It was just past Monday noon when I knocked at the office door of the St. Louis Choral-Symphony Society. A pale man in his twenties wearing a dark suit and white shirt opened it and asked who I was. I told him of my appointment and he ushered me in immediately.
Alfred Ernst was a man of average height, with an immaculately coiffed beard and hair, elegant cravat, and sharp grey suit. His blue eyes shone in welcome and he greeted me in German: "Frankie, how long has it been? I could hardly believe my eyes when I saw your letter last week. Welcome, thrice welcome."
"Thanks, Alfred," I replied slipping back into the German of my student days easily. "I couldn't believe my good fortune to see you as the director of this Society. How are you faring in America?"
He shrugged his shoulders. "It will be an uphill climb. Herr Otten resigned because the board cut back the subscription season, but I believe he was too pessimistic. With good music making, we will rebuild the subscriptions and expand the season. How are you? When I heard of your father, I thought you might be lost to the arts forever."
I shrugged my shoulders. "Another uphill climb, I'm sorry to say. I had to leave Europe and use my small savings to help him out. There were no music jobs I could find here in America, since they always want to hire Germans or other foreigners as conductors or faculty, and the MacDowell colony could give me no help, other than inform me of this possibility. I was lucky to find Sir Charles willing to hire me as a copyist on the strength of a piano sonata I sent him."
"You've written a piano sonata? Do you have it with you? I must hear it."
"Yes, Alfred, we'll get to that before long I imagine. How's Minnie?"
"Oh, she's coping with life in a foreign land. St. Louis is such a German town I have a hard time remembering we're in America, except the weather is so blasted hot. We both learned English to live here, and we've hardly used it. Once we accomplish great things here, we'll go back to the Fatherland. You must meet us for dinner, or luncheon. I know a place that will make you think we're back in Leipzig. Thursday, perhaps?"
"Surely, Alfred, surely. Let's take care of business first."
He gave me a look and led me to his office, which doubled as his studio. Alfred was always impeccable, unlike most of our classmates, and his piano was in perfect tune. "Do you get to perform much on the piano?" I asked.
"A little, mostly homes and salons, sometimes I get to the piano at the Beer Garden. But my focus here is on conducting, so that's what I'm working on the most. Now, where is this score we're supposed to do?" I presented it to him and he looked it over. "You have a beautiful style on the page, Frankie, so clean and legible. Most composers think it's all right to give me chicken scratchings like Beethoven, and think I'll be able to decipher it."
"I can relate: this is the interpretation of chicken scratchings. It took me three weeks."
Glancing from page to page. "I hope it was worth the pay. By the way, how much is he paying you?"
I told him and he nodded his head. "That's more than I'm making here, although I don't envy you. Well, let's play through it, just like the old days, one piano, four hands. Ready?"
We spent the next three hours playing through the music without speaking. When we finished, Alfred lit a cigarette and offered me one. I took it and lit it to hear him say: "_Don Giovanni_ closed after five performances; this will as well. That's all Sir Charles is paying for, and I will bet my entire salary no one will want hear it after that. We're mounting Gluck's _Orfeo_ this fall, so we can use the same sets and costumes, the only thing we'll have to make just for this is a fake chain and a big rock, and we'll find other uses for them." He blew out a huge cloud of smoke and held up his hands in disbelief. "God in heaven, this is so artless. How can you stand it?"
I shrugged my shoulders. "I focus on getting the notes right, not whether they belong together or have any great inspiration. I've learned to turn off the critical sense when I haven't needed it. Poverty helps."
"You have a greater talent than I for that. At least it could be something wild and bizarre, like Debussy's music. In fact, I wish it were Debussy. . ." His voice trailed off and he took another puff of his cigarette. "I hear Sir Charles is an exile here."
I shook my head in negation. "Yes, but I can't talk about that."
"I thought not. And his overall contribution to the Society is the biggest this season, so I can't say no. I'll have to get word out so the other members of the board won't criticize him too much, we may want his money next season. How soon will you have the parts ready?"
"Two weeks."
"Do you want help?"
"Hell no, the rate he's paying me, I don't care if I copy his complete works. A professorship at Harvard wouldn't pay this much. Besides, he's out of town and will want to be present when the orchestra sight reads this, and he's not due back for a long time. And at heart, he's a nice guy with a big heart, even if he's a pompous mediocrity. "
"Pompous mediocrity," he repeated, shrugging his shoulders. "Like most Englishmen."
I shrugged my shoulders and nodded. "Keep your eye out for a man named Edward Elgar. He will be famous before long, even on the Continent."
"Elgar? Never heard of him."
"Living in the Midlands, a local star at this time, but very original. Take a look at his _Salut d-Amour_ sometime."
"I'll remember that. Now, lets clear our palettes and listen to this piano sonata I haven't heard yet." I played the piece for him and when I finished, he leaped to his feet. "I can find a publisher for this, Frankie, I promise you. Did you try anyone in Germany before you left?"
"Everyone. They all said no."
"They will change their minds when this becomes known." He pulled out his fob and checked the time. "If I don't get the rest of my work done today, she will have my head when I get home. Check your diary and let me know if Thursday will work for you: Minnie is eager to see you."
"Thanks, Alfred. We'll be in touch."
"Until later."
"Later."
Maurice was waiting for me in the outer office, and stood when I came through the door. "I trust it was a good interview?" she said gravely.
"Yes, we're on course for the production. I need to get back to work on the parts as soon as may be; please give Miss Pearl my regrets for tea as I must begin my work and work as late as I can keep my eyes open. The next two weeks will be a marathon."
"I take it you'll want strong coffee often?"
"Yes, Maurice, thank you. I trust Opal will favor me."
"Absolutely, and I can make coffee as well. We will keep you going."
We rode the rails back to the stop for Olympia, and I went straight to my writing desk. The next four days were a blur as I spent every waking moment on my task, wanting to get my task done as quickly as possible. Fortunately, Sir Charles favored an orchestra no bigger than Beethoven's or Brahms'; if