Lexi didn't seem to be ready to forgive me for that session of lovemaking where I'd tried to dominate her. She came over the next day in the bright and melting snow and was civil enough but cool, and it was quite frankly painful. She knew it was painful too, and even apologized for the way she was acting but claimed she couldn't help it. The way she felt was beyond her control and she'd need a couple days to settle down after such a traumatic upset. There was really nothing she could do about it.
In any case she thought it just as well because Founder's Day was coming up, an extended weekend when the college closed and a lot of people left or had drunken parties or weird, immersive, experimental seminars. Lexi was going to be very busy with Cormac and the play because he was using the break to schedule such a special, extended, intensive rehearsal session and she'd be spending almost all her time at the theater building, and also going out to dinner with Cormac on Friday night, something I wasn't very happy about, although Cormac had dinner with all the leads in the cast and crew, his way of getting to know them all. She'd just stopped by to get some clothes, including her gray skirt and jacket that I loved so much, the one that made her look so lovely and feminine, and hearing about this more than anything else probably decided me then and there:
"I'm going to Chicago for a couple days with April. Nothing suspicious. She's in some trouble and she needs my help."
Lexi could still be jealous, though not as jealous as I would have liked. " April Louterbeck? What kind of trouble?"
I really had no secrets, so I told her. "She has a cousin in the army who sent her a whole shitload of dope and she doesn't know what to do with it. I'm going to take her to Sandra and see if she can take it off her hands." Lexi knew about Sandra. She knew all about that phase of my life. As I said, I had no secrets from her.
"So you're going together? Where are you going to stay?"
"At Sandra's, probably. Everything will be fine. I told you about Sandra."
Sandra was a high-functioning addict and a lesbian and an old, old friend of mine. High-functioning means she was a basically a junkie, but able to function just fine in society, and in fact thrive in it. She was, in fact, the executive assistant to the vice president of a very large and lucrative medical insurance company in downtown Chicago and a very together woman with a huge condo overlooking the lake on South Lake Shore Drive. She had connections in the upper class heroin circles in Chicago and dealt to commodity traders, doctors, lawyers, and other professionals only. She'd been my connection back in the day, before she'd struck gold and when we'd both been small-time users, and we'd always stayed close.
Lexi looked at me. "I remember Sandra. I thought that part of your life was over."
"It is," I said. "Sandra's just an old friend, and she can help us. Besides, I haven't seen her in almost a year."
"April's hot for you, you know."
"I know. And you're hot for Cormac."
She squinted as if I'd passed something foul-smelling under her nose. "He's attractive, but he's not my type."
"He had you eating out of his hand the other day."
"What are you talking about?"
"When he was abusing you on stage. You were just standing there and eating it up like a masochist. Like a little submissive."
She turned away to get some underthings out of a drawer. "Give it a rest, Russell. You're obsessed."
"You told me you got off on it."
"I did. On his insights, his critiques. He's a great, great director, a great critic. In three seconds he can tell you what's wrong with a reading. Yes, I get off on that."
"No. He's got your number. I was there. I saw it."
She threw her underwear into her backpack. "You'll never believe me that I'm just not into that D/s crap, will you? You just won't give it a rest. Just because you're consumed—"
"No I won't. Because everyone's into it on some level. On some level everyone wants it, wants to rule or be ruled. When you get down past all the sweetness, love is sex and power—"
"Well maybe I'm all sweetness, Russell! Maybe I'm all fucking sweetness!"
I didn't have to say anything to that. We glared at each other for a moment and then her face fell. She embraced me, two pair of panties still in her hand.
"Oh baby! I don't want to fight! Why are we fighting? I love you so much, Russell! Is it really so important you tie me up and play lord of the manor with me? That's what this is about, isn't it? That's what it's always about. Is that really what you want?"
I held her, her breasts against my chest, the smell of her hair in my nose. I thought of what she'd given to me—everything. Everything except that one thing—and suddenly it seemed so trivial. I melted.
"No, baby, no. No. In the big scheme of things, it's really not important."
"Then why are we fighting?
"Because I'm jealous of Cormac."
"Oh God, Russell! Don't be jealous of that shmuck! Please! Are you kidding?" She held me and started to laugh or cry—I wasn't sure which—and I held her tight.
"Baby," I said. "Baby, I know. I just get crazy sometimes."
She looked at me and gave a tearful little laugh. "The weird thing is—you're right., The son of a bitch does do something to me and I hate it. I don't feel anything for him, nothing at all—it's nothing like that. Aside from being a great director he's an absolute asshole. That's why I can't understand it. It makes me furious, makes me sick with myself, but when he bitches at me, it does something weird to me, like he reaches inside and touches something I didn't know I had...."
I felt chills, felt dizzy, felt rage uncoiling in my stomach like a poisonous snake. For a second I wanted to slap her, wanted to beat her and choke her, but the moment passed as she hugged me and pressed her cheek against me, wetting my shirt with her tears.
"I would never do that, Russell. I'd never leave you, not the way I love you. No one could be what you are to me. It's just a weird thing, a quirk inside me. It must be something I got from my dad yelling at me."
"Hell," I said. "I'll yell at you."
She smiled up at me. "You're too sweet. You love me too much. It wouldn't work with you."