Chapter 21 -- The Danubian Spring
"Socrates' Mistresses" returned to the national stage on May 1, once again performing for the Danubian public. Like the year before, the group performed live in Danube City's Central Plaza as part of the May Day Celebrations. Once again the deputies and staff-members of the National Parliament lined up on the rooftop and balconies of the old building to take advantage of their privileged viewing opportunities.
However, the crowd was much larger during the band's second May Day performance and included large numbers of foreign fans. It was obvious that any other group performing that day simply was a warm-up for Danube City's favorite lead singer, so the other Danubian modern musical groups stepped aside for ones that specialized in traditional folkloric music.
"Socrates Mistresses" put out a grueling performance of three full hours, as the crowd shouted "DOC-DOC ELOISA... DOC-DOC ELOISA... DOC-DOC ELOISA..." between songs. Eloisa was a bit taken aback by her popularity and became visibly more nervous as the concert wore on. She looked over her shoulder at her back-up singers several times with a frightened expression. Finally, the lead singer signaled Kim to join her at the main microphone for a series of duets. Eloisa needed Kim's reassuring presence at her side, as she finally comprehended the awesome success the band was becoming. With Kim present, the magic returned to Eloisa's voice. It was at that moment Kim realized how much Eloisa truly needed her.
The group performed again the second week in May, to another outdoor concert almost as large as the May Day crowd. This time there were even more foreign fans, some of whom were fascinated at the thought their favorite group lived and performed in the nude. There were numerous television interviews following the second concert, including in-depth interviews with Kim in English from British and German television companies.
The following week a major US entertainment magazine picked up on Kim's story and did a detailed feature on her participation in the Danubian music scene. Criminal # 98945 posed for several pictures, most of which were from the chest up. However, she also posed for a full-body shot, in which she turned sideways and crossed her legs to comply with US censorship rules. The magazine wanted its readers to know that, yes indeed, Kimberly Lee had not worn any clothing for nearly two years as a condition of her sentence.
Kim, for the first time, discussed her views on drugs with the US press. She described her trial and sentence, trying to emphasize that she felt what had happened to her ultimately was extremely fortunate. She discussed the experiences that led to the writing of "A question I cannot answer", the immensely sad retelling of her conversation with her mother as they discussed Susan's death in Prague and her own narrow escape from a similar fate. She went on to describe the origins of a second song she had largely written herself, titled "Marooned". The second song focused on Kim's decision the year before to stay in Upper Danubia rather than return to the US and risk being unemployed and getting back on drugs.
There were further questions about how Kim became a friend of the Danubian singers, and the path that led her from participation as a back-up singer to singing partner to co-leader of the band. She discussed her plans for the future: marriage and a career as a Danubian Spokeswoman for the Criminal. The interviewers clearly were fascinated with the story as the interview went much longer and in much greater detail than they previously had envisioned.
The magazine feature about "Socrates' Mistresses" was an important step in the group's rise to popularity in the US market. The piece became much more important for the magazine's June 1 issue than the editors originally had planned. Apart from Kimberly Lee's full-body sideways portrait, the magazine also included numerous facial shots and a couple photos of Kim and Eloisa singing together, cut off just below their shoulders. The editor decided to include a second full-body shot of the two lead singers in concert, taken from behind and showing the large crowd of fans in the background. The editor defended the shot by saying: "This is their reality, and you can't censor the truth."
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Kim did not return to work for Victor Dukov during the final spring of her sentence. She regretted not having the opportunity to ride her bicycle around Danube City and get paid for it, but she needed the three days per week to finish her university classes and attend to the growing needs of Eloisa's band.
When Kim visited Victor's office to justify not returning to work for him, she had a bit of a surprise when she saw his office. Victor clearly was about to re-direct the focus of his business, because there were a large number of fax machine promotional pamphlets on his desk. Victor explained that the Danubian Parliament was debating legislation to allow some business and legal documents to be faxed instead of forcing them to be delivered in person. The law was one of many measures Upper Danubia had to implement to get ready to join the European Community and it was getting very little attention from the public. Victor, however, foresaw the arrival of fax machines eventually would reduce Danube City's need for bicycle couriers and potentially ruin his business if he could not adapt. He was getting ready for the change by importing fax machines from abroad. As soon as the legislation passed, Victor would open a fax machine store and over time curtail his bicycle business as more local businesses started using faxes. Already he was preparing to send two of his couriers abroad to receive training for servicing and repairing fax machines. As time went on and the need for bicycle couriers slowly diminished, one by one he would send his other employees abroad for training.
"For a while I will offer both fax machines and courier services, but the change is coming." Victor was reflective, but a bit sad about the impending transition in his business. "The courier services in our country go back many years, but I'm afraid that's one of the things we'll have to give up to modernize."
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