Chapter β β 7: The Beheading
Danny's point of view
I pop the clutch on my bike and race toward the opposite side of the house toward Danny, wave my hand overhead in a circle once before my index finger shoots straight out toward the front door, accompanied by the verbal commands, β β "GO IN!," We rev our bikes and race to the house. I toss gas grenades into the van as I pass and ease down on the throttle enough to ride in the yard with minimum noise to face the picture window in the second room. I hear Gino crash through the door on his cycle, the whoosh sound of gas rockets shooting from the front and side ports, and then five dull spits from his silenced gun.
I do a speed demon wheelie and crash through the window like a cork from a Champagne bottle and land in the room skidding sideways.Β My rear wheel slams into a table and sends it crashing to the wall. I come to a screeching halt facing two startled terrorists. The element of surprise slows their reaction time for raising their rifles. The barrels swing toward me too late. β I fire fast first, and they fall fast. What a perfect personification of a fatal attraction. A good terrorist is a dead terrorist.
I hop off the cycle and trot out of the room in search of Chuck. God, I hope he is alive.
The crashing of the front door and window plus the roar of our bikes had the terrorist scattering faster than a school of fish dodging dolphins. Two terrorists with Uzi machine pistols exiting a room two doors down fire their weapons without aiming; they swing the barrels toward me and that sprays lead like a shower head.
I see the machine pistols and jump back into the room and wait for a lull. When one stops shooting, I leap into the hall and a hailstorm of bullets from one peppers my armor. Annoyed, I pop both shooters with my Glock. The lead in their head ends their hate campaign forever. That thought settles my nerves.
Chuck! I've got to find Chuck!
Gino runs into the hall, takes in the scene, and crashes into the closed door opposite me. I hear something hit the floor with a thud and roll with the thumping sound of something not perfectly round. My heart jumps into my throat.β "Chuck!"
A whooshing sound followed by another thud and the same thumping sound draws me into the room. Something collides with my foot and bounces off. I glance at it and freeze. It's Chuck's head.
I dodge the second thing-another head.
A chair turned over face down has someone tied in it. Something's odd. When I realize the body leaning toward me is headless and pumping blood from the artery in a cleanly severed neck, my heart grips like an angry fist, and my stomach free falls into an abyss. Chuck! Oh no! No! God no!
The movement to my right causes me to jump back and draw aim in one quick, practiced move. It's Falcon Hawk. "Gino! Where's-" The question freezes in my throat. His contorted face and glaring eyes stare in hate at the headless body he'd decapitated with the owner's sword.
I vomit.
The chair the victim is lashed to faces the floor to expose Chuck's neck for the sword. Gino gives him a little dignity by righting the chair and sitting him up straight.
I vomit again before glancing around the room to get my bearings. We're in Chuck's office. β β β I see a jacket hanging on a hook behind the door and wait until Gino places Chuck's head in his lap and I've taken pictures of him and Abud before draping the jacket over his head and shoulders. In seconds a dark red tie-dyed pattern instantly blooms from his neck sending ribbons of scarlet streaking down toward his lap. The sweet, sickening smell threatens me with dry heaves.
The finality of Chuck's demise has a firm death grip on our hearts and souls. Neither of us can speak as the icy fingers squeeze without mercy. As one we dash toward the front door and reach it before I break the silence. "Secure the house before the yard."
We go through the modern two-story four bedroom brick home and check all rooms before stepping outside with caution onto the circular concrete driveway. β βFifteen sick, distracted terrorists are busy. Some are puking violently, but others manage to control both ends long enough to reach for the gun slung over their shoulders by a leather strap.
We show no mercy. Whether they are puking, shooting, drawing weapons or shitting their pants, we shoot to kill.
As soon as we're done, we run to the vans. β βWhen I yank open the door, I'm greeted with a burst of bullets from the driver's burp gun. They bounce off my face shield, but the two shots I send his way drill deep into his skull and chest. He collapses on the steering wheel setting off the horn. I jerk him off the horn and sling him out the door so hard he sails ten feet before bouncing on the driveway hard enough to shatter his teeth and scrape the skin off his nose. He skids to a stop and doesn't budge. Death becomes him. "Go to hell, you bastard!" I spit.
Gino's eyes dart from one body to another as he spits words of vengeance through tight lips. "Let's behead every one of them and Fed-Ex their heads home."His hate-filled eyes and pained face mirrors my thoughts and feelings exactly.
"Good idea for the next batch." I make a broad sweep with my free hand. "But this time just convert the surviving assholes to DOA assholes."
"Save one for questioning?" He suggests.
I force a laugh. "And ruin my reputation? Kill the fuckers. We'll get more information from Abud's phone than from these pukes."
I take a quick inventory and search for breathers. β Only one is still alive. "I'll enjoy putting a bullet above your nose, cocksucker." A hard expulsion of air escapes his lungs with a deep rumble and coughing rattle; the death breath. "Damn you. How dare you die before I can kill you! You cheated me, you low-life murdering mother fucker." I'd like to shoot a few hundred more of these bastards right now to warm me up for a thousand more.
I stop fuming and focus. "Get Abud's phone quick, Falcon. His contact may call."
Gino races in and out, dodging bodies like a barefoot kid avoiding cow patties as he dashes through a pasture.β He returns and holds the ringing phone out to me before coming to a stop. β "Incoming."
I snap the phone from his hand and glance at the country code. Oman. I answer the phone in Arabic. "Allah be praised. Your infidel hostages out yet?"
"Coming out now, but there's a shit load of soldiers with guns to fetch the prisoners. There's too many for us to fight, what to do?" An excited voice on the other end of the line demands.
"Let them go and get the hell out of there, or you'll be their hostages or dead!" I yell to cover the difference in Abud's voice and mine. Shouting voices are different from our talking voices, and therefore harder to identify.
I hang up and stand close to Gino, "Get out of here, Gino Your makeup is so messed up it'll blow your cover. GO!"
He doesn't argue. A blown cover equals a dead Gino and Danny. He gives me his used clip to account for all the bullets we distributed so carefully among the dead bastards. He kisses my lips, runs to the front room and pushes his bike out. He takes one last look around, starts his Ducati and speeds off.
I race back into the house for my motorcycle and roll that beautiful mean, racing machine out to the sidewalk and park it near two trees. The memory of Chuck's head rolling across the floor like a deformed bowling ball threatens another puke parade. The images in my mind are more vivid than when I was there. I'm grateful there was no time for Abud to turn on the camera to capture and broadcast the malicious barbaric act.
I choke up. Those fucking barbarians murdered him because of me. Damn, that hurts. "Oh Chuck, I'm so sorry. Sooo, sooo, sorry we couldn't save you. I was two seconds too late like I was for those kids at the school. Two seconds. Ohhhh Chuck, please forgive me." Sobs take over, and I'm glad I'm alone.
I call the Director of the CIA, my backup contact. "Sir, we're clear here. Tell the crew in Oman to take our people this instant. Their guards should be running away at the moment. They'll be back with more soon so get our people out of there ASAP."
He asks no questions. "Consider it done." A minute later he is back on the line. "Taken care of. Our boys are moving toward their guards, and they are running away like you said."