This story is pure fiction. Names, characters, businesses, places, and incidents are either the products of the author's imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. All characters are over the age of 18.
This story is fantasy but is the core of an idea mulling around in my head for several years now. I think it'd be the foundation for a great screen play. This first part doesn't contain any erotic situation or sex, but serves to establish the story line.
How it's received will determine if I continue.
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Ben Burns wiped his brow and looked up at the searing Tuscan sun. He stood up and put his hands on his hips, bending backward to stretch and twist his hips. He was hot and his muscles were stiff from being hunched over for hours in the bottom of that damned hole. Being a field archaeologist wasn't for the snowflake.
Ben was an early 30's scrawny nerd low level field archaeologist for English Heritage, the British national institution responsible for identifying and protecting England's historical sites. He was 5 years out of Uni and 2 years into an exchange program in Italy.
You see, Leonardo Di Vinci, his life and works were Ben's obsession, a passion he'd inherited from his father. In fact it was why he had come to Italy. But before we get there we have to visit a little back story.
Ben's father, Henry, was an obsessed man and this obsession was passed on to his son. Professor Dr. Henry Smythe-Burns received his Phd in ancient languages from Oxford, where he later taught and conducted research into linguistics, syntax, and colloquialisms. It was during his world wide research that he began to see, or thought he was seeing, some similarities in writing styles and language/syntax use in writings of antiquity. The most peculiar thing was that these writings were from civilizations which in most cases were isolated by either geography or by time. Others in his field found the similarities just that, similarities and besides, "over thousands of years there were going to be repeating ideas."
Repeating ideas yes, but nearly identical use of terms, cadence, flow, etc? These weak explanations did not deter Henry. His antenna were up and he was intrigued and when he became intrigued he was like a one minded bloodhound sniffing out clues.
Finally, after 30 years of study he came to a firm yet barely believable conclusion. Leonardo Di Vinci wasn't what the world thought him to be.
Unfortunately Henry died before he could personally publish his theory to his peers, but on his death bed he confided all to his son Ben.
The condition effecting Henry manifested itself physically but his mind remained sharp. Ben knew of his father's eccentricities, everyone who knew him did, but he lovingly sat next to his father's bedside to listen respectfully. Henry was painfully aware of his son's skepticism of his work but then again his son didn't know all he had discovered. Henry started slowly and revealed his suspicions, logically laying out detailed evidentiary trails and asking Ben to render his own opinion from time to time. At first Ben, who had his Masters on the Italian Renaissance was dubious. He knew Leonardo well because he found him fascinating on multiple levels, but he slowly began to understand his father was following a trail of evidence, not conjecture. Finally, after a week of intense discussion Henry told Ben of a locked trunk in his office in Oxford. He implored him to examine the documents.
Ben was now intrigued and he did just that. Upon leaving the hospital that day he drove straight to the office, retrieved the trunk and took it to his father's cottage in the Cotswolds.
Opening it began the first dramatic change in the direction of his life.
Henry died several days later disappointed he'd been unable to convince his son. But Ben partly to honor his father's life work, spent three months reading, re-reading, looking for errors and mistaken conclusions, he found none. His father's research, although ridiculous on the face of it, looked to have a very sound base. Ben could find no flaws or failed reasoning.
One dreary damp day he visited his father's grave. During a moment of introspection Ben made a promise to his father. He resolved to find proof of his father's conclusions and set off on his own path of investigation.
That was 3 years ago and his research conducted after his father's death was why he was in Italy, the only Brit on an Italian team excavating an unimpressive 1st century Roman villa near ancient Pisae (modern Pisa). Ben had argued feverishly to get on this team. Much to the dislike of the Italians, finally he'd succeeded. The site was important to Ben because it was one of the last un-researched locations in his father's notes. In an obscure writing Leonardo had made an off hand comment about an ancient site which required "most haste to depart, destruction claiming many drafts." The geography of that area matched this little Pisaen valley.
The dig they were on revealed a villa which sure enough had been destroyed and burned. The site was on a list of places of interest which Henry had compiled. Mostly through Ben's insistence, the long known site had only recently been added to their dig list. Although the dig leader thought the destruction was the result of a Galic raid, the complete systematic destruction seemed more intentional and total to Ben. It didn't feel random or haphazard as a raid would be.
Having had repeated disagreements with the dig leader he'd been left to his own devices to sift out a room which for your typical Roman villa would have been either a garden room or a dining room. Instead Ben was finding it unusually narrow and long, which didn't lend itself to either gardening or dining. It felt like a hallway leading somewhere but at the end he found a wall, a dead end. One thing he knew about Roman villas was that they simply didn't have dead ends. The hallway floor was an exquisite but very un-Roman mosiac which included a motif reminiscent of Asia. The mural on the end wall also was unique in its depiction of seacoast looking very much like the now famous Kho Pi Pi spires on the coast of Thailand.