"Sam, can I take a break? My back's hurting."
Amy was kneeling on the dais with her bum in the air, head and shoulders on the ground, and her back curved downwards, tilting her pelvis forwards and pushing her pussy backwards as if it was presenting itself to be fucked. This was a very beautiful and inviting pose, her puffy pussy lips pressed together and bulging outwards behind her, but my drawing was not going very well and she had been holding it a lot longer than I asked her to when we started.
"Of course. Sorry, Amy, I kept thinking I would nail this drawing in just one more minute and I wasn't being very considerate."
"Amy unbent herself slowly and carefully, obviously feeling a little stiff and sore.
"Ow...ow... you mean I put up with that pose for about twice as long as normal and you didn't even get a good drawing out of it? Sometimes I wonder why I bother."
"The chance of fame and fortune, I would have thought."
"What, 25 dollars an hour and my picture bare-assed in the paper? Sounds more like I got the fame and you got the fortune."
"You were a bit of a sensation for a while, I have to admit."
It was three weeks after the show, and the phone still hadn't completely stopped ringing. It had got so bad in the week after the show, that I disconnected it from the wall when we were in the studio so that I could get some peace and quiet. Greta was over the moon with the success of the show, and still couldn't quite believe that she had not only sold every single piece that was on display, but the exhibition was over and yet the list of backorders for new works was still growing. Which is why Amy and I were in the studio trying to work instead of lying on a beach somewhere.
I have to take some of the credit for the success of the show β after all, it was my artworks that people shelled out their hard-earned dollars for β but I also have to admit that the show would not have been such a commercial success if it hadn't been for Amy. She was the reason the show received so much free publicity and literally days of press and TV coverage.
Greta was very nervous in the days leading up to the show. She was still not absolutely convinced that the art market would accept such a blatantly erotic exhibition as valid and serious art, and if it didn't, she was worried about the damage to her reputation. Her instincts told her it would be seen as a bold and gutsy move for what was normally a fairly conservative gallery, and she was confident that the quality of the pictures would carry it through, but you can never tell with critics β many of whom have other axes to grind and are not always objective in their judgments.
I had never seen her so concerned with the layout of a show before. She must have rung me a dozen times while she was hanging it, rearranging it and making different pieces the focal point when patrons first walked in. Normally she never asks my advice at all, "you just produce the work, Sam, leave the selling to me", but this time she was unsure of herself for the first time.
I was in the fortunate position of not being dependent on the outcome of the show. I wasn't desperate to make a bigger name for myself, so I was pretty relaxed about it. Sure, I wanted people to like and respect my work, but like Greta, I didn't know for sure if they would, and if they didn't... well, it wouldn't make much difference to me. Amy was the only one of the three of us who was utterly confident that it would be a big success.
On the night of the opening Amy and I were planning to arrive together at the gallery, after the first few rounds of drinks and canapΓ©s but before the official opening, when Greta usually made a little speech and then circulated amongst the more serious investors with her tiny black order book in her hand, and a sheet of sticky red dots to mark the pictures that were sold.
By mid-afternoon even I was feeling a little nervous. I had a feeling that Greta was up to something and I was afraid she was planning to call on me to make a speech, something I have always hated doing, especially when it was to promote my own work. I'm not very good at self-promotion and public speaking always scares me. Me and a few billion other people.
Amy had been sitting in the studio watching me work myself up into a lather.
"Sam, if you're going to pace up and down all afternoon, I'm going to treat myself to a couple of hours pampering. I'll meet you at the gallery later, OK?"
"I thought we were going to make an entrance together. Partners, remember?"
"It's your night, Sam. You've been too busy to notice because the last week has been such a rush, but I have been getting more than a little bit stubbly. I need waxing and a massage, and you're not very good company this afternoon."
"I have been neglecting you, haven't I? Promise you'll be there?
"I promise. You won't be sorry."
Greta's gallery is quite a big space, but by the time I got there it was already more full than I had ever seen it. Fifty to a hundred people was normally a good turnout, but there must have been three hundred people in the gallery and standing in the street outside with champagne flutes in their hands. The caterers were frantic, scurrying about with trays of drinks and nibbles, but the guests waiting to be served didn't seem as impatient as they normally would. Art lovers can be very hard to impress, and most of the small talk at show openings is about what other people are wearing, or about who's up who, or how the champagne isn't cold enough, but at Greta's gallery, most of the guests were actually looking at the works on display and talking about them rather than talking about themselves. The hubbub of conversation was unusually loud, and Greta had a big grin on her face when she spotted me. My heart sank a little as she made a beeline straight for me through the crowd. Here comes the request to make a speech, I thought, but I was wrong.
"Sam, the vibe is great", she whispered in my ear, "I've got buyers queuing up already for some of the bigger pieces, and I haven't even started selling yet."