Mrs Smith looked up as Roxy entered and said, "It's about time you showed up."
"Then if I'm not welcome I'll go."
The tutor shuffled papers and muttered, "And how would that rebellious comment look on my report?"
"Oh so you spy for your masters?"
"I've heard you referred to as a hot little bitch. Silly me I thought that referred to your acting ability."
Roxy grinned and said then Mrs Smith should do her job and ensure Roxy was steered in the right direction to earn accolades for her acting ability. "I put in the work, I listen and respond to you and I attempt to attain your high standards."
"That you do darling, and perhaps you are the only actor with ability I've ever had who puts in 101% efforts and laps up my guidance so diligently. I should be grateful to have you."
"So since when have you recognized I have ability?"
Mrs Smith sighed and scolded herself, "Oh Mary, sometimes you open your mouth once too often."
"Is your name Mary?"
"God girl, before you went to Italy you used to engage in interesting conversation. We should turn back the clock. Come on, we are going to have a look at production in Studio A. You take the part as guest actor next week as an imposter to claims to be Lionel Dearborn's illegitimate daughter conceived twenty-four years earlier when he was an art student roaming Italy the summer after her graduated from art school. I requested the walk-on role be written especially for you so that my masters, as you call them, can ascertain whether you have what it takes or whether you should be banished to become a weathergirl.
"Omigod, Mrs Smith, Mary, you are brilliant."
Roxy rushed into Mrs Smith and hugged and kissed her, with Mrs Smith saying not to pester her like that and to stop smudging her lipstick.
"That stuff you smear over your lips isn't lipstick; it's a coating to suggest you have blood in your veins."
Mrs Smith cackled and said Roxy was such an idiot.
"I've never known anyone to take liberties with me like you do and get away with it."
"Not even Mr Smith?"
"No, especially not Mr Smith. God there you go again encouraging me to talk about my husband when it's well known I don't talk about him here at work."
"Mrs Smith you really ought to relax more and not be dictated by behavioral rules. Now come with me before you forget what we were about to do. You'd said we were going to Studio A."
Mrs Smith cackled and said, "Come with me you delinquent."
The stage crew was changing a set so the actors were hanging about. As soon as Mrs Smith entered Bert Clew rushed over and said, "Hi Mrs Smith."
"Good morning Lambert," she said and he winced. "How is your stage mother?"
"Well tempered today for a change," he grinned. "Hi Roxy, you are to play against me. Perhaps I should explain..."
"That you play the suave Lionel Dearborn, a hugely successful art dealer with a weakness for weak women. Your off-stage wife is Veronica who actually is an art dealer and your children are Mike who is fourteen and blonde bombshell Lilac is a four-year-old and your on-stage wife is Merrill Stone who is a philistine when it comes to art, her only interest being 'how much'. Your charismatic on-stage mother is veteran character actress Vivienne Hall is having a real ball playing this part because she loves verbal fighting and this script for The Dearborn Family was written for her and your character is a person who can't stand being told what to do. I think I should stop there."
Bert looked at Mrs Smith who shrugged
"So you are a regular viewer and read the women's gossip magazines."
"Not really on both counts. The TV drama drags too much for my taste and I glance at women's mags to keep up to date. No when I received a job at this TV station I researched all the regular productions just in case I was placed with any of them and I read up on all the regular actors, presenters and anchor people on news. That sort of stuff."
"That's unbelievable."
"Well in the case of your series Lambert, I only told Roxy about her walk-on role with you guys fifteen minutes ago and she has been with me all the time since, so couldn't have gone off to cram up about your show."
"Jesus you ought to relax Roxy. You'll blow an artery if you keep up that pressure."
Bert introduced Roxy to regular members of the cast and to the producer Tony Hopkins who smiled and said he looked forward to working with her.
"Oh thank you and it's so interesting in meeting you. I had the part of Caroline at high school in your play The School Delinquents. Your interweaving of characters kept us on our toes and was good experience for us."
"Goodness, I'd almost forgotten I'd written that. I guess you were the only high school to perform it."
"I think we were the fourteenth school to have taken it to the stage."
"Good heavens."
As Bert took Roxy back to Mrs Hall she said, "Is Tony gay?"
Bert laughed and said, "You are rather bright Roxy" and she took that to be approval.
Back at the office Mrs Smith unlocked a drawer and took out two copies of the script for Episode 111 of The Dearborn Family to be filmed Wednesday and Thursday of next week, with Friday set aside as a spare day in case of problems.
"Well with probably less than ten minutes before the cameras I can't see myself being any problem to production efficiency."
Mrs Smith said, "You might care to substitute 48 minutes for ten minutes. The entire episode is shot around you and involving all the regular characters as you move in to disrupt their lives."
Roxy turned a little pale.
"Darling be not afraid," Mrs Smith smiled. "I described your personality, some characteristics including your shortness of attention span and liking for humorous interaction with touches of tease and your tendency to sniff and your habit of scratching under your left armpit to the team of three scriptwriters. Further, Tony Hopkins style is to lightly direct and I've told him to allow you to get on with it. So, all in all, this should be a real breeze for you."
"I sniff, oh god. And scratch under my arm like a drain layer and I have a short attention span. Omigod. No I'm not afraid Mrs Smith. You have me terrified."
"Right that's enough bellyaching. The episode opens with you looking across the street at Dearborn Art Gallery. When filming the crew place a temporary sign over the sign on Robinson Art Gallery on Walton Street. You walk into the gallery and ask the only occupant is he your father. The guy smiles and says that's unlikely because until three years ago he'd lived in South Africa and anyway he thought he was no more than fifteen years older that Zoë, which is the name of the character you will play."
"Oh god. I'm to play a dumb blonde."
"You are under immense pressure to confront the person you suspect is your father and make a reasonable error in confronting the person before identifying who he is. You won't be wearing a blonde wig so forget about dumb blondes. You will be a 25- year old natural chestnut beauty with a masters in cosmetic science and you drive a battered yellow Porsche."
"Oooh and do I end up seducing Lionel Dearborn?"
"Oh if you find that offensive I could get the script changed."
"No Mrs Smith, that will be quite in character for Zoë I guess."
Roxy called Anne Baxley that evening and told her she had a part in The Dearborn Family next week that would screen on Saturday at 8:00.
"Omigod, Tom and I watch that series. How big a part?"
"Quite big. I gather it is the TV station trying me out in drama."