📚 pathways to submission: laura Part 3 of 4
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EROTIC NOVELS

Pathways To Submission Laura Pt 03

Pathways To Submission Laura Pt 03

by rachaeljane
20 min read
4.75 (3300 views)
adultfiction

Part 3: The Canary Islands (1)

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Chapter 15: Welcome to Tenerife

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The four hour flight to Tenerife South airport is an adventure on its own. It's the farthest I've travelled on my own, and my first visit to a Spanish speaking country. Since I know only five words of Spanish, I'm reliant on people being able to speak English, or understand my school-grade French and German. My sister Rose was concerned about my sudden enthusiasm for this trip, but I convinced her that I'll be okay. My continuing slide into the kinky world of dominance and submission still causes her some anxiety. However, Rose was mollified when I told her that Mistress Hildebrand has arranged for me to be met at the airport. I'm to be personally escorted to the villa that will be my home for the next two weeks.

The immigration and customs officials at the airport are baffled by my minimal luggage. Most tourists arrive with more than a small carry-on shoulder bag with toiletries and a single change of clothes. Fortunately I've been allowed to travel without any symbols of my submission to Mistress Matilda. My Foxglove Hall ear-tag has been temporarily replaced by a silver stud, and my chastity belt remains back at the Hall. The only symbol of my lowly status in Mistress Hildebrand's household is the innocent looking bronze cuff I wear on my upper left arm. That apparently signifies my status as a slave to all who understand the arm cuff's meaning. And not just any type of slave, but a sex slave.

My performance at the last Dominas-Kongress had failed to achieve first place mainly because I know only two positions for sexual intercourse... missionary and doggy-style. Until recently, Mistress Matilda has imposed a regime that kept me sexually needy by ensuring that I'm denied an orgasm. That regime ended abruptly after I couldn't prevent myself from an explosive orgasm and spraying my cum over several spectators at the Dominas-Kongress. That disgraceful act won a bet between Mistress Matilda and Mistress Claudia. It earned me an eight thousand Euro reward, and even more for Mistress Matilda. Now there is an expectation for a repeat performance at the next Dominas-Kongress in five week's time. However, that isn't why Mistress Matilda has sent me here. She expects me to achieve first place in the main competition at the next Dominas-Kongress. To do that, I need to learn and practise having sex in more exotic positions.

After weeks of enforced celibacy while watching others having sex, I'm eager to participate in what Mistress Matilda proposes. My concerns about an unwanted pregnancy are alleviated when Mistress Matilda confirms that only women will be involved in my training. Like every other female employee at Foxglove Hall, I have been prohibited from using contraceptives. Any form of contraception is regarded as a breach of his Lordship's feudal right to procreate with those in his employ. Of course, the feudal right of procreation was abolished centuries ago, but hiring a lawyer to challenge Master Arthur's ruling is beyond my means. Even Mistress Matilda, who otherwise governs Foxglove Hall, hasn't overruled her brother's demands.

I quickly send text messages to both Rose and Mistress Matilda confirming my safe arrival in Tenerife. I then go looking for my escort. I find her standing near the terminal exit, holding a sign reading 'Sklavin Laura'. I hope that there are no German tourists among the passengers off my flight from London who will understand that the sign means Slave Laura. I quickly join my escort. At least she has the decency to lower the sign as soon as I identify myself. I've arrived looking like any other tourist, wearing a short-sleeved blouse and jeans. My cardigan and overcoat... essential in chilly England, but superfluous here... are slung over my arm.

"I'm Señorita Maria. Follow me, Slave Laura," says the middle-aged woman in excellent English.

As soon as Mistress Hildebrand had agreed to train me, I'd been briefed on the manner in which I'll be treated here. Mistress Matilda ensured that I understood and agreed to the terms and conditions attached to this 'holiday' before I left Foxglove Hall. I confess that a few of those terms make me nervous, but I'm already deeply committed to this lifestyle. Allowing women I don't know to fuck me is a major step down the path I have chosen.

