It was just past Monday noon when I knocked at the office door of the St. Louis Choral-Symphony Society. A pale man in his twenties wearing a dark suit and white shirt opened it and asked who I was. I told him of my appointment and he ushered me in immediately.
Alfred Ernst was a man of average height, with an immaculately coiffed beard and hair, elegant cravat, and sharp grey suit. His blue eyes shone in welcome and he greeted me in German: "Frankie, how long has it been? I could hardly believe my eyes when I saw your letter last week. Welcome, thrice welcome."
"Thanks, Alfred," I replied slipping back into the German of my student days easily. "I couldn't believe my good fortune to see you as the director of this Society. How are you faring in America?"
He shrugged his shoulders. "It will be an uphill climb. Herr Otten resigned because the board cut back the subscription season, but I believe he was too pessimistic. With good music making, we will rebuild the subscriptions and expand the season. How are you? When I heard of your father, I thought you might be lost to the arts forever."
I shrugged my shoulders. "Another uphill climb, I'm sorry to say. I had to leave Europe and use my small savings to help him out. There were no music jobs I could find here in America, since they always want to hire Germans or other foreigners as conductors or faculty, and the MacDowell colony could give me no help, other than inform me of this possibility. I was lucky to find Sir Charles willing to hire me as a copyist on the strength of a piano sonata I sent him."
"You've written a piano sonata? Do you have it with you? I must hear it."
"Yes, Alfred, we'll get to that before long I imagine. How's Minnie?"
"Oh, she's coping with life in a foreign land. St. Louis is such a German town I have a hard time remembering we're in America, except the weather is so blasted hot. We both learned English to live here, and we've hardly used it. Once we accomplish great things here, we'll go back to the Fatherland. You must meet us for dinner, or luncheon. I know a place that will make you think we're back in Leipzig. Thursday, perhaps?"
"Surely, Alfred, surely. Let's take care of business first."
He gave me a look and led me to his office, which doubled as his studio. Alfred was always impeccable, unlike most of our classmates, and his piano was in perfect tune. "Do you get to perform much on the piano?" I asked.
"A little, mostly homes and salons, sometimes I get to the piano at the Beer Garden. But my focus here is on conducting, so that's what I'm working on the most. Now, where is this score we're supposed to do?" I presented it to him and he looked it over. "You have a beautiful style on the page, Frankie, so clean and legible. Most composers think it's all right to give me chicken scratchings like Beethoven, and think I'll be able to decipher it."
"I can relate: this is the interpretation of chicken scratchings. It took me three weeks."
Glancing from page to page. "I hope it was worth the pay. By the way, how much is he paying you?"
I told him and he nodded his head. "That's more than I'm making here, although I don't envy you. Well, let's play through it, just like the old days, one piano, four hands. Ready?"
We spent the next three hours playing through the music without speaking. When we finished, Alfred lit a cigarette and offered me one. I took it and lit it to hear him say: "_Don Giovanni_ closed after five performances; this will as well. That's all Sir Charles is paying for, and I will bet my entire salary no one will want hear it after that. We're mounting Gluck's _Orfeo_ this fall, so we can use the same sets and costumes, the only thing we'll have to make just for this is a fake chain and a big rock, and we'll find other uses for them." He blew out a huge cloud of smoke and held up his hands in disbelief. "God in heaven, this is so artless. How can you stand it?"
I shrugged my shoulders. "I focus on getting the notes right, not whether they belong together or have any great inspiration. I've learned to turn off the critical sense when I haven't needed it. Poverty helps."
"You have a greater talent than I for that. At least it could be something wild and bizarre, like Debussy's music. In fact, I wish it were Debussy. . ." His voice trailed off and he took another puff of his cigarette. "I hear Sir Charles is an exile here."
I shook my head in negation. "Yes, but I can't talk about that."
"I thought not. And his overall contribution to the Society is the biggest this season, so I can't say no. I'll have to get word out so the other members of the board won't criticize him too much, we may want his money next season. How soon will you have the parts ready?"
"Two weeks."
"Do you want help?"
"Hell no, the rate he's paying me, I don't care if I copy his complete works. A professorship at Harvard wouldn't pay this much. Besides, he's out of town and will want to be present when the orchestra sight reads this, and he's not due back for a long time. And at heart, he's a nice guy with a big heart, even if he's a pompous mediocrity. "
"Pompous mediocrity," he repeated, shrugging his shoulders. "Like most Englishmen."
I shrugged my shoulders and nodded. "Keep your eye out for a man named Edward Elgar. He will be famous before long, even on the Continent."
"Elgar? Never heard of him."
"Living in the Midlands, a local star at this time, but very original. Take a look at his _Salut d-Amour_ sometime."