Thanks to HaltWhoGoesThere for copy editing.
Impact of Fight Club
The note reads, "Come to bed."
It's on my little oak table next to a vase of fresh flowers. The note and flowers are lit by the biggest
Diptyque
candle I've ever seen. The apartment smells of sandalwood and something sweet, like berries? Kicking off my shoes and setting my bag by the door I blow it out, dropping myself into darkness. As my eyes adjust I see more candlelight flickering from the bedroom.
Claire is asleep. There is a smaller candle on the bedside table, my bedroom has a clean bright smell that reminds me of the sea.
She is lying on her side, curled around one of my pillows, cradling it to her chest. For a long time, I stare at her. The miracle of her beautiful round hips, her naked arm, on top of the sheet, her long pale neck, exposed by her hair, which is fanned out on the pillow behind her. She is perfect.
Her eyes are still. She is breathing slowly, deep in the dreamlessness of exhaustion. If she had asked me I would have told her to stay home tonight, to take care of herself, but I'm so happy she didn't, that she came to me.
I undress in my doorway, looking at her, the curves of her body, naked and waiting for me. I am struck by the trust, by her confidence. Would I have the courage to slip into her bed and wait for her to come home?
I tiptoed to the bedside and, blinding myself again, I blow out the candle. It feels good to slide into bed with her. It's been a long day and my joints hurt. Gently freeing the pillow from her grip, I turned my body and backed myself against her. She rises from the dreamless depths as I drape her arm over my waist and nestle my ass into her lap.
"There she is," she whispers, wrapping me in her arms. "My Young Sarah..."
And then she's asleep again. My mind is still spinning from work. My breathing is so fast compared to hers. I close my eyes and see layouts and code, feel my mind racing from one problem to another, unable to land on any one thing. There are dozens. Tomorrow will be a true crush as we battle to get the piece ready to go live.
I take a long deep breath trying to calm my anxiety, wanting to match Claire's slow steady rhythms. I am forcing myself to keep my eyes closed, to be still. But it's only when I open my eyes to the dark that I feel the day drop away. I've adjusted to the dark again and I'm facing the rack. Most of the hangers are still empty, but there are two dresses and a blouse hanging at one end, a pair of heels, and a pair of sneakers propped along the bottom crossbar.
Claire has begun to move in...
"Sarah! SARAH! It's a dream, Sarah! Do you hear me? A dream!"
Claire's voice is in my ear, husky with sleep. Her arms are locked around mine, pinning them to my sides. She is pressing herself against my back, using all her strength to hold me still.
I'm fighting her.
Our bodies are stiff, rigid and flexing against each other.
"A dream, Sarah, that's all, just a dream..."
I stop kicking, stop arching my back, let her take control. She's holding me so tight.
"I'm so sorr-" I choke. "I'm sorry!"
"HUSH!" she commands. "Hush now..." she says quieter, comforting. "Hussssh, My Young Sarah, husssh, and go back to sleep," she soothes. "Hush now my
most
beautiful girl, sleep, sleep Sarah. No more talking, no more dreams, you're going to sleep. No one can hurt you, Sarah..."
And miraculously, I do as I'm told. I feel myself go soft in her arms, like an oyster in it's shell, I'm safe, protected. Claire is still holding me tight, cooing and murmuring quietly in my ear as I drift back off.
No one can hurt me.
She's still asleep when I wake up.
I had forgotten to set the alarm and wake up with a start. Peeking over her head at the clock I see I only slept a few minutes late. We are facing each other. We are under the sheet and it is filled with our warmth, but we are pressed close. The morning air is cool.
Claire is particularly beautiful in the morning light, the domed globes of her corneas are still, hidden behind her smooth eyelids. She is sleeping dreamless untroubled sleep. Her long lashes are stored for the night, folded together against her flawless cheeks. Her lips are parted, a small triangle opening, exposing the pearly edges of her incisors. I want to make love to her, but more, I want her to sleep. I hate that I woke her up with my nightmares, and want to make it up to her, but more than that, I
need
to get to work.
I kiss her, and lifting myself up and away, start my day, cleaning up at the sink with a washcloth to make the least amount of noise possible.
'Whore bath,' I think, smiling at myself in the mirror.