Señorita Maria leads me to a small dark green van parked in a quiet corner of the car park. A male driver is sat in the cab waiting for our arrival. Señorita Maria takes my bag, cardigan and coat, and places them in the cab behind the driver's seat. She escorts me to the rear doors of the van and has me climb in. Before me is a short, fully enclosed compartment with a battered foam mattress covering the floor. An overhead light suddenly illuminates, presumably activated by the driver in the front cab. The compartment is less than five feet high, so I must kneel or sit. Señorita has me sit down facing the driver's cab. Then she opens a panel above my head and lowers a metal collar and chain. Before I fully comprehend what is happening, Señorita locks the collar around my neck and tests the amount of play in the chain. The other end of the chain is fastened to a sliding device running along a rail stretching the length of the compartment roof. Moments later she leaves the compartment and shuts the doors. I hear her board the passenger side of the cab. The overhead light go out almost immediately.

The only windows in the compartment are two small tinted glass panels in the rear doors. They don't provide much light but it's better than sitting in the dark. I experiment with my collar and chain. Although I can't free myself, I can at least slide the chain along the full length of the rail. Which makes me wonder why I've been restrained in this fashion since I can reach anywhere within my small prison. The rear doors can't be opened from the inside, so it isn't as though I'm going to jump out and make a bolt for freedom. Not that I would want to do that anyway.

The van starts to move, and I quickly sit down to avoid being thrown about. I position myself so I can see out of the rear windows. It isn't much of a view, but it beats looking at the blank walls of the compartment. We soon leave the built-up area near the airport. Before long we are winding our way along narrow roads. Mistress Matilda said the villa is located near a small town called San Miguel de Abona. I studied a map of the area before I left England. The town doesn't seem to be too far from the airport, but distances can be misleading in this hilly terrain.

The ride isn't too uncomfortable given the number of twists and turns as we climb higher into the hills. I must have misread the scale on the map as the journey is a lot longer than I anticipated. We pass through several small villages, but my limited view prevents me from identifying any of them. The journey takes about forty minutes at a fairly leisurely pace. The first indication I get that we've arrived is when the van reverses a short distance. The light through the rear windows suddenly dims and the overhead light in the compartment is switched on. The van stops moments later and I hear both Señorita Maria and the driver get out. There's some banging and clattering nearby before the rear doors open. We're inside a small cave that just about accommodates the van. A dimly lit passage facing the rear doors continues further into the cave.

"Get out, Slave Laura," says Señorita Maria, sliding my chain's runner to the stop at door end of the rail.

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There's enough play in the chain to allow me to slide out of the van and stand just clear of the van's rear. I wait for my collar to be released, but instead I'm handed a small bag.

"Change into these and put your own clothes in the bag. Shoes as well," orders Señorita Maria.

After all these weeks in Mistress Matilda's thrall, I know better than to expect some privacy while I change. However, both the diver and Señorita Maria busy themselves elsewhere while I strip. It's not as though I can go anywhere in their absence. I pull out the flimsy clothing inside the bag. A see-through lacy bra, and matching crotchless panties take my breath away. Only the tiny red vinyl mini-skirt provides me with any sense of decency. I'm surprised but not alarmed at these clothes. I was warned before I left England that I would be tested to the limit over the next two weeks. Barefoot and wearing the skimpiest of clothing, I fold my own clothes and place them on top of my shoes in the bag.

Señorita Maria returns a few moments later. She drags a four foot long chain towards me. One end is attached to a rail mounted on the passage wall. She proceeds to attach the other end to my collar and locks it in place using some form of electronic padlock. Then she releases the lock holding the van chain to my collar. Finally I can walk away from the van. However, I'm now chained to a rail on the cave wall, albeit by a longer chain.

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Chapter 16: Sleeping quarters

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Señorita Maria guides me down the passage. My chain is attached to a runner that glides along the rail like a curtain hook. I soon discover that it is easier to hold the end of the chain near the runner so that it doesn't drag behind me. Apparently this is the correct method of moving about. In some places the rail is above me, and in others at shoulder height beside me. We follow the passage for about thirty feet before we are brought to a halt when we come face to face with a young woman wearing a similar outfit to me. She's fastened to the same rail as me, so I can't see how we are going to pass her.

