Mina now takes Lukas to the kitchen, to help her make coffee and tea, and soon enough Adison, Vincent and Melissa arrive with their visitors.
Father Nicholas looks much the same as yesterday, but tired, no doubt his night was even longer than theirs. Two burly men follow him on his heels, Hercules, now dressed in trousers and a work-shirt, and shoes, and the nameless guard, also fully clothed in a simple manner, and sporting a few bandages where Lord Douglas cut him with his fabulous sword-play.
To think he never crossed blades with more than one opponent, and only in practise, Mina can hardly believe the young man managed to subdue two skilled fighters and only had to kill one of them. This one is only superficially wounded, but of course he doesn't show any sign of hurting, he cannot.
When they are all seated and holding a cup of coffee or tea, except the possessed men, who stare into space and do nothing much at all, Father Nicholas observes, 'I haven't gotten them to eat or drink anything. If you cannot help them I'm afraid we'll lose them to dehydration within the week. Mr Quesnet must have had a command to make them eat.'
He truly feels this, it is so weird to rhyme this sensitive, caring man with the mindless persecution by the witch-hunters he leads.
Mina can see Adison soften under the Father's admission, she still reproaches him being dishonest towards them, endangering Mina's life and Vincent's sanity, but this proof of his good heart touches her own feelings. Well, she's the one who is going to do the hard work, so she is the one who needs to find some kind of peace with what the Father did.
By now, Victor and Paul have managed to pull themselves away from their favourite subject and enter the room, greeting the Father politely.
'I've tried to avoid getting acquainted with the three of you, for your own safety, but after bumping into Lukas here last time, I'm afraid we can't avoid making our formal introductions.'
Hearing Paul's connection to one of the most influential families in the city clearly gives the Father some feeling of relief rather than anxiety. So George was right, being rich and having connections does make a difference to the witch-hunters. Well, after this is done, they need have very little to do with Father Nicholas, and everybody will be safe.
Father Nicholas proceeds to tell them what happened inside Mr Quesnet's place after they left, and it is not a pretty tale. Apparently they did find a hidden cellar, with an altar, and sacrifices. Most were tortured to death, undoubtedly to gather all the power he needed to accomplish his final possession, but a few pitiable souls were still alive.
'They have been taken to one of the charities under my command, and with proper care most will live, but the cruelties they have suffered and the things they have seen will probably haunt them forever. I hope you will take pity on me and finally tell me why these practitioners of the dark arts always seem to feel a need to torture innocents.
Is is just innate cruelty that seeks its way out, or does it serve some larger purpose? I know I am the enemy, but will someone please tell me? It is such a burden to bear, these lives destroyed.'
Father Nicholas seems hardly suitable for such tasks, he seems to feel everything so keenly, he must be suffering great disturbance of mind often, not just from these atrocities, but from the need of the people he spends most of his time with as well. He cannot be a happy man, how can he keep his faith in his god?
'We have destroyed everything we found that had the slightest connection to witch-craft, except two cursed medallions we just couldn't make a scratch on. I've wrapped them in black silk personally, then blessed the fabric with holy water, hoping one of you knows a way to get rid of them.'
Now Paul gazes straight at the Father, and starts to speak, formally.
'As the Guardian of the third quarter of our capital city, I have asked and obtained leave of our own council to tell you about the foul practice that is called blood-magic. It is not our habit to enlighten our enemies with knowledge of that which they seek to destroy without any reference to the nature of its users, but since your advice has proven sound, I am allowed to give some knowledge in return.'
Father Nicholas looks positively hungry, and Paul continues.
'You yourself have apparently proven to possess a magic talent, Father, and you know the common terms that the talented use.
But there are people who know of the existence of magic, but do not possess the talent, just the sight to recognize it in others. The only way these people can ever use magic is by stealing the power from the talented through painful rites, leaving them burned out, their talent destroyed, but generally alive to stumble through the rest of their lives as mindless zombies. The victims are usually children or untrained adults, for trained talented know how to defend themselves against these dangerous predators.
You employ a lot of the unfortunates with sight but without talent as witch-hunters, and undoubtedly some of their fervour comes from jealousy at being able to see magic being used, but unable to do so themselves. Others take it further, believe me, I've dealt with their kind.
Then there are those who have neither sight, nor talent. They can learn the use of magic, usually from evil books, but sometimes from another such mage, evil without exceptions, for to get their power they have to prey on the weak.
As the life all around us gives off power in tiny amounts just by being alive, so the death of an innocent releases all that power at once, and there are spells to harvest that magic, and to store it in such an amulet as you describe you found in the Master's house.
This magic can only be seen with sight as it is used, which makes it difficult to spy out and very difficult to counter. But it can be done, and blood-mages rarely gain true competence, their inability to understand what they are doing hinders them greatly.
Still, they cause immense harm and pain, and need to be destroyed, but as you so rightly said to my friends, without sight and without a talent of one's own it is very dangerous and near impossible to do so.
Does that answer your question?'
That certainly did answer Father Nicholas' plea for information, and Mina is certain this will not go any further than the Father himself. For understandably magic-users keep that information to themselves, the less people know that magic can be practised at the cost of human lives, the better. And vampires liking to kill slowly and with suffering may be another way to gather magic for their own existence, gruesome, but true.
Maybe Father Nicholas knows where all the vampires went, there were dozens in London at one time. But Mina is not going to draw his attention to the fact that she is one of them, he probably knows for seeing Vincent feed her yesterday, but then again, maybe he did not see it.
They now file out of the sitting-room towards the basement, where all the weaponry has been taken out of sight, and the two benches are left.
Lukas sits down on one of them, Adison on his one side, Paul on his other. Father Nicholas leads the first mindless man to the opposite bench and sits down next to him, Vincent placing himself on the other side, and Mina keeping an eye on the second victim, who is standing where Father Nicholas left him, near the stairs.
As Paul takes Lukas' hand with obvious affection, Lukas asks Adison to let him deal with the first patient and merely watch what he does. The next one she can handle with his help.
'This is dangerous, Adison, but with Paul anchoring us we will be safe.'
To Mina it is obvious that Paul and Lukas are not merely sharing a woman, there is a lot of love between the two men as well. Melissa sits on the stairs right next to Mina.
'That is true, Paul is a very good anchor, not all mages are. Some feel too important to do such a menial task, but Paul knows that anchoring Lukas is not menial at all, Lukas is very important to us, and he lets himself get carried away sometimes, he wants to help so badly.'