Author's Note: Over five books and more than one million words, we enter here into the sixth installment of Traffic Girl. I really never intended this to go beyond three books, but I feel like the story and characters have just grown and sustained the narrative. We enter the next phase here. I hope you enjoy -- and please, as always, keep the feedback coming.
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It was January 4. There were 100,000 fans screaming at the top of their lungs at the glorious, modern football stadium in Los Angeles. It was the last show of the four-night run that kicked off Riley and Henry's co-headlining Stages Tour. The lights had gone off ten minutes earlier when Henry stepped off his stage in the north end zone. The fans knew that meant, any moment, Riley would appear on her stage in the south end zone. The concerts were a spectacle, a throwback to the huge 1970s stadium tours of the great rock bands. After an opening act, Riley and Henry each played sets that lasted more than two hours. They were epic, marathon shows that whipped the crowds into insatiable frenzies.
In short, it was a circus. And I couldn't believe that I was standing backstage seeing it all.
"Hey, it's time," Katie said, looking up at me and then glancing sharply to her right.
"Get to it, baby," I said and kissed her. "I'm proud of you."
"Thanks, daddy," Katie said and kissed me back.
She quickly walked off and disappeared behind a door that swiftly closed. I knew who was behind it with her. Riley, Henry, and Emily, the lead singer of the opening band named BowHaus. It was time for Riley's pre-show liftoff, as she called it. She did two quick lines of cocaine and then exploded on stage to the driving bass of her classic hit song "Bringing it to You."
Maybe a minute after Katie had walked away, she was by my side again, the familiar, wild look in her eyes. She had an electric grin on her face, the same as she had flashed before the first three concerts. She loved it. She loved the energy of the crowd. She loved being on stage. She loved singing. She was learning to love the attention that came simply by being a part of something so massive in pop culture. She also looked fantastic in the tight, short, sequin-laden go-go dress and knee-high fuck-me boots she wore when she performed.
"Break a leg, my love," I said.
"I can't wait to suck your dick," she whispered to me just before she scrambled out on stage.
The band and backup performers took the stage a couple minutes before Riley. The crowd saw the flashlights that led them on stage, and their shrieks took on a fevered pitch when they realized how close they were to showtime. I mean, Henry was a big draw. But there was a different level of loyalty and obsession among Riley's fans.
A shimmering sleeve brushed against my arm. I turned and saw Riley standing next to me.
"I bet this never gets old," I said, relishing the fact that I knew why her eyes looked so excited.
"It never, ever does," she said. "It's the best fucking rush in the world."
"Break a leg," I said. "It's been amazing every night."
"Thanks," she said and took strong, confident steps forward just as the first boom of the bass careened across the stadium from the stacks of speakers above the stage.
Just when you thought the audience couldn't get any louder, but they did. The stage lights flashed on, and, like magic, Riley appeared at the center. And the concert was off to the races from that initial moment. I smiled as I scanned the crowd and saw the looks on people's faces. It was like witnessing the rapture.
I felt body heat next to me again and turned to my right. It was Henry.
"Hey, bud," I said and gave him a combination handshake/high-five. "Fucking awesome show."
"Thanks, dude," he said, flashing that famous, boyish smile.
"You must be ready for a night off," I said.
"I feel good, man," he said. "This has been next level. Crazy crowds. Amazing fans. And we get to dictate the schedule? It keeps you fresh. It's nothing like the grind of doing like fifty shows in sixty days."
"Well, you fucking earned the right to structure it that way," I said.
For the Stages Tour, Riley and Henry had decided to play three or four shows each in twenty cities across the U.S. and Canada, a total of seventy-five gigs in all. The concerts would be centered around weekends, which gave them more down time and a less arduous calendar. They sincerely believed it allowed them to connect better with their fans by performing higher quality shows. Based on the crowd response and the critical reviews for the LA shows, they were right.