This is part five of our story, and it contains no sex! While it can be read individually, reading previous chapters may help you to get to know Christine and Peter better. We join our story in progress - Christine and Peter engaged in a threesome with Madeline, a mysterious young girl from Peter's past. Though Christine is his wife, it is clear Madeline has a powerful hold over him...
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If the next morning was difficult, the two weeks following were unbearable. After two years of exceptional communication in their marriage, Christine and Peter were barely speaking. Peter was finding excuses to work late or to travel without her. When he was around, he was lost in thought, as if the weight of the world was upon him. Christine made sexual overtures the next day following their tryst with Madeline, but he rebuffed her, explaining that after their Anniversary, and evening with Madeline, he was "fucked out" and needed a bit of time to recover. He left for LA the next day for a four day trip. Normally Christine would use his time away to find a new plaything, and let Peter know all about it after he returned. This time she just didn't feel up to it.
He returned, and they made love his first evening back, but he was distant and distracted, and it was a fairly quiet affair. Madeline had returned to Paris, but she was still very clearly in their bed.
Christine had just about enough of this. Peter was sitting quietly, staring out the window at the New York City skyline, from their condo penthouse uptown. She approached him from behind, and placed her hand on his neck, playing with his ear.
"Darling, you have to talk to me. Tell me what's going on, what you're thinking. If we're going to survive this, we need to clear the air. About Madeline. About everything."
"If we're going to survive this?" he asked.
He looked up at his wife a long time, so sadly, and then turned to gaze back out over the city.
"You know, very little of this was here a couple of hundred years ago. People have come and gone - buildings, lives, lovers, hopes and dreams. No one really survives it, do they? I will love you till the stars go out, my darling. I will. I promise you. I'm sorry that's not enough."
Christine was thunderstruck. Was he leaving her? Telling her it was over? One night with an old flame and they were broken? She took a step back, tears welling up in her eyes.
"Why won't you fight for us?!" she yelled at him. "You'll love me till the end of time, but it's not enough?! What kind of BULLSHIT is this?!"
She was sobbing now, but things were going from bad to worse. He rose.
"I have to go to Paris, to speak to Madeline. I've been thinking about what to say to her since that night. I'm going to ask her to leave us alone, in peace. I hope you believe me. If you don't, I'll understand."
"Peter, you love her, it's so obvious. If you love her, why not be with her? Why be with ME if it's so difficult not to be with HER?!!"
Christine grabbed an ancient vase and hurled it against the wall, nearly pulverizing it. Peter looked at it as though it was a great loss; one of his precious antiques. It probably had belonged in a museum. He seemed to be taking it rather well.
"It's very complicated, my dear. I do love her, and probably always will. But you're my wife now and I love you terribly as well. I married you after only a few months of knowing you, and I did that for a reason. You know I have had a great deal of experience with women and you are truly special; very much one of a kind. And that is saying something in this world. I just need you to trust me right now. I chose you then, Christine, and I choose you now, if you think this is some sort of contest."
Christine was furious with him, not so much because of what he was saying, but how he was saying it. So calm, so rational. He was like a machine sometimes the way he could suppress emotion in difficult times, as if none of this really mattered. Meanwhile her emotions were in overdrive.
"I'm going with you then, if you insist on going. I'm not sending my husband into another woman's arms without a fight."
"I'm not so sure that's a good idea. Madeline can be very emotional. She might not react well to what I have to tell her. She has been known to act drastically in the past when she has felt threatened. It seems to be something of a pattern with her. You have to let me go. I'm best equipped to handle her."
"Then go."