The ingenuity of the rail system is impressive even though I can't understand the need for it. Every twenty feet or so there is a small switching device on the rail, like a turnout on a railway. By changing the rail the runner is moving along, it's possible to slide the runner onto a short dead-end section of rail. The other person can then pass. The process can get very intimate considering we need to squeeze by each other without tangling our chains. Once a crossover has been achieved, reversing the process enables the runner to be reconnected to the main rail and the journey continued. Junctions in the rail network work in a similar way enabling those of us chained to the rail to go to different places without ever being free of our restraints. At several places, Señorita Maria has me switch my chain's runner to a different rail.

We journey deeper into the network of passages worming their way through the rock. The scientist in me recognises the rock as volcanic, with several strata of lava visible in some places. Some of these passages could be natural volcanic tubes created during an ancient eruption.

"Don't worry, Slave Laura," laughs Señorita Maria when she sees me studying the volcanic strata. "This lava is tens of thousands of years old. The Teide volcano is extinct."

She's wrong. I'm tempted to correct Señorita Maria but I remember the house rule that I may only speak in order to answer a direct question. Teide isn't extinct, but dormant. It last erupted in 1909, and 1798 before that. The chances of me being here when it blows again are negligible, but it will erupt again one day. I think this fortnight is going to contain enough excitement without an erupting volcano as well.

Not all passages we pass have a rail system installed, so I presume those are out of bounds to 'slaves'. A few hundred feet from the cave entrance we reach a wide underground cavern with a pool in the centre. Subdued lighting illuminates most of the cavern. A narrow gallery, about shoulder height to those on the cavern floor, runs around the outer edge of the cavern. From my elevated position, I can see that there are five other 'slaves' sitting or standing at different places around the cavern. All are dressed and restrained in the same way I am.

"This is your sleeping area, Slave Laura," says Señorita Maria when we reach a place in the gallery opposite an empty segment of the cavern floor below. "Your Mistress will come to fetch you when she's ready."

Señorita Maria guides the runner of my chain onto a side branch of the rail network. Then she uses a key to lock a blocking device on the rail. While others can move along the gallery, I cannot move beyond the area designated as my sleeping quarters. I think of it as a prison cell even though there are no bars or doors. Señorita Maria repositions a ladder, stored against the gallery wall, to enable me to climb down to the cavern floor. The rail to which I'm attached runs vertically to floor of the cavern, and then in a straight line towards the pool. Señorita removes the ladder before leaving me to explore my new prison.

The cavern wall is rough volcanic rock. While I could scramble back up to the gallery, I would likely injure myself in the process. Climbing over rough volcanic rock dressed as I am is a quick way to cut my skin to ribbons. And even if I could reach the gallery, I cannot go anywhere because of the blocking device on the rail. I go back to exploring my cell. The rail is set in a groove in the floor. The length of my chain forces me to stoop as I walk about. A couple of short branches in the rail line mean I can reach everything easily. However, any physical contact with my neighbours will be impossible, and talking to each other is strictly forbidden. I look around for cameras monitoring the cavern, but I can't see any.

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My cell looks remarkably comfortable given its location and purpose. The bed has a soft clean mattress and the sheets are freshly laundered. A pretty duvet is laid across the foot of the bed. I have my own composting toilet, albeit with no privacy. Washing and bathing is done in the pool, out-of-reach of anyone else. Several bottles of drinking water, and sealed packets of food, are laid out on a small board that must double as my personal table.

My biggest challenge is going to be boredom. I've nothing to read. I haven't seen my belongings since I left the van. I study my fellow 'slaves'. Three are women about my age, or a little older. The other two are young men who look no older than twenty. All five of them are looking at me intently. Their outfits are the same as mine, although the men are bare-chested, and I suppose I should refer to their short skirt as a kilt.

I look around me and estimate that the cavern can house up to twelve slaves, positioned in a circle around the pool. The gallery goes around the whole cavern at shoulder height, although in places a handrail has been installed where the width of the gallery narrows to little more than a ledge. The area next to me in a clockwise direction is currently unoccupied. Although I saw another 'slave' on my journey from the van, the crisply made bed and untouched food suggests the cell next to me is vacant.