She is still asleep as I slip out. I am careful to turn my key slowly and quietly as I lock the door behind me.
I take the first flight of stairs with care, before clattering the rest of the way at speed. I can't wait to get to work!
"Hey, everything OK?"
Keith had turned around in his chair and was looking at me concerned. Ben had just stepped out of the office to get some lunch. I was blinking in confusion, trying to imagine what I could have possibly done wrong.
We had all worked late the night before and started early that morning. I had been working with Ben to rework the coding and after a day and a half we had succeeded in breaking the previous work he'd done, but we still didn't have the new work functioning. It had actually been an exciting push. The day before we had all attacked the problem together. And even though we'd gotten a lot done, everything still looked like a garbled mess. Keith had peeled off to work on the print layout. I knew Kieth understood what Ben and I were up against, but I wasn't sure what our counterparts in the finance section understood - I thought maybe they were bugging him... Keith didn't look bugged with me though. He did, however, look... worried.
He wasn't worried about the deadline, I realized, he was worried about
me.
"Oh! Oh, no... I'm-" I started, but then didn't know what to say. I was going to assure him I was fine.
'Am I fine?' I wondered.
"You're sighing a lot, and talking to yourself more than usual."
"More than usual?"
"You mutter..."
"I mutter? Really? Like all the time?"
"Not all the time!" Keith said, smiling. "But, yeah, you usually have a pretty robust dialog going while you work - it's quiet!" he laughed, seeing my alarm. "But today you sound... I don't know, maybe a little forlorn."
"I'm really sorry I didn't know-"
"No, please! Don't apologize." Keith told me. "Ben plays with his toys when he's upset."
And it was true. You could always tell if Ben was having a hard time because he would start rearranging and posing his action figures.
"I'm ok," I told Kieth. "Word got out about my dad, and I got a ton of emails... and they keep coming." I clicked on my inbox and let him see all the unopened emails with consolations in the subject line.
There were emails from people I haven't heard from in years, but all Brown connections. I had decided Kwasi must have told people. I was a little hurt that he hadn't consulted with me... pissed really.
I scrolled down for Keith's benefit.
Rebekah and Ali had each sent their condolences... which I felt particularly terrible about. They had been emailing me and each other all the week before and I meant to get back to them over the weekend, to tell them what happened, I hated that they didn't find out from me.
It looked like everyone I'd ever lived with at Hill House and everyone I ever worked with at
The Round
had heard the news. Even my professors Dr. Hendren and Julie Kim had both written. Jess had written... which was weird. We had seen each other recently, but it wasn't like we were friends, we hardly even knew each other.
There was even an email from Darci...
I started to tear up looking at them. I couldn't do this right now. Taking a deep breath I scrolled down so Keith could see what I was up against.
There were dozens, maybe even a hundred...
"Oof," he sighed. "They're all unopened..."
"I can't right now," I told him. "Not because of us! Not because of this!" I quickly added, gesturing at our work. Turning back to the emails, I sighed. "I know they are well-meaning - it's just... a lot?"
'...and I'm afraid I'll start crying,' I thought. I couldn't tell Keith that, but the look on his face made clear he knew.
"Listen, things got hectic fast," he said. "That wasn't my intention, I just got excited about this piece. If you think you came back too soon-"
"No, please, I'm excited too. I want to be here, and
this,"
I said, gesturing blindly at the whiteboard, which had become a mass of notes almost as garbled as our working code,
"this
is what I want to be doing more than anything. I'm sorry about the... the forlorn muttering."
Keith huffed a humorless but sympathetic laugh and gave me a look like he was trying to decide what to do, but then he smiled.
"Mm... OK," he finally agreed. He got up to go. "Don't skip lunch - take some time for yourself," he warned. "And please, if you need to talk, I'm here."
He headed out, but I didn't move.
Claire was up. There was a text.
Good morning. How are you? You must be tired!
She was right of course, I should be tired - but I still felt fine, still a grande macchiato would do me good. Claire liked to tease me about my trashy coffee habits but she loves a macchiato as much as me.
I'm OK, but I could definitely use a pick me up. Do you want to meet for coffees?
Can't, I'm already at the Gallery :(