This is my entry to the
Summer Lovin' Story Contest 2023
; I hope you enjoy it. I'd just like to confirm this is not from personal experience (unfortunately)! All names are plucked at random from the ether, if you happen to have one of the names used here, I'm sorry, it wasn't meant to be a depiction of you!
My very short career in films began if anywhere on Friday 13th June 1986. I saw an advert in the London Evening Standard positions vacant column that read as follows:
"Three single men and three single women wanted for roles in educational videos. No acting experience necessary. Ten week contract, good rates." There was a contact telephone number given.
It was a bit terse, I thought, but I was a twenty-three year old man sharing a cheap flat in East London with a friend, Jim, and I was surviving on short term casual jobs whilst I tried to find opportunities to work as a photographer - I was interested in industrial buildings, machinery and equipment and how to photograph them to best effect for publicity, sales, brochures and so on. It wasn't an easy field to get into, I needed more and better contacts. I'd been working on this since leaving art school, but it was slow going, I just got the odd small contract from time to time. I'd really hoped to be able to take a month off and bum around Europe taking pictures - the windmills in Greece had caught my eye - but having never had enough money to do it whilst a student I still found myself short now. Ah well, I'd be able to visit Greece when - if - I had made it...
So I needed the money to keep eating and paying the rent, and this sounded like it would fit the bill. Who knows, I might find an opportunity to take stills for promoting these videos.
So I found a public phone box and got my phone card out - should be enough credit left on this one - and dialled the number.
I spoke to a pleasant but business-like woman who explained that they would be conducting preliminary interviews in around two weeks, and second interviews a week later, with a view to starting shooting early August. A three part video cassette series was planned, and all she would say about the subject was that it concerned human behaviour, which sounded intriguing. She asked me to send a short letter covering my background and suitability, and enclosing two photos of me, a full body shot and a portrait, and gave me the address. So I got this together and sent it off, and fully expected to hear nothing further.
So I was pleasantly surprised when a week later I received a letter inviting me to the first interview the following Tuesday.
And on the day in question, spruced up in suit and tie, and wondering what was in store, I presented myself at an office location. It was a rather plain, anonymous red brick building in the back streets not far from Liverpool Street station, looking like many others built on bomb sites in the years after the Second World War. There was a discreet plaque stating "JG Videos Ltd. - Office and Studio".
There were a couple of men and a woman waiting in reception who I smiled nervously at and wondered if they were also interviewing for this. Eventually I got called in and found myself in front of a middle-aged man, balding with glasses, just a bit portly, and a younger woman, maybe late thirties, who looked I thought a bit brassy - bleached hair stiff with lacquer and thick make-up.
"Now, Jonathan French, isn't it? Good, my name is Stuart Goodman, I'm the producer for these videos, and this is my colleague Stacey Johns." She said hello, and from the voice I guessed this was the woman I spoke to on the phone. She was clearly going to be the one taking notes. "We are the heads of this organisation, JG Videos. Firstly, a little bit about what we are doing. I can't say much at this stage, I'll reveal more if you get to the later stages of the selection process, but we are planning a ground-breaking series of video cassettes that will instruct and illustrate aspects of human behaviour. We'll be the first to do this, hence the secrecy! We are looking for three men and three women who will demonstrate some of these aspects. We don't need any prior experience, but we will need persons who are not shy and are willing to do anything we ask. I can't say any more now, but how does that sound?"
Well, I'd always been prepared to act the fool in company, so I thought I'd be able to hack it.
"It sounds intriguing, and I'm definitely interested."
"Good! I'll ask you various questions now, to see if we can take this to the next stage with you."
Well, the questions were a strange mix. The usual sort of interview stuff - what is your background, what are your interests, have you ever acted before, confirm your availability for the planned filming period, and so on.
Then there were the oddball questions.
Did I have a girlfriend? No, as it happened. A bit of a sore point, it had been a while, although the last one had ended badly and I had been a bit burnt and hadn't really been looking.
Had I ever done any modelling? No, I've never had the opportunity. Would I if asked do life modelling? Well, my body is nothing special, but I'm young and fit, an average looking chap I'd say, so why not.
Is there any aspect of human behaviour you would not want to act out for us on video? Blimey, what kind of a question was that? So I replied that I wouldn't want to do anything illegal, offensive or unpleasant, such as going to the toilet on screen, but otherwise I'd at least be open to discussing it. Stuart seemed pleased with that answer, and I detected a small knowing smile on Stacey's face.
Eventually after about forty minutes, Stuart suddenly said, "Right, I think we've got enough, thank you and we'll be in touch one way or another in a very few days. I'm sure you have lots of questions, but if we invite you back and you progress to the next stage, there'll be plenty of time for those. Can you ask Jean on reception to send the next one in?"
So off I went, not really any the wiser as to what this job might entail. Jim of course quizzed me about it when he got home from work, but I couldn't enlighten him. I tried to take my mind off it the next day by taking my camera around some of the run down industrial areas of East London and shooting some moody shots in cloudy weather, but I didn't shoot much as I was trying to cut down my expenses, and film, even black and white, wasn't cheap.