The artist sits alone and lonely. His fingers rest in front of his pallet still and tense; awaiting inspiration. His eyes stare sadly at the blank canvass still propped upon the easel; the evidence of a fruitless days work.
He stands and stretches his aching muscles, too long hunched in the same position and needing the relaxing benefit of massage. He pulls the drapes and looks out at the uninteresting vista before him; the cold brick and window of the opposite apartment do nothing to inspire confidence in him.
He rotates his neck slowly, relieving some of the days tension and closes his eyes as he feels some circulation of blood returning. He tries to recall some of the previous evenings ideas and thoughts but they escape his memory flitting through his mind like so many leaves on an autumnal breeze.
Like a prowling lion he stalks the small room he likes to refer to as his studio, attempting to relieve his limbs of stiffness and ensuing cramp. His bare feet pad over the threadbare carpet and his eyes take in the shabby almost decrepit furniture; a reminder of so long without the successful breakthrough he waits and wishes for.
After a few moments pacing, the artist finds himself back at the window. He stares out again. Night is now upon him and the moon casts eerie shadows against the unimposing buildings that surround him. The street lamps throw their sodium illumination over empty roads wet and sleek with previous rain.
He pours coffee. The last of the pot which reminds him of his excessive caffeine intake but still fails to stop him savouring another cupful of the rich flavour. He inhales the heady aroma and cups his hands around the coffee mug warming them against the chill of the night.
The corner of his eye catches a movement from the window of the opposing apartment. He looks around and sees the light flick on illuminating the bedroom. Then the voices come - as they usually do. Not shouts this time, but raised whispers really from the married occupants that form the human habitation of the plaster-board tower blocks that dot the landscape of most major cities.
The voices become louder and the artist, realising that he is also visible, switches off the main light in his studio. His easel light is now the only illumination in the small room and he knows that it is the voyeuristic streak that resides in all men and women (no matter how well contained) that drags him back to the window.
He can see the two figures now in the next apartment as well as he is able to hear them. An argument. Although he can hear, the structure of the actual words and sentences elude his ears. The male figure turns on his heels and walks out to the sounds of his berating wife's voice reverberating behind him. The artist hears the door slam and once again all is quiet.
He wonders what the argument was about as he watches the young woman sit on the edge of the bed, her head in her hands. For a moment, he assumes that she is weeping but then, as she lowers her hands from her pretty face, he can see the smile and hear the laughter as her head rolls back.
The artist is intrigued and continues to observe the woman from his unobtrusive position. He tries to tell himself that he is looking at her out of artistic integrity, but he knows himself well enough to realise that this is not the complete truth. She is attractive. Longish auburn hair neatly tied back in a pony-tail frames a face that needs little make-up. He guesses her age at about thirty-two, but he knows that he has never been good with ages and accepts that he could be out by four or five years either way. She wears a pale coloured top and, if he is not much mistaken, leather pants. She looks dressed for a night out and he wonders if this might have been the cause of the argument. As the artist continues to watch, an idea begins to form in his mind; the woman seems so perfect in her na vety, so innocently unaware that she is being observed. In short, the perfect portrait!
He almost stumbles in his haste to reach his paints and feverishly begins mixing colours. His eyes flit back and forth between the canvass and the window as he attempts to capture the very essence of his subject. His fingers move at lightening speed as the brush daubs colours; fading them to the tones and hues required for the perfect likeness. He remembers his coffee, now almost cold and reaches for it without thinking. But the light is dim and as his hand stretches to the table, his fingers catch something that he does not see.
The sound of glass breaking on the thin carpet echoes around the room and the artist holds his breath as he looks directly at the woman. Has she heard the sound? Will he finally now be uncovered? Exposed as the perverted voyeur?
He cannot easily tell if she is aware of his observations or not. She has heard the sound of the glass, of that much he is sure; her head turned directly towards the window. But has she seen him? If she has, then she is seemingly unconcerned. The artist releases his breath slowly and continues with his work at a more labourious and controlled pace.
The woman is now almost perfectly framed in the window and seems content in the secret world of her own thoughts. A smile traces her painted lips that seems, in his imagination possibly, to be directed at him. Again, the artist wonders if she is aware of his presence or not. His attention returns to the canvass for a few moments but, on his return to the window, he is greeted with an unexpected sight.
Aware or unaware of her secret audience, the woman has begun to remove her clothes. Perhaps, he thinks, she is preparing for bed. But the smile that parts her perfect lips is now more evident as she stares directly at the window.