Sun Li was masterful throughout that night and for the next two nights Ada spent in the Genting Highlands. And in succeeding months, he proved that he was inventive and capable of surprises as well. Their greatest challenge was in finding opportunity and location to carry on their affair. But somehow they managed through the next three years. If Stanfield suspected anything—if he noticed that Ada had taken on a special glow when he returned from Washington or that she had turned to painting mountain fast scenes with cascading waterfalls that he had to assume came entirely from her imagination—he said nothing. He was too much in love with his wife and not unaware of the impediments his own inability to perform sexually presented. And beyond the bit of adultry, Ada was the perfect wife, hostess, and intellectural foil for Stanfield.
As 1940 moved into 1941, that gathering storm in the outside world began intruding into Ada and Stanfield's idyllic paradise. Stanfield spent more and more time at the embassy in increasingly frustrating problem solving in a corner of the world that was slowly being isolated and beleaguered by the rising sun of the Japanese empire. For her part, Ada remained sunny side up to the Kuala Lumpur international community, but her true feelings could be seen in her painting. This would forever be known as her "gray" period. She was still painting the lush foliage of the Malayan jungle, but her painting was now being done in monochrome—in white and shades of gray and black. Just like a photograph; just like those other photographs, the one on J. Harvey Kincaid's nightstand and the ones she was receiving of Hugh's family. And, like the photographs, her paintings were study of subtle but clearly understood concern and fear for the future as much as the present. In all of this, Stanfield was her intellectual touch stone and Sun Li was her sexual release.
It wasn't only world events that had brought Ada to this period of her art. The early part of 1941 had also brought personal sadness to her from the far distance. In April she received a letter from her Aunt Martha informing her that her father, the Reverend Henry Albin, had died peacefully while taking a nap on a Sunday afternoon, after having given a rousing sermon to a handful of parishioners in his Natoma, Kansas, weather-beaten wooden church. Ada mourned the news, but she didn't mourn the loss of her father so much as she mourned her father's life—the life he'd never really had; the life he had denied himself.
She had hardly kept in touch with him after she had left his side, learning of his activities—or lack of them—from Aunt Martha. And now all she could feel for him was the sadness of what had never existed between them—or for him. The Reverend Albin had lived to be eighty-eight. Ada, who had always been told her dominate characteristics came from her father's side, could take comfort from his longevity. However, she told herself that, if she had the choice of living quietly to ninety or to live life to its fullness and die decades earlier, she'd choose the shorter life for herself without hesitation.
What had really brought her grief and had slapped her in the face with the trouble that was brewing in the world, however, happened the following month, in May. An experimental aircraft Quentin Hopewell and his wife, Estelle, were very publicly taking on an around-the-world adventure on a National Geographic assignment disappeared off the tracking charts in a group of Japanese-held Chinese islands off the coast of Hainan Island. A storm had put the aircraft significantly off course; it wasn't scheduled to go anywhere near those islands. But the reporting from Estelle had abruptly stopped and they didn't make their next scheduled landing. Soon thereafter they had planned to stop in Kuala Lumpur to visit Ada, and the Walkers had already laid on all sorts of media-covered events for them. But they simply disappeared. The Chinese authorities noted that they themselves had no access to the islands even though they supposedly were Chinese territory—and they used the opportunity to somewhat acidly point out to the Americans that they'd have to contact the Japanese, whom the Americans seemed to be ignoring were slowly gobbling up the world from the east. The Japanese government, when queried, simply said it knew nothing of any such flight—that their permission had not been requested for any such overflight of the islands and that permission would have been denied if it had been requested.