PROLOGUE
Somewhere in the empire, Lucia Holconia Polla had a dream. In her dream, she watched her home city of Pompeii crumble delicately into a fine powdery dust. A wind swept around her, a wind that moaned and sounded like both pleasure and pain, and blew the dust away.
Lucia felt both happy and sad Pompeii was gone.
Happy because she knew it was gone and she could never return. She was free.
Sad because it was her home. And she felt homesick watching the dust swirl into the sky. When she woke, Lucia realized her feelings of homesickness and sadness meant absolutely that one day she would return to Pompeii.
IBIS
WHEN THE FRONT DOOR of the whorehouse slammed, Ibis heard her dead friend shriek. It caused Ibis to prick her thumb as she pinned her tunic. Rather than sucking the blood from her thumb, she squeezed the tear in her skin and made it bleed. Kneeling before the altars of Persephone and Isis in her room, she let drops of blood fall into the oil of the altar's flame. With dry lips she wet compulsively, Ibis begged Persephone to calm Quintia in the underworld.
"Befriend her, Queen of the Dead. Be a better friend than I was during her life. Be so good to her she forgets me," and tears mixed with the oil and blood.
She had to hurry. She knew she would be called for soon. The slamming door meant customers had arrived.
"Isis, mother her in the afterlife," Ibis whispered, hearing footsteps in the hall approach her room. These were not living footsteps; they dragged in a way no living person could. Her concentration broke, and her hands sweated as she added herbs to the oil and blood feeding the flame.
Ibis heard the pads of fingers dragging down her door—dead, bloody fingers. Ibis could smell the trails of blood left behind.
Sometimes other girls heard Quintia, or claimed they heard her. But what others described they witnessed was nothing compared to what Ibis witnessed. No one really knew what she had seen and heard. Ibis thought Quintia haunted her especially because Quintia loved Ibis especially.
Ibis went to her door; she feared the dead, but she feared fearing anything more. She opened the door. No one was there except a sharp chill that scraped along Ibis's skin like the blade of an axe. She thought abruptly, coming from no where in her mind—He's downstairs.
Then the chill faded and replaced itself with the thick August evening warmth.
AULUS RUSTIUS NASO was known by all as Naso. That was his name as a slave in Pompeii.
When Naso's master had died, who was Aulus Rustius Taro, his will freed Naso and bequeathed to him a small fortune. Naso invested the money in Pompeiian wine. He then bought a young girl who was a chamber slave to a neighboring family, freed her, and married her. They had been lovers secretly for months. His wife had several children, all of whom died in infancy except his only son Aulus Rustius Verus: who Naso called Rust. Through a natural shrewdness with money, and using techniques he had seen his master use, Naso turned his fortune into a growing empire. Before he was thirty, Naso was as rich as the oldest and most affluent family in Pompeii, the Holconias.
THE EARTHQUAKE OF 62 was the best thing that could have happened to Naso. As people fled the city in terror, willing to sell at any price, Naso bought cheap. He bought ruined houses and stores and bought buildings that hadn't been damaged at all. He laughed when owners handed over deeds, warning Naso he was buying cursed land in a city suffering under the wrath of a vindictive god. Naso never assumed the worst in any situation. He saw the Earthquake only as Bacchus loudly expelling gas.
The Holconias, who did believe the city was undergoing some sort of a spiritual crisis, but not one worth ruining themselves financially in order to avoid, did not approve of Naso. They raised their noses in distaste at Naso, as if smelling something sweetly rotting, and mutter something derisive about 'new money'.
What was worse to the Holconias were reports from slaves about the interior of the Rustia home. Apparently horrifyingly garish and obscene paintings adorned the walls, all in the new style of brightly painted faux pillars, flora, fauna, mock theatrical stages, in bright red, blue, green and gold panels. In rooms most available to guests, such as banquet rooms, one could eat and stare at satyrs raping naked nymphs, or voluptuous, round-assed women pushing themselves onto Satyrs prostrate with desire.
Rumor said that once Holconius himself asked Naso if he did he indeed have such graphic depictions in his house. Naso reportedly laughed, slapped Holconius on the shoulder, and said, "Hell yes! And posing for them was the best week of my life."
RUSTIUS NASO yelled up the stairs for Ibis. "Where are you, you skinny Greek goddess?! Stop whoever you're doing and come down here and suck me off!"
Naso's friend Julius put his hand on Naso's shoulder and Naso put his arm around him and yelled, "Shimmy your sweet skinny ass down here and suck us both off! Ibis!"