Wealthy lesbian woman befriends and helps a homeless woman.
They called her the cat woman, albeit she only had three cats. Maybe, they called her cat woman because she fed stray cats and a cat or two always lingered by her back doorstep meowing for her attention and affection, hoping for some food, too. Her name was Jenna Charles.
Ever since her long-time lover and companion, Ruth Charles, died of breast cancer three years ago, she lived alone on Beacon Street, near the corner of Charles Street, in the house that Ruth's grandfather, Ulysses Charles, a retired and successful, black banker, built more than 100 years ago, long before she was born. Back then, he was one of the few men, albeit black men, who helped other black men with loans to buy homes and businesses. Just as a black man was refused a loan at a white bank, and women were refused loans at any bank, for that matter, Ulysses Charles didn't loan money to white men, for fear of not being paid and having no recourse in a white society to collect his money.
Nonetheless, he filled the niche that made him as rich as many of his white Brahmin banker counterparts, who lived beside him on Beacon Hill and those others who inhabited Back Bay. Only, because of the times and the color of his skin, he was never accepted in their closed knit community, even after he built one of the premier homes on Beacon Hill. Had the citizenry known that a black man had invaded their small, elite, and aristocratic community and bought property there, they would have burnt his house to the ground, but he survived being burnt out by staying to himself and not trying to be invited to where he wasn't wanted and didn't belong. Besides, with the homes so close together, if they burned one, they burned them all.
Matter of fact, his neighbors thought that his family of blacks were the servants and not the owners. Pretending he was the butler of the house and in charge in the owner's absence, any time anyone came calling, he'd tell them that Ulysses Charles and family were on an extended vacation in Europe. Just as it was easy to be noticed back then and in that high society community, a time long before computers and with the long arm of the Internet invading everyone's privacy, it was easy to disappear, too.
Ulysses Charles made a lot of money at a time when there was a lot of money to be made. When labor was cheap and before federal income taxes accessed penalties on its citizens, no expense was spare with the construction of this sweet Victorian mansion. Directly across from the Boston Common and only a block away from the Public Garden, the golden dome of the State House shone down the hill upon this stately home. Yet, this story isn't about Ulysses Charles, it's about his granddaughter, Ruth Charles, and about the legacy that she started and wanted continued by passing it on to Jenna Charles.
"Continue the legacy," was all that Ruth whispered to Jenna before she died.
Jenna knew what she meant, of course, she needn't have said any more than that. Attuned to one another, as lifetime partners, they always knew the other's meaning, sometimes without words. She kissed Ruth on the lips and bade her a last good-bye, while waiting, as the monitor flat lined an alarm, and watched, as the doctor declared the time of death. The doctors could have prolonged her life a few more weeks or months but not without a great deal of discomfort, angst, and agony for the both of them. Ruth had already made her last wishes known by signing a document not to resuscitate.
Jenna couldn't stay to watch any longer and needed to leave, before they covered Ruth's body with a sheet and wheeled her to the morgue. Her lingering illness and subsequent death had been a depressing conclusion to a full and happy life. Talking about it at great length beforehand, Ruth was ready and prepared to go and she died quietly and quickly. It had been difficult enough to make the final details of the funeral arrangements that morning. Jenna felt so helpless seeing her best friend, her lover, and her longtime companion lying there so still and so quiet, as if she was sleeping. Yet, she was glad that she was finally at peace.
Jenna stayed home for months before venturing out on the streets of Boston again. Haunted by the memory of Ruth, having grown uncomfortable staying in that big and empty house without her, she regularly fled her home and her familiar surroundings for other distractions to occupy her thoughts from missing Ruth. Her home was too much of a beautiful place to abandon for long, though, but she needed the time away from the house they shared to clear her head and get over the loss of her mentor.
