PART ONE -- LONDON
- 3 -
Gabe sat at his desk with his laptop open, staring blankly at the screen. His mind was still far away. He couldn't help thinking about the previous morning and now his thoughts were not all fantasies of love goddesses. His mind was just starting to process properly that he had seen a woman killed right in front of him.
For some reason, the fact that he had watched the whole incident through the viewfinder of his bulky camera made it easier to cope with. It was almost as if viewing things through the camera made it feel like they were happening a long way away to other people, like watching the images on the news. He had heard that this was how photographers were able to operate seeing traumatic things in war zones, by hiding behind the camera to document events then it would seem like they were never really there at all. That was how Gabe had been all his adult life, concealed and detached behind his camera while the world went on around him. He had realised that this was the best way to avoid any pain to his sometimes over sensitive spirit, and he had resigned himself perhaps to not being truly part of anything but always to observe from the sidelines.
He began to upload the pictures that he had taken at the National Gallery onto the computer and they flashed up on the screen, quickly cycling through the events of the day. Starting with shots of pleasant, calm landscapes, the photos quickly became a document of the bloody scene that was on all the news channels.
Now that they were on his screen, Gabe could not look away. He was hooked. He felt that he had to try and understand what he had seen. Looking with the detachment of seeing a photograph on a computer screen, he could take himself away from having actually been there and examine the murder as a puzzle to be solved. He had turned copies of the pictures over to the police but a part of his mind, the part that liked to absently daydream, wondered if he could solve this mystery first. Anyway, it would be a good way to take his mind off the sickening reality.
Now that frail feminine body stretched out on the floor, blood stained body barely covered by the white shift, became like the victim in a mystery show on TV rather than a traumatic personal memory. Gabe began to study the picture closely, the arrow stuck from the back of her neck and there was a pool of blood all around it. She had slumped awkwardly on the floor but this was not the pose the photo had caught her in. Her arm was outstretched and her hand stained dark red with the blood from her own neck wound. Something had compelled her to use her very last breath to write on the wall in her own blood.
Gabe switched to the next photo, a close up of the bloody symbol on the gallery wall. The simple shape seemed to have a certain familiarity to Gabe but he couldn't quite place where he might have seen it before. He knew he had seen a circle with a cross or an arrow like that, but he just couldn't place it. He knew it had to be important, however. He wondered if there was any connection between the symbol and where it had been drawn, whether the renaissance masterwork had any link to the shocking modern murder.
The young woman had seemed to rush with purpose. She seemed curiously out of place on a wet, grey London day, without shoes or many clothes. It was almost as if she was escaping from something and yet the National Gallery seems a strange place to go if you were trying to escape. She seemed to have headed there for a purpose, perhaps this particular painting had something to do with it. The arrow in her neck seemed a curious choice of weapon, belonging to a different age and, perhaps, with a symbolic significance of its own. The painting, the symbol, the arrow, all of them seemed parts of a puzzle that Gabe could not fit together.
He decided to change his focus. Staring at the symbol was getting him nowhere, there must be something else to consider, another clue that could be the key to revealing the secrets behind the other mysteries as if when that one thing was discovered everything else would just fall into place and the whole affair would seem so obvious that he would wonder why he hadn't thought of it in the first place.
He began to think about what else might have made that space in the gallery particularly unusual on that day. Maybe the painting had nothing to do with it. Naturally, he began to consider the possibility that the Rokeby Venus was not significant in and of itself, but could perhaps have been a meeting point. The dead woman could have had something that she desperately needed to say or to pass on before whatever it was that was chasing her caught up with her.