When Cynthia awoke, she reached over for David. He wasn't there. She flipped on the light and saw that his side hadn't been slept in.
Oh great, she thought. An all nighter with whoever the fuck she was. She got out of bed and shrugged a robe around her shoulders, tying the sash tight against her slim waist.
When she descended the stairs, he was in the corner next to the couch, cradling his legs in his arms. His eyes were red, tears dried on is face, dark bags under his eyes.
"David, honey, what's wrong?"
He didn't seem to hear. He was rocking gently, in his own world. She approached and kneeled down in front of him. She reached out and touched his cheek. It was hot, feverish.
"You're burning up," she said. When he said nothing, she lifted his chin. He looked at her, seeming to notice her for the first time. "Baby, you need to get to bed," she said, her voice low. "You're sick."
"How could you?" he said, turning his chin away from her hand and looking at the walls. His rocking picked up.
"How could I what?" she said.
"Sleep with him. Fuck him."
Her eyes went wide and she drew back from him.
"Fuck who? What're you talking about?"
"That cop," he said. He turned back and looked at her. His eyes were glowing now. "In the parking lot. Every fucking Tuesday night. How could you do that to me? To us?"
How did he know? she thought. Her mind raced. She was afraid to say anything, needed to sort this out.
"Answer me," he said, his voice cracking.
She said nothing, only stared at him. She was frozen.
"I never cheated on you," he continued. "Ever." He was almost yelling now, his voice on the verge of breaking into sobs. She felt like she'd been punched in the stomach. She was convinced–hell, she was positive–he was banging someone at the office. Secretary or some such. His eyes, though, and his voice told her she was wrong. She'd been wrong all along.
She felt tears well up and stream down her cheeks. She reached out to touch him, to tell him she was sorry.
"Get the fuck away from me," he shouted, pushing her hand back. He started crying, burying his head in his arms, rocking. "Just get away from me," he sobbed.
She was going to be sick. The knots in her stomach were churning, the bile rising in her throat. She was crying now, too. "Please David, please."
But he ignored her, sobbing into his legs, rocking.
She felt it rising and dashed to the bathroom, trying to get the toilet seat up before she vomited. She wasn't quite fast enough.
What have I done? she thought, covered in vomit and sobbing against the cool toilet seat.
* * *
"Hart Shafer and Coombs," the voice on the other end of the line said.
Elizabeth hesitated, not sure she could go through with this.
"Hello?" the voice queried.
She sighed. "Will Sherman, please."
"One moment please," and her call was redirected.
He answered on the second ring. "Will Sherman."
She bit her lip. "This is Elizabeth," she said. When he said nothing, she continued, "From the other night."
"Of course," he replied. He sounded giddy. "Just one sec." She heard him tell someone to shut the door, then he was back on the line. "How are you?"
She said nothing for a moment, and he seemed content to wait her out.
"Will, I'm not really sure how to say this. To ask this."
"Ask what?" She signed. "The other night. We didn't use any protection. You know, a condom."
"You're not pregnant, are you?"
"No, it's not that. It's just, well, you know. Do you have any–"
He laughed. "No," he said. "Nothing like that. I'm clean."
"Will, it's not that simple. I need some proof."
"Like what? Why?"
"Like a blood test." He wasn't laughing any more, and she was afraid he'd hang up. "Listen, this is really important. I'm really sorry, but I gotta know for sure. I'll pay for it. Pay you back."
"You don't have to do that," he said. "My fault, too, I guess. It's just that, well, you know. Heat of the moment and everything."
They were both silent for a moment. She was reliving the evening, and she was almost sure he was as well. He broke the silence.
"I'll break away this afternoon, get a quick test. Give me your number."
"Why?"
"So I can call you when the results come in. Should probably only take a day or two."
She hadn't thought it through to this point. She didn't want to give her number, was unsure where that would lead.
"How about I just call you back in a couple of days?" she suggested.
"Sure," he said. "Couple of days then." They said their good byes, and she flipped the cell phone closed.
* * *
Sean was in his studio. Engrossed in the details, he didn't hear the doorbell. The music was loud, something by Springsteen, but it was only background noise. His focus was on the canvas, on the delicate tip of the brush as it curled just the right amount and applied the perfect shimmer to the edge of the reflection of the bottle against the picture frame.
This was his favorite part: Taking the colored shapes and gradually honing them until they were lifelike, jumping off the canvas at the observer. Such realism was commonly derided in the art world. They mocked Rockwell and Wyeth as illustrators, revered Pollock and de Kooning as innovators. Sean understood the slams against Rockwell. Too kitschy, idealized, cutesy. But Wyeth? Sean loved Wyeth, thought he expressed more in a perfectly executed portrait or landscape than Pollock ever did with a shitload of drips. Where was the technical skill in dripping paint, for Chrissakes? No, Sean was convinced, the real artists combined technical virtuosity with deep emotion; their paintings said something more than "My, isn't this cute" or "What the fuck is that." The real geniuses conveyed pain, suffering, and ambiguity all at once. And they conveyed it realistically.
So engrossed was he in perfecting the shimmer that he didn't notice the door to the studio open. As a result, he almost jumped out of his skin when Roger spoke.
"The painting looks beautiful," he intoned. "You look like shit."
Sean's hand skipped into the painting and he turned, throwing the brush across the room against a wall. "For Chrissakes, you know how to knock?" He reached down and grabbed a clean brush, trying to fix the glop of paint now marring the shimmer. A few flicks of the brush and most was dabbed away, the balance feathered in.
"Very nice," said Roger, watching over his shoulder.
"My God, Sean, when's the last time you slept?" Emily said.
"I'm on a roll," he said, waving the brush toward the corner.
Roger and Emily walked over and looked, first from ten feet or so, then getting closer.
"You've never done still life," said Roger. When Sean didn't reply, he continued. "They're powerful. Very powerful."
Sean kept painting. He glanced now and again at the drawings to his left and squeezed paints onto the pallette at his right arm. The brush danced over the canvas, dotting in color, making the bottle come to life, the amber liquid glow . The rug was so real you could touch it, feel its coarse, damp texture.
"Grab me that brush," he said, holding his hand out, his eyes never leaving the canvas.
Emily retrieved it and placed it in his outstretched palm. He went to finer detail, tracing in the shadows of grain across the hardwood floor where the it met the edge of the rug.
He felt her hand on him, but still he focused. "You need to stop," she said. "You need some rest."
He ignored them. "I'm fine."
* * * Roger made tea in the kitchen.
"Jesus Christ," he said, waving his arm over the counters. Emily's eyes followed his hand and took in the moldy bread, hardened cheese, and a sink full of dirty coffee mugs.