Box Of Rocks, Final
Home
...........................................................................................................................
Chapter 46
Everyone took the two weeks off to catch up on their lives and separate careers, then came back to plan the last show.
The playlist was enormous, but since we'd concentrated on West Coast acts for the concert in California, we decided to do the rest of the country. Since it was the last show, they decided to make it last four hours, with a thirty-minute intermission in the middle of the performance.
Tom Petty made the list. So did The Allman Brothers, Bruce Springsteen, The Temptations, and The Dazz Band; the list seemed endless. Blacksnake, Molly Hatchett, and several other regional, hard-driving bands all made the list. Jaime had played as an opening act for a band called Wild Feathers while he was with his last band, and one of their songs stuck in his mind. after the rest listened to it, they agreed to do Left My Woman because it was made for all the guys to switch leads on. I listened to it in rehearsal, and it was powerful. Al insisted they do an old song covered by a lot of people, 'Hey Bulldog, ' as a nod to Fanny, one of the most successful all-woman rock bands of the seventies, and another song that switched lead vocals. They threw in some punk and grunge, but just a couple. They did a Mavericks song, Here Comes My Baby. We were going to do Locomotion, not the Grand Funk version, but the original. Zelda wanted to do an Etta James song, and Aaron would cover Mack The Knife by Bobby Darren.
Maddie insisted they do 'I Hope You Dance', by LeAnn Womack. It was April's favorite song, and she listened to it every day there at the last. There were so many songs they wanted to do, but time constraints held them in check. It got to them so badly that they decided to add a second show and do songs that had meaning to them, regardless of where they came from.
Mason took two weeks off, promising his artists he'd return to his studio after the last show. However, he and Jon spent a few days working on something they wouldn't discuss. I was the only one who wondered about it because everyone else had their projects and was scattered around the world.
Mason always left his projects behind when he came home unless he wanted to use me as a sounding board. When he did, I'd give him my opinion based on my knowledge, and I was always surprised when he listened. Americana was growing in popularity, but he feared their success was causing fiction. "You see it all the time: a band becomes successful, but by the third album, some take their press too seriously. I wrote 90% of Gutwrench's songs and handled most of the singing, but I always considered myself just part of the group. We would have broken up soon, not over the music but the relationships. Some people can't handle success. I try to help, be the voice of reason, but sometimes it's time to move on, so I give them the best advice I can."
I fully understood his concerns. Part of the time, my job title should be Mother Hen and not Manager. Zelda and Aaron were consummate professionals, primarily through our influence. Maddie seemed a bit erratic lately, but I put it down to the stress of losing her mother and took it easy on her. I knew sometime shortly, I would have to crack the whip and get her to focus. Jaime felt the unease as well, though he rarely talked about it. I was working with a new group, but all they did lately was squabble and trash hotel rooms, so their days were numbered. Even though I had spelled everything out to them, I figured it would still be a shock when I dropped them. It could be a wake-up call.
Everyone came back from their projects refreshed and ready to go. I had a big dinner catered the first night, and we met at the studio. The songs had more or less been hammered out, though there was still some debate. The second show would be an eclectic mix, but no one cared. They would figure out a way to make it flow.
Three weeks later, they were ready. Madison Square Garden was packed, and scalped tickets went for astronomical rates. We tried to short-circuit the counterfeiters, printing tickets with a discernable watermark that turned red to blue when torn. It helped a little, but there were still many steamed people when they found out their eight hundred-dollar tickets weren't real.
Chapter 47
The first show was what we had come to expect, and the crowd never stopped roaring the whole time they were on stage. We had broken a few rules, and Al's full band was with us, as well as the other two members of Titty's power trio and Jon's full ensemble. Three members of Americana were there, scared to death at the volume of people, but calmed down after they started playing. Despite the adrenalin, most of them were in a somewhat somber mood. They looked at each other and realized this was it. Most likely, this particular group of people would never play together again, all at the same time. They still rocked the crowd, having to play four encores, and they were still screaming for more as they left the stage. Backstage was the usual madhouse, with celebrities wandering around. Billy Joel was there, two of The Roots, the lead singer of Mumford and Sons, and a couple of rappers I didn't recognize who were friends with Jaime and Eric Church and many I didn't recognize. I heard they were still partying and playing at daybreak, but we were all in our rooms by then, dead to the world. We roused when our son jumped on the bed, followed by Inga, apologizing for letting him escape her.
We laughed and tussled with him for a few minutes, then ordered breakfast. Mason had noted a few glitches in the sound and the light show and went off to address them. Since we were in New York, the ladies decided that shopping should be a priority. We passed four pleasant hours being fawned on while we chose outfits. I bought some lingerie I thought Mason would appreciate after I got my post-pregnancy shape completely back. Zelda picked a few gowns for her tour, and I forced Inga to buy something her new boyfriend would appreciate. She'd been in the studio when Mason's newest engineer showed up, and sparks immediately flew. We watched the romance with interest, hoping she could find happiness and stay with us. Maddie looked a little listless, and Al wasn't enamored with anything she saw. There again, Zelda had a couple of designers chasing her and hinted they would like to gown the rest of us for public appearances.
Some of the sketches were terrible, but there was some quality. I was included as Mason's wife and manager of most of the talent. They even sent a few suit designs along for the guys. A gold sheath took me, and they already had my measurements, so I ordered it.
Surprisingly, they had it ready in four hours, trying to curry favor, knowing they would have a goldmine worth of free publicity if I got photographed tonight and it showed up on social media. I was four months along, so I got the new hose, a garter belt, and matching panties. The dress wouldn't look good with any bra, so my milk-laden udders floated freely. They still stood tall, so it was not a bad look. Judging by Mason's expression on his face when I made my appearance, he approved. I gently closed his mouth. "You be a good boy, and I'll show you the rest of the outfit when we get home."