In which both Isabella's life and the Della Virago change course.
*
Isabella snuggled into her cot and opened the parcel containing Beatrice's book. It was a quarto volume; about an inch and half thick and bound in fine soft brown leather. It was clearly newly printed, the edges of the pages were as yet uncut. The gold embossing of the cover simply read "Lost Knowledge" with the letters B.S.D.K. in a smaller typeface underneath, presumably the author's initials. Isabella carefully opened the book, treating it as a she would a great and delicate treasure.
She found a sharp blade in her satchel and carefully released the folded pages pair by pair. By the time she had cut a dozen or so, she was too eager to read and left the rest of the book till a later time.
The frontice-piece gave no further clues to the nature of the material inside, simply repeating the title and the initials B.S.D.K and noting the reprinting date as the current year. An odd scroll-like imprint at the very bottom of the page caught her attention momentarily, triggering a memory she could not quite grasp. The symbols meant nothing to her and, eager to move on, she turned the page.
It was not until she reached the one page Introduction that Isabella gained some insight into the book's contents. Apparently it was textbook containing reports and fragments of ancient texts no longer available or held only in certain secret repositories. The purpose of the book was to introduce new students of the "esoteric arts" to the origins of stories and special knowledge.
From her limited knowledge of Beatrice's library and interests, Isabella had a fair idea of what she was in for and dived into the first Chapter, titled "Keira de Bruine and the Rebirth of Knowledge". This is what Isabella read:
'Readers of this volume will obviously be already be familiar with the work of Keira de Bruine. It is for completeness that we include this abbreviated version of her story in this volume. All that follows, and indeed the lives of all our students, can only be understood in the context of Keira's contribution.
Keira was a beautiful raven-haired woman of high birth from the Burgundy region of old France. Her forebears were the Celtic aristocracy overrun and subsumed by the Roman and Hun invasions of previous centuries. Keira's people were therefore of mixed race and because many of the old stories had been lost in the wars, their folklore was now a jumble of Celtic, Roman, Norse and more recent Christian stories, they had no real complete knowledge of the true nature of mankind. This was a concern for the wise women of Keira's town and they would often meet in secret, without the knowledge of the men for whom such things were akin to witchcraft, usually under the guise of a sewing circle or just a group of gossipy women. They would talk of their memories of the old ways, handed down from mother to daughter, and try to join the fabric of their stories into some sort of systematic knowledge that could be handed down to the younger women. They examined the old books and tapestries and the fragments of songs that a few remembered and they questioned the older women from surrounding towns and villages. Through these efforts they discovered the names and characters of their Gods and Goddesses and abbreviated forms of the old myths of creation, wisdom and birth. But the stories were incomplete. The women decided that their situation demanded strong action and that the wisest and most talented of them had a sacred duty to rediscover, through personal experience and sacrifice if necessary, the truth of their existence. They selected three women to undertake these duties - Elvira, Natalie and Keira. Elvira was to investigate the nature of creation and heaven; Natalie the meaning of birth and motherhood, and Keira was assigned the task of finding the true nature of love and passion. Each woman was given two years to report back on her experiments and studies.
After some study and planning and much consultation with the elder women, it was decided that Keira must test herself with experience of love and passion and go out into the world of men and women to live the mystery. Keira took her responsibilities very seriously and traveled the countryside. Before leaving the village however (for it would not do to be known as a whore in her own country), she consulted the healers and equipped herself with potions and artifacts to ward off pregnancy and disease.
As she left her own region, she first starting by talking to all the people she met to learn of the role and nature of love and passion in their lives. Eventually, when far from home, she began to experience it herself. Each week she would travel to a new town, often sleeping or making notes sitting on the back of her horse, stopping in the evening to take a room at an inn. And each night she would enter into the secret worlds of the towns and villages, finding lovers who would yield to her considerable charms and ever growing knowledge of sensual delight. She would entertain each new lover for a night or two, allowing herself to fall completely and passionately in love with each of them while at the same time taking careful and detailed observations of their, and her own states, thoughts and reactions. In a year and half, she loved two hundred and thirty-seven men and eighty-six women – erotic couplings between women being rarer in those days. She experienced the love of men and women of all creeds and races and from all walks of society. She loved white and brown, tall and short, thin and fat, princes and labourers, priests and prostitutes, warriors and washerwomen. This went on for many months and Keira never wavered from her sacred mission. After a while, she found that she could wholly indulge her senses and her feelings while simultaneously maintaining the detachment required of the critical observer. She would probe her lovers' desires and fears and gently coax from them their secrets and true nature. She monitored her own responses and development as a lover, chronicling her different moods and desires through the cycle of her menses and in relation to every subtle change in her mind and body. Her diaries and notebooks filled quickly and eventually she needed a string of donkeys to carry her notes from town to town.
Six weeks before she was due home to make her report, Keira entered a convent in the mountains near her town to contemplate her studies and prepare her report for the women. The nuns of the convent had no idea, of course, of the nature of her studies but simply treated her as wandering learned person in need of rest, sustenance and care. Initially, naturally, Keira was exhausted and simply enjoyed the solitude and quiet of the cloistered halls and the Spartan rooms. She slept often and barely noticed the mild attentions of the nuns and novices who cleaned her room and served her food. After a few days of peace, she started on her notebooks, working diligently through each day, cataloguing and categorising her experiences and matching each observation with the fragments of stories and legends handed down through the ages of women. After five more days, she realised that this was the longest period in the last two years that she had been without a lover. Her dreams however were vivid – wild and passionate couplings; gentle caresses; intertwined bodies, legs and the almost unendurable attentions of tongues and fingers and phalluses. She actually got quite aroused and had to rediscover her talent for self-pleasure, unused for whole duration of her intensive study. But it wasn't until she seduced a young novice, who would then come to her each night after prayers, that she finally started to write her report.
Keira's report was a masterpiece and broke new ground in its field. It was erudite, beautifully argued and a joy to read or study. Even now, those who are lucky enough to read it, say that it speaks to them deeply from a place beyond knowledge and myth, from the very heart of humanity. It makes them tingle to read the intuitions and essential truths that Keira divined from her studies. The Chapters on anatomy and physiology were, even by modern standards, accurate and scholarly. The Chapters she called "The Mechanics" explored, in word and exquisite drawings, material that even surpassed the secret eastern texts and when dealing with the link between sex and spirituality, Keira eloquently evoked the very heart of what the Indian mystics call Tantra. But perhaps her most enduring and practical insights came in those sections of the report dealing with the nature of lovers and the pathways to fulfillment.
By the time she had finished the report and bade farewell to her novice, she was fully prepared for the presentation to the women of her town.