From her rooftop garden to the right, she had a clear view of the Esplanade and the Charles River and to her immediate left she overlooked the Boston Common and the Public Garden. She loved this area of Boston because she didn't need a car and she let, Peter, the chauffeur go when Ruth died. Having a chauffeur and an automobile was Ruth's idea. Unlike Jenna who enjoyed a brisk stroll through the park, Ruth was obese and didn't like to walk. Jenna gave Peter the car, a pristine blue Bentley, that he washed every week, waxed regularly, and cared for, as if it was his own. She didn't care much for cars, for driving, or being driven. Besides, she could walk anywhere she needed to go in the city from where she lived.
She lived in the middle of the city, the Back Bay and on the Beacon Hill area of Boston where the elite once lived like royalty in the late nineteenth and early twentieth centuries. She loved the quaintness, the charm, and the character of the area with each house compacted side by side, so much like a picturesque cover of a Hallmark greeting card. Every house was distinctly different and, every year, professors would take their engineering students for a walking tour around the area to point out different architectural styles.
An artist made a small fortune on reproducing the doors of Boston, each door was as different as the resident who lived behind them. Artists made hundreds of paintings and photographers made thousands of prints of the homes, and tourist could never take enough photographs of the area. She loved the charm of Boston's history that was so rich with art and culture. As did her house, every house and every block had a story to tell and secrets to reveal.
In a house originally built and designed for a large family, her grand surroundings afforded her an unprecedented level of privacy. With the loss of Ruth, her self-imposed prison wasn't so horrible, but to her, it was unbearable. She lived in opulent but understated luxury, but it wasn't the same without having Ruth there to share it with her. She missed her biting remarks, her off the cuff humor, and her laugh. In the way she acted, irreverently funny, she reminded her of a black Bette Midler.
As soon as you entered the foyer of the four storied home with its high ceilings, large rooms, original fancy woodwork, hardwood floors, mahogany woodwork, chandeliered ceilings, pocket doors, ornate decorations of the period with beveled and stained glass, oriental carpets, and with a fireplace in nearly every room, you knew that this was not only a historic house but also a house of distinction. With everything antique and in as new condition, once you crossed the threshold and entered the home, it felt surreal, as if you were suddenly living in the way the rich lived back in the late 1800's and early 1900's. The reception hall, with its grand winding staircase, domed 18' ceiling, and Tiffany chandelier, paid tribute to a slower time past. The unrelenting tick, tick, tick and melodious chime from the 100-plus-year-old grandfather clock filled the house of the passing time that titillated your imagination and reminded you what it was like to live back then.
With every piece of furniture and fixture restored and true to the period, time stood still here. With no expense spared and nothing but the best, an antique dealer would kill to auction the original prized pieces that resided in this museum like house. Once inside the house and for the length of your visit, you felt thrown back to the Victorian period, an age of calm elegance. The noise of modern day with all the cars, traffic, and congestion assaulted your senses, as soon as you walked out the front door; a jolting reminder that it was today and not yesteryear. Wishing they could stay, wishing they could live here, those who visited the home, did not want to leave.
It was a house that when constructed cost fifteen thousand dollars to build, a lot of money back then. With the appreciated value in Boston's real estate market made more valuable by the desirable location, the immaculate condition of the property, and the preservation of its history, it was now worth more than fifteen million dollars, still a lot of money today. Moreover, if you were to liquidate the antiques and artwork that resided within at auction, her property and the value of her possessions skyrocketed to more than 50 million dollars. Then, there were the stocks and the bonds that Ruth's father left Ruth and that Ruth had now left Jenna. When accounting for all of that, her fortune climbed to, depending on the condition of the market, of course, more than three hundred million dollars.
Ruth gave Jenna strict instructions to never liquidate the investment portfolio, but instead to buy and to nurture it with a watchful eye to what current events did to the condition of the market and invest accordingly. Ruth kept abreast of local and world conditions that could positively and adversely affect her investment portfolio and, because of her keen insight of human nature and world events, she had been a savvy investor, quadrupling her wealth. Passing along what she learned, she taught Jenna well.
"Let it work for you, Jenna, and you will have no worries in your retirement. If I am to die before you," she said prophetically before she became ill, "continue my legacy of helping women."