Part 2: Angel
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Chapter 16: Searching for Jacqueline
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Saint Pierre, Martinique, June 1830
Just as I predicted, I become an outcast the moment my adoption by Brigitte Thibert twenty-one years ago becomes known among the snobby social circles of Fort Royal. Perhaps 'outcast' is an exaggeration, but unless I can prove that my birth-mother, Jacqueline, was a woman worthy of respect, then I'll remain relegated to the outer fringes of Martinique high society. Personally, nothing would please me more than to be rid of the strictures and mores of their elitist society. It's all a pantomime anyway. Under the veneer of etiquette and propriety, there is an abundance of illicit affairs and sexual abandon.
However, Brigitte Thibert, the woman I've called Mama since my birth, deserves better. She and her ancestors have been members of the ruling class of Martinique for over a century. I owe it to her to do my best to fit into her social circles. Which means I need to find out more about my birth mother. All I know is that Jacqueline was pregnant with me when she was purchased as a slave for the Ladybird plantation. Jacqueline was granted her freedom as soon as she signed the adoption paper handing me over to Jules and Brigitte Thibert. Following Jules' death a year later, my 'uncle' Henri inherited the Ladybird plantation.
That's why I've travelled north to Saint Pierre, the administrative capital of Martinique. Hopefully I can find some record about Jacqueline in Saint Pierre. Failing that I can travel from there to the Ladybird plantation, where I was born. Perhaps Henri will allow me to read the plantation's records to see what I can find.
It's a sign of Mama's eagerness for me to succeed that she's allowed me to travel north with only Samantha and Charity for company. Samantha has only just returned from her visit to St. Lucia, so I feel honoured that she was willing to set off on another journey so soon. Her practical skills will be invaluable, and having her along has boosted my spirits.
There are numerous reasons why Charity Howe is a poor choice of travelling companion. She and I have spent the last decade at each other's throats with no love lost between us. Charity and her family descend from the English settler society, while Mama and I are part of the rival French settler group. Theoretically that division ended fifteen years ago when the English handed Martinique back to the French. The two groups of settlers supposedly became a single Martinique group. It has taken nearly a generation for practise to catch up with theory. I suppose Charity and I have been on better terms in recent weeks, ever since I kissed her.
Charity is tentatively engaged to my 'brother' Randolph, who is currently working with Henri on the Ladybird plantation. Since Henri is getting old and has never married, Randolph is heir apparent to the Ladybird plantation. Charity is travelling north in order to visit Randolph in Saint Pierre. It's a testimony to the double standards of Martinique high society that Randolph's adoption is perfectly acceptable while mine is not. Randolph's mother was a slave, like mine, but it doesn't impact on his social standing.
We travel to Saint Pierre by ship. It's both faster and safer than the winding overland route through tropical forest. If we need to go to the plantation, then we'll have no option but to travel by road. Fortunately that's a problem for another day.
"Where do you intend to start your search?" asks Charity as the two of us stand by the ship's rail while the west coast of Martinique slips past us.
"Edward suggested I work back from the plantation's slave register," I reply. "But that would mean going to the plantation first. That's not very convenient, so I think I'll look at whatever records I can find in Saint Pierre."
My very good friend Edward Pickford has provided invaluable advice on how to go about tracing my birth-mother. But he warned me that record keeping isn't always as good as it should be. A misspelt name or wrong date can throw a search off track. After all, a slave's origin isn't something that normally attracts a lot of attention, particularly after more than two decades.
"What about you?" I ask. "Does Randolph know you are travelling to Saint Pierre?"
"I sent a letter two weeks ago telling him I was coming to Saint Pierre, but I've no idea if he's received it."
Mama has arranged for the three of us to stay with her cousin, George Thibert, who operates a small inn on the outskirts of Saint Pierre. Samantha knows the location of the inn and we go straight there when our ship disembarks. George is a man well into his fifties, and his age is starting to tell on his body. Either that or it's the copious amount of rum he consumes that is pickling his liver. He's a jovial sort of man, who can tell tales and anecdotes for hours.
"The road to the Ladybird plantation was blocked during the last storm," says George. "I'm not sure if it has been reopened yet. You might have to wait a week or so."
That bad news is only made worse when George gives me my first real clue about Jacqueline. I've made no secret of the purpose of my visit to Saint Pierre. Edward suggested that there's a remote chance that some of the older residents of Saint Pierre may remember something about a young olive skinned woman recently freed from slavery passing through Saint Pierre and, according to Mama's recollection, leaving on an English warship. George turns out to be just such a person.
"Yeah. I vaguely remember a dark haired beauty who spent a few months in Saint Pierre around the time you mention. I think she was working on old Maurice's farm. He's dead now though, so he's not going to be able to help you."
"Do you know what became of her when she left. Mama thinks she was taken aboard an English warship."
"Hmm. Unlikely. That was during the war between the English and French. The only civilians allowed on a warship would be prisoners being taken back to England to stand trial. Either Brigitte is wrong, or your Jacqueline was a wanted criminal."
Oh great! Not only was my mother a slave, but she may have been a wanted criminal as well. I'm never going to live that down.