Pornstar 3: Stake
"Hello, Nancy!"
Mrs Price's voice rang surprised out of the shadows. We walked in to meet her. When our eyes had adjusted I could see she was looking at us with a very alert, wary gaze. We exchanged greetings politely, perhaps even a little formally. Mrs Price asked how I was, and when that sort of nicety was out of the way, asked Nancy whether she was joining the planning team. Nancy said she hadn't yet been invited properly, and wasn't sure whether she would anyway because there were some issues which she still had to resolve. Carefully no-one mentioned sex or sex scenes. Mrs Price asked whether I thought the barn would do for the prison scenes.
I looked around; there were a couple of big, solid old wooden loose boxes at the end, with board doors and boarded sides a good five feet tall. At some stage someone had bored a two inch hole through the partition to run a water pipe for a trough through it, and at some later point someone had taken the trough and the pipe away. I ran my finger round the edge of the hole...
"Hey," said Nancy, brightly, "it's even got a hole in the right place!"
Mrs Price looked at Nancy. Nancy looked at Mrs Price. Nancy put a hand up to her mouth in a classic 'oops' expression, and we all laughed nervously. At that point Paul and Lill walked in. Each of them in turn did a visible double take when they recognised Nancy, but they greeted her politely. Mrs Price showed them the looseboxes. She was still visibly uptight.
Finally Paul said "OK, shall we get started?"
"Hang on just a minute. Nancy, you know what we're here to talk about. Are you in or are you out?"
"You mean about the..."
"No, don't tell me about it. Just, yes or no, do you know and are you in?"
"Well..."
"No," said Mrs Price. "It's not well. My career is on the line here. I need you to say yes or no."
Nancy looked at me. I looked back blank.
"Look," said Nancy, "can Kyle and I have a couple of minutes quiet just to sort a couple of things?"
We went outside. Nancy turned on me. "Did last night make any difference?"
"Yes."
"So is it still OK with you if Paul screws me?"
I looked at her. I looked at the barn. I thought of the film and what I thought I could do with it. I thought about losing Nancy when we'd just started. Most of all I tried desperately not to cry again.
"It's not OK, is it?"
I shook my head.
"Are you going to say I can't, then?"
I looked at her. I thought about last night. I though about losing her.
"Hey, something I need to know..." I said.
"OK?"
"Are we an item?"
"What do you mean?"
"I mean, was last night just something that happened, or was it the start of something big?"
"That's kind of what I'm asking you."
"Do you want it to be?"
"Do you?"
I nodded, emphatically. "More than anything else."
"More than this film?"
"Way, way more than this film..."
"Then you want me to say no?"
"Hey," I said. I saw where we were getting to. "Hey, no, no. You're free. That's what you said to me yesterday. You're free. You say what you want to say. I'm not saying for you."
And then she had her my arms round me again and kissing me and saying I was brilliant, did I know that? And there was a moment or two when not much happened which advances this story any.
"Kyle," she said, still holding on to me, "do you want to do this film?"
"Do you mind?"
"It doesn't matter whether I mind, do you want to?"
"Yeah. Yes, I do, but not if it..."
"Hey, I don't know whether it will or won't. I don't know what will happen. This kind of scares me. But I think you should do this, for yourself. I think you have to make those storyboards come to life."
We went back in, and Mrs Price asked Nancy again, well?
"OK, well, it is 'well', whether you like it or not. That's the way it's got to be. I think this whole thing is really emotionally explosive and I think there are some people here who aren't as emotionally strong as they need to be, and if I think me being in is going to do real damage to anyone else then I'm out, and if that isn't good enough for you just say so now. But if it is good enough for you then I'm in, OK?"