In Which Mouse appreciates Innocence and her thespian ambitions in equal measure; her performances help Kedi otherwise wedded to Chastity; but she affirms greater affection for the virtues of Innocence than those of Chastity.
Mouse was passionately in love with Innocence, with a passion that burst through her tee-shirt and swelled her breasts. She could hardly bear to be parted a moment from her side. She loved putting Innocence's gorgeous penis deep inside her mouth and allowing it to brush against her tonsils. She loved holding it in her hand and feeling it gradually grow from a tiny little acorn to a giant oak in less than a minute. She loved having it deep inside her cunt, while holding tightly onto the frame of the bed, and pushing as hard as she could against it to force it to go as far inside as it possibly could.
She missed the departure of Zipper with Chastity. She'd always enjoyed sex with children. There was something about the slenderness of their hips, the delicacy of their limbs, the androgynous flatness of the chests and the hairlessness of their crotches that made her feel very hot. She just wanted to engulf her face in their crotches. But making love with Innocence was a full-time occupation. How could someone with such a perfect female body have such a perfect penis and at the same time be such a passionate lover? It really exhausted her!
She hoped it didn't affect her work as an actress. In rehearsals, she'd have to make love two or three times an hour and sometimes in extremely awkward positions. It was quite irritating sometimes that she'd have to accept frequent coitus interruptus as the director would demand that she and whoever she was with (and there were often more than one) should repeat a particular routine in a different way. "I don't think it's totally appropriate for you to bugger Mouse in the first act. It may be appropriate in the last scene, but I think no anal yet." Or he might say: "A little less crotch and more oral, Mouse, lovie!" Or "There's something wrong with this scene. Perhaps if you did it doggy style. And you'd better keep that scarf out of the way. Fling it off if you must!"
After all the rehearsals and when the play was on stage though, Mouse didn't seem to notice the strain of frequent sex at all. She might already be pretty exhausted from an hour or two of sex with Innocence when she arrived at the theatre. She may still have trickles of semen down her legs coming out of her vagina at irregular intervals. But once she was in her role, she was totally lost in her character. All she thought about was fitting her sexual behaviour to her part and her lines.
Recently Mouse had mostly been working on sex farces, which involved rather more sexual partners than in most plays compensated by rather shorter sessions. Most sex farces like Keep Your Trousers Up, Wave Your Willy, More Sex Please and Oh Bangkok! started with a sex scene, followed by an embarrassment where partners revealed their sexual jealousy, then a sequence of partner-swapping scenes and then usually concluding with an orgy involving all the cast. Mouse had built up a good reputation, and often took the lead female role, - or one of the several lead roles. Sometimes the role demanded lesbianism and it was soon recognised that Mouse had a particular appetite and aptitude for these scenes. This only increased her bankable value on most productions.
Early in her career, however, her penchant for children had almost terminated it. It was one thing to masturbate children on stage - this was recognised as being quite healthy and educational for children. It was another thing to take up a relationship with the leading child star especially if it was the director's child. However Mouse's career was saved by her volunteering to share the child with the director and by accepting a rather unpopular role in a production of Titus Andronicus which required that she get beaten quite brutally on stage every night. The bruises on her face and the whip-lashes and blood on her back were, however, she thought, an acceptable penalty to pay for continuing her thespian ambitions.
When Mouse was on stage she would sometimes look out at the audience at the men and women who were transfixed by her love- making. She enjoyed the sounds of the audiences gasps as she put an actor's erect penis all the way down her throat. She loved pulling out things like letters, documents or weapons from inside her vagina when the role demanded it and watching the audience's eyes widen as it emerged. "Here are the documents which the king demanded!" she would announce when the plastic bag containing them was only halfway out.
Not all the parts gave her much pleasure though. A production of The Toilet Lovers, a farce about people with excretion fixations involved her peeing and shitting on stage and then pretending to eat the turds of a fellow actor as he also shat on stage. Much of this was actually faked, as neither she nor anyone else had the required bowel control (nor the stomach for the smell and taste of it), but she was so thoroughly into the role that she could almost imagine the disgustingness of it.
She was currently appearing in a production of Henry IV, where she played a whore of hitherto unsuspected significance in the lives of not only the future Henry V but of Falstaff. Mouse loved wearing the costume of this whore, which was apparently quite authentic fourteenth century, being nothing at all except a cloak to cover her in the streets. The costume designer had apparently done a lot of research into the subject and had come to the conclusion that fourteenth century whores lived in a world which so totally accepted nudity that whores had no choice but to remain naked all the time to attract any custom. However she had to wear very thick make-up to make her face totally white and her eyebrows were shaved off which gave her a quite startled aspect.
This looked especially strange when she was not at work. The fashion now had moved to quite long dresses with a slit right up from the ankle to the elastic waist which was hoisted just below the breasts which were meant to be as full and voluptuous and unrestricted as possible. The only jewelry she wore was an ethnic bracelet, and she wore platform shoes that made her seem much taller than she was. She was proud of her long hair, despite the pain it sometimes caused her when she accidentally sat on it. This contrasted quite dramatically with Innocence's hair which was now straight and reached just over her collar. But then after being bald, Innocence had a long way to go until her hair was as long as it had been when Mouse first met her.
Innocence had become quite a frequent theatre-goer, - principally of course just to see Mouse. As Mouse's recognised girlfriend, she didn't have to pay the entrance fee and, simply sat in whichever seats were still unsold or, if they were all sold, she'd sit in the aisle in her long dress and her own beautiful breasts on display. Mouse loved catching a glimpse of Innocence in the audience and loved to acknowledge her encouraging smiles or her occasional waves.
