Mittens Has Class
Chapter 10 - All Cats are Brats, But Not All Brats are Cats
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Lowering the textbook back to the lectern, Professor Young removed her reading glasses and surveyed the class. "So, what do you feel Marvell is saying here? What is the message of this poem?"
Almost immediately, a girl on the front row shot up her hand. "I think this poem is offensive." She said curtly. "Marvell is basically just trying to get laid and convince a girl to let him force himself on her." She made a disgusted sound. "It's really gross."
One of the guys in the class chuffed in an irritated way. "He spent most of the poem going on about how he'd wait for her 'ages', if she asked him to. He's just trying to say he's horny and hopes she is too and won't make him wait too long." There was a subtle spatter of chuckles at this, mostly from the males in the room.
"No, he's saying he wants in her pants and is trying to convince her to let him violate her." The girl persisted. "It's obvious the girl isn't interested in him, telling him no, but he's not accepting it. Just like a typical guy."
"There is nothing in there that even remotely says that." The guy argued back, rolling his eyes. "She's his 'mistress' or whatever, not some random chick. It's supposed to be romantic."
It was obvious the girl wasn't really accepting this version of things, her arms now crossed and leaning back in her chair dismissively. Professor Young's expression was neutral, seeming more glad to see students actually engaging in a dialogue, than worried about what their individual stances were on the subject matter. In the end, the point was to incite discussion, not come to a final consensus.
"Does anyone have a different take?" She asked when it became apparent these two were at logger-heads, scanning back over the class.
After a moment, Mittens raised her paw. There were a few snickers, probably at the odd cat-girl, all done up in a cute tiger-stripe tea-dress and matching thigh-highs, being about to spout some kind of weirdness. The teacher hesitated a moment herself, seeming unsure what to expect, but nodded for her to speak.
"He's giving her permission." She said, grinning a little.
The girl in front turned around to stare at her like she was stupid. "She doesn't need a man's 'permission' to have sex, weirdo."
Professor Young made a sharp sound, drawing the girl's attention to see the stern and unamused look on her face. "How about we let her say her opinion? You certainly got the time to state yours."
The girl just made a disinterested sound, but didn't persist. Professor Young looked back to Mittens. "Can you elaborate on why you say that?"
Mittens nodded. "Sure. The woman in the poem represents someone who is constrained by the social pressures of their time, when women were expected to remain virginal, well-behaved, and conservative until married. The writer of the poem, a fictional suitor, by the way, not Marvell himself, is saying that it is okay to let go of her inhibitions and seek out pleasures. Life is short and youth is fleeting. He's saying that it's okay to give in to her desires."
She picked up the book and read directly from the poem. "'And while thy willing soul transpires, At every pore with instant fires,'." She looked back up. "That suggests, to me, that she wants to let go and indulge in her desires, is aching to step out of the 'proper girl' mask that the social bonds of her time period enforced on her. He speaks of 'our' strength and 'our' sweetness. She wants him as much as he wants her, but society tells her that she is supposed to preserve her chastity. He's not just trying to seduce her; he's trying to liberate her."
Professor Young regarded her with deep interest, seeming intrigued by this perception of the poem. "What makes you so certain that it isn't meant to be Marvell himself writing the poem?"
"Because Marvell's poetry was almost always about allegory and satire." Mittens said confidently. "He felt that traditionalism and 'sensibility' was something that should be questioned. The poem is actually about seizing life while you are still alive, embracing passions, not even really about sex or the actual characters in the poem. It's a statement against dying without having lived. Sex is just the metaphor he uses for embracing passions."
By this point, even the girl in the front row had turned around and was now looking at her with a thoughtful expression. Professor Young looked absolutely ecstatic. "Those are some very interesting points, Miss..."
"Cat." Mittens replied with a smile. "But you can just call me Mittens."
This produced a rather pronounced smattering of laughter about the room. Apparently, they assumed she was making a joke. "Thank you for your thoughts, Mittens." Professor Young said, then looked back out at the rest of the class and asked for any other interpretations.
When the class was dismissed, however, she got Mittens' attention and waved her over to the desk. "I was very impressed by your interpretation of the poem, Mittens." She said, giving her a speculative look. "Most academics agree with you, by the way. That it's meant as a 'carpe diem' allegory. I'm surprised you knew so much about Marvell himself though. Should I assume you took the initiative to do a little research on him?"
"Actually, I didn't need to." Mittens said with a giggle. "My Master loves this poem and there's a framed copy of it on the wall in his bedroom. He's the one who told me about who Marvell was."
"Your...'master'?" Professor Young asked back uncertainly.