Notes from the author on part 8:
It was nice to see the return of the rough and tumble tita, Stephanie Santos. She is such a fun character to write. The archeological dig mention in the story is not far from the home of my friend on Maui. He went over to check it out. Apparently it's the real thing. My friend reports that archeologists uncovered a camp established by the Catholic church in the mid eighteen hundreds. I found a website dedicated to the dig. It seems that the fledgling little colony was abandoned after a brutal double homicide that went unsolved. Enough notes. Enjoy part 9.
Thanks.
Eagelwolf.
**********
Chapter 45 Beers, Coffee, Manapua and the Freak Wave
I lay like a boneless cat on my ratty loveseat sofa looking at my latest painting on my easel. It was a portrait of me, nude (of course) keeling on a nondescript rug in a nondescript dark room looking into a glowing orb in my lap. My face and upper torso is bathed in a greenish-yellow light from the orb. It looked like a scene right out of a Frank Frazetta painting. The glowing orb was designed after the glass net float I had found at the cove on Maui with the symbol of the goddess Li stamped into it. I held the very thing in my hands, absently stroking its barnacle spotted glass surface as I studied my painting.
The painting was inspired by my brief appearance in Meka's little movie a week ago.
"What the fuck is that background? And where the hell are you?" I asked.
My painted self didn't answer of course and just stared indifferently at her glowing globe.
"The male gaze," I whispered aloud although there were no men in the painting, just naked old me. But that's what the orb represented, Meka's camera and the thousands of men watching naked woman in movies, judging, reducing and consuming them with their eyes.
"Fucking male gaze," I whispered.
I felt a little guilty because I found the idea of men seeing me naked kind of thrilling lately. Explains all the fucking nudes I've been painting I guess.
My own gaze fell on my new mirror hanging on the back of my studio door. I had grown tired of hauling the big mirror from the drawing studio to my own private studio every time I wanted to do a self portrait—which seemed every other painting lately. My new mirror is the very same mirror that had hung on back of Hawk's dorm room door. Hawk had since moved to a spacious apartment off campus. Anyway, I had developed a fixation with that mirror and asked Hawk if I could have it. He thought me crazy for wanting it, and it had been a bitch to remove too. The cost of a replacement mirror was deducted from his deposit. I had to promise him a painting as payment.
I looked at the reflection of my current painting in the mirror and my heart lunged. The figure was looking out and not down! I twirled around to look at it but it was as I had painted it with the figure's eyes fixed on the globe in her lap.
"You are creeping yourself out Japanee girl," I said crawling all over with chicken skin.
The stupid, superstitious part of me blamed the mirror, sure that it was somehow enchanted ... or cursed.
I took the orb painting off my easel and put it in the drying rack. I fished around for a blank canvas but discovered I was out so I went to my reject stack of failed paintings for one to reuse. I fished out a twenty four by thirty six gray abstract from months ago. It was the one where I had slapped a red hand print at the center and then painted a black circle around it. It occurred to me that this was the last abstract I had worked on since moving on to the figurative. I put the old thing on my easel.
"Happy to recycle you," I said.
As I was about to pry open my bucket of gesso, my cell phone chirped, it was Hawk. I put it to my ear and before I could even say hello, he said, "I need to see you."
"My last class ends at two," I told him.
"Meet you at 2:30 at the gardens," he said and hung up.
Weird, I thought. I looked at the time on my phone. My class started in fifteen minutes so I put off white washing the hand painting and left my studio for my Asian art history class.
**********
I sat at the gardens killing the last of a pint of Adam's dark enjoying an early afternoon beer buzz. Hawk sat across from me with a beer of his own.
"Have a good day?" he asked.
I shrugged. "Finished a painting."
"You bet," Hawk said.
It was clear that he hadn't heard a thing I said so I added, "In a fit of passion, I set fire to my studio then ran naked to the dean's office screaming, I love lau lau and poi!"
"Huh?"
"Well at least a part of you is listening."
