fragrance for a pretty young woman. Well chosen!"
I felt like it might have been the first thing I had done right all day. I basked in the glow of Miss Havisham's compliment. It really was a lovely, delicate floral scent. Had I known then how much it cost, I might never have dared touch it, but Miss Havisham was clearly delighted I was wearing it.
Lifting a teacup and saucer in each hand, she nodded at the armchairs to invite me to find my seat. I hesitated, thinking of the beautiful upholstery, and my nakedness.