The cell on the other side of mine is occupied. One of the young men is my immediate neighbour. His swarthy looks make me think of him as a local, but I'm only guessing. He clearly wants to engage with me, but we cannot reach to touch, nor are we allowed to talk to each other. It's frustrating and arousing at the same time. Miguel... I've mentally named him after the nearby town... is not deterred by the restrictions placed on us. He has no qualms about reaching under his kilt and playing with his cock. The sight of him happily wanking at the sight of me causes my already heightened emotional state to mount into a full blown arousal. My hand dips under my skirt. My uncovered slit is already getting moist.

Miguel makes a signal that clearly means he wants me to show him my tits. My lacy bra does very little to hide them, so I'm not sure why he is so eager for me to do so. I shake my head in refusal. I don't know the rules regarding sexual play in these cells, but I'm not going to risk a punishment on my first day. As it turns out, flashing my tits proves unnecessary. Miguel soon tips himself over the edge and shoots his cum onto the floor between his legs. He blows me a kiss, which would be sweet if his hand wasn't dripping with his cum.

I look across the pool to the young woman on the opposite side of the cavern. She has been watching me ever since I arrived. I suppose there isn't much else to do in here apart from sizing up new arrivals. She's dressed in the same outfit as me, although her mini-skirt is bright yellow. It takes me a few moments to recognise her as Cassie. She was one of the competitors I met at the Dominas-Kongress a few weeks ago. I try to remember the name of her mistress, but it escapes me for the moment. She winks at me and lifts her skirt so that I get a look at her cunny through her crotchless panties. I take the gesture as some form of greeting, and recognition of my performance on the table at the Dominas-Kongress.

We aren't left in peace for very long. The other five 'slaves' are taken away one at a time, leaving me on my own. I wait a few minutes to see if I'll be collected, but it appears that I'm to remain here. I take the opportunity to strip naked and take a dip in the pool. The water is pleasantly warm suggesting it is thermal water from the local volcanic field. When I've finished I realise that I've only a small hand towel to dry myself. The air in the cavern is warmer than in the passages, so I can simply sit and wait until my body dries naturally.

While I wait, I feel around the collar on my neck. The metal band is lined with a soft plastic inner which fits comfortably against my neck and prevents any rubbing against my skin. The chain is more problematic. The runner has four nylon wheels which slide along an enclosed groove in the rail. The wheels glide silently, but they have a tendency to catch at the rail joins, causing the chain to jar. The solution is for me to hold the chain near the runner to stop any jarring reaching my collar. However, that won't always be easy if the rail is above me.

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Chapter 17: Introduced to Mistress

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"Come with me, Slave Laura," says a voice I wasn't expecting to hear.

Mistress Claudia! She's the mistress who lost a small fortune to Mistress Matilda and me when she bet against me at the Dominas-Kongress. I strongly suspect that I'm her least favourite submissive in the network of doms and subs in which we circulate. Why is she here? I quickly put on my clothing while she lowers the ladder into my cell.

I climb up to the gallery above and Mistress Claudia unlocks the device on the rail so that I can leave the cavern. Mistress Claudia is obviously familiar with this place as she is able to tell me when to change my chain's runner from one rail to another at junctions. At one point I meet a female 'slave' coming the other way and we perform the usual routine with our chain runners to pass each other.

I haven't seen this 'slave' before, so she is presumably another guest of the cavern I've just left. I squeeze around her on the outside, holding my chain high so that she can duck underneath. I jolt in surprise as she runs her hands over my tits as she passes me. I stifle my alarm since I don't want to alert Mistress Claudia. I'm unsure whether this is accepted behaviour, and I don't want to get another 'slave' in trouble if I can avoid it.

Our journey ends in a small room. The rail holding my chain drops to the floor, forcing me to stoop. Mistress Claudia signals for me to sit on a large cushion on the floor, while she sits on a couch facing me. I obey since trying to do anything else would be pointless.

"Slave Laura," begins Mistress Claudia. "Mistress Hildebrand has agreed that my dungeons are more appropriate than her comfortable villa for your training. Before leaving England, you signed and agreement to submit to whatever regime Mistress Hildebrand imposed on you, including allowing others to fuck you. She has assigned that agreement to me. Therefore you will submit to my regime in every respect. Do you understand? Do you have any questions?"

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