An odd expression clouded his face and he said, "Wanna take a walk?"
"Sure," I agreed. But what I really wanted was another pint of Adams to build on my buzz, but his serious mood made me push aside my need. We left the Gardens and walked in the direction of the art building. The Manoa afternoon was mild and perfect. I slipped an arm around his waist, the feel of his solid body against me put me in the mood. We walked pass the art building, then the math department, then astronomy. Just ahead was the Eastern Pacific Building that marked the outer edge of campus. Exchange students from all over Asian and the Pacific were housed in that building. Lately, most of the exchange students were from China. Everyone called the building little Beijing now.
"Buy you a cup of coffee?" Hawk asked.
The coffee on campus comes mostly from vending machines and it was all notoriously bad. Hawk steered me to the backside of Little Beijing, I figured there was a vending machine back there somewhere. But to my surprise, the smell of rich gourmet coffee and baked food graced my senses. A green, red and white umbrella cart came into view, beyond it was a circle of concrete picnic tables.
"Hey sea hawk, howzit," the local guy manning the cart said in greeting.
"About to get bedda bra with two cups Sumatra," Hawk said in perfect local pidgin.
When haoles try to speak in pidgin they always sound forced and phony, but not Hawk. If you weren't looking right into his white man's face you would swear you were speaking to a local guy. It not that surprising I guess since the guy speaks five languages. Plus, he's a surfer. Surfers, as a breed, tend to go native wherever the waves are choice.
The coffee cart guy handed us two steaming cups of Sumatra, I added cream and sugar to mine. We sat at the fairy ring of concrete picnic tables that made me think of Stonehenge. The cart did a brisk business for more then a dozen people were scattered around the other tables, several more customers had lined up after us too.
"I didn't know that this place existed," I said.
"And you still don't," Hawk said with a wink. "The cart's not licensed. The security guard in this part of campus keeps quiet because the cart owner bribes him with free coffee and manapua."
"Manapua? I knew I smelled something good with all that coffee!" I said looking back at the coffee cart."
"Buy you one?" Hawk asked.
Having skipped lunch, I nodded emphatically.
Hawk got up and returned with two warm round white buns the size of a Burger King Whopper and put one before me on a paper napkin.
"Manapua is a local creation that translates literally into—a mountain of pork" Hawk said in his best David Attenborough imitation. "It is a meat pastry made with rice flower and pork filling. The filling is traditionally dyed a bright, sickly florescent red. The origins of the manapua is lost in time but is said to be a bastard mating of Chinese dumplings and Puerto Rican pasteles. The Manapua adapted to the local Hawaiian conditions and thrives to this day, where as other foods, such as the tripe musubi and frozen poi on a stick languished and went extinct."
Ignoring his stupid commentary, I wolfed down the savory-sweet meat filled bun ... and yes, the filling was a bright red. Hawk pushed the second one in front of me.
"It's all you girl."
I gleefully stuffed the second bun into my face.
Sated, sipping sweetened creamy rich coffee, I looked at Hawk. "What's up haole boy?" I asked. I could tell that he had something he wanted to tell me but was dancing around it.
He took a gulp of coffee and then said, "My day started out kind of off. I went to look for the little bronze figure Rubin had found at the dig but it wasn't in storage were it should have been. I looked everywhere but the thing was just plain old missing. I was really pissed. Losing an artifact is unthinkable and it's all on me since I'm in charge of the dig."
"You think someone stole it?" I asked.
"Never happen before," he said. "Most likely it just got misplaced. It'll turn up ... I hope."
"It's really weird how much it looks like the little fetishes Sally gave us," I said. "Is it possible it's one of statues she gave to the Kokuras?"
"Seems unlikely," he said, "They went back to Japan the day we said goodby. You could email Emiko and ask I guess. And we should ask Sally how many of those little fetishes she made too. Is yours accounted for?"
"Yeah, saw it on my shelf recently." Although it occurred to me that it has been days since I mentally last registered the little carving.