Nature's Timeline
After the unnerving news about Cicely being pregnant by accident, I was out of the house like a shot, with lots of energy to keep things moving on the restoration. I also needed to talk to Bruce Tarleton about the next house project. Luckily, he was on the site this morning, talking to the painters who had sanded and primed the exterior siding after the lead removal, and were ready to begin two coats of acrylic exterior finish. As I came up, he was saying to the lead painter, "Everybody in town is going to be looking at your paint job on this house, Fred, so take your time and do it right.
Fred looked a bit unhappy that Bruce thought he might not do a good job, but nodded and said, "Got it."
"Bruce, I need a few minutes." I walked us over to the far side of the lot. "Amelia has decided there should be a second house here for the help. She's got Cicely already working on the design. I know you haven't taken on whole house projects, but maybe you would like to do this one? The client likes you, the architect thinks you do super work, and I'll do whatever you need to clear away obstacles like the planning department."
We walked around the site again, discussing the best way to fit the foundation into the side of the hill so the driveway and garage entrance could be inconspicuous. He looked at me. "I had my doubts about the restoration, Kirk, but you've gotten everyone to pull together and get it done. I admire your job skills. If I can get another extension on my arrangement with Tony, I'd like to do this one with you too. Will you send Cicely to me when she has sketches?"
I walked away breathing a huge sigh of relief. The contractor everyone wanted had said yes. Cice and Mely were in the office with coffee for me, and I high fived them. "Bruce says he has to check with Tony, but he would like to build the second house."
The women gave me a great hug, and Cice said, "Mother, you've got to keep him away from me so I can get some work done."
Mely was busy pulling my hair and trying to knee me in the crotch. "I hear you. I just don't know what's gotten into him lately. The roaming hands, public kissing, groping me in front of you. I'm going to have to put my foot down." She stood on my toes and gave me a long wet kiss. "Kirk, how do you manage to keep two women so happy and run this project too?"
I sat down and pulled her into my lap. "Every morning, I wake up and give thanks for the loving you give me, and the happiness we have in our lives."
They lowered their heads on me and said, "Kirk! You are going to make us cry with that kind of talk! We have to work!"
I led them upstairs. Like darkness before dawn, remodeling looks worst just before it gets a lot better. The sheetrockers, the tilemen, and the painters were all in different rooms. I talked to Hank Blossom, the sheetrock lead. "It's coming, Kirk, but remember there is a skim coat to add a plaster effect. We should be done on second floor by the end of this week."
I asked the women whether the paint colors were all settled on this floor. They nodded and led me to the color boards in a corner of one of the rooms. Carefully numbered and marked for sheen from flat through semi-gloss in the bath.
I said, "I am giving all my attention to finishing the second floor completely in the next two weeks. That gives you a week to clean it and furnish it. Right now, why don't you sit down in the office and see how far you can get with the guest house design."
A giant truck full of plants and bushes was out in front, with Maria supervising locations and asking Arturo if he could please connect the sprinklers before she got really mad.
I walked with him to the new master control valve. "Kirk, this wife of mine can be very tough some days."
"Arturo, she has incredible talent. This yard will be a miracle when she is done. There will be a prize with her name on it, and an article in the newspaper."
"Senor, you think this is good news for me?" We smiled at each other, knowing the need to keep our women feeling appreciated.
When I returned to the office, Ceci was just finishing a sketch of an elegant story and a half house set into the hillside. A series of shallow rooflines blended into the hill behind, and an excavated driveway came in a soft line from the right beneath a wall. She was explaining to Mely, "This retaining wall for the driveway will be almost eight feet, but we can soften it with a narrow planter at the base, and perhaps some niches for ivy." The overhangs were deep, almost Wrightsian. The siding was drawn to match the big house, tying them together just a little.
Mely was hopping up and down with excitement. "Kirk, this is wonderful. Maybe I have to live in it myself and let you and the Sotos have the big house!"
Ceci leaned into me and said, "It does look nice. Now I have to make the plans look as good as that sketch." I kneaded her shoulders and whispered, "First class job, architect."
I wrapped my arms around the client and whispered in her ear. She whipped around, lips asking, "Really?"
"It is a heritage house, people should be able to enjoy it. Maria could preside and keep everyone in line, like she already does. The expensive gourmet meals in the downstairs parlor, by reservation only, will be a local sensation. Mexican cuisine, the way it is prepared at the very finest places south of the border."
Ceci looked up from her table and asked, "What are you two talking about?"
Mely exclaimed, "He says that the big house should be an upscale B&B in the season, with fine dining in the parlor among the antiques."
The women embraced, "He's right, as usual. Perhaps I need to add a wing to the second house. Just in case?"
The client put her foot down. "Yes, do that. But before there are too many big ideas, let's get the remodel finished. Kirk, you stop mooning around us girls and get a move on."
I went to see Vic and check that the elaborate period bath fixtures had arrived. I also called about the reproduction four poster bed, sized for a modern king mattress, which I had commissioned at a shop in San Francisco. The owner said it would be ready for pickup in a week. Arturo's son Juan had been hired to go with me and help with the heavy lifting. He played football locally and was tough as nails.
The attic was chaos, with several carpenters sistering new wood to the original redwood. Their respect for the fine joinery used a hundred years ago was obvious. Mark Jones, the foreman, said, "Kirk, there aren't many jewels like this left. And none in this kind of condition. See these rough boards? That clear heart, fine grain wood is no longer available. Furniture makers would pay you a fortune for it."
I said, "But Amelia is keeping it right where it is, with your help. Nice work. Keep it up."
I was on my way back outside when Vic Lansing caught me and said he had found something I should see. In the basement, in the far dark corner, was a former coal storage room, going back to a time when the hot water for the radiators was heated by a coal fire. Vic's lantern cast a light into the room, walls still covered with black dust. He walked me to the rear wall, where the light revealed a top to bottom crack at least two inches wide.
"Wow," I said. "How long do you suppose that has been there?"
"Hard to say, but look at this." At the top of the rock wall, the bearing plate for the floor and walls above had shifted, with only an inch of purchase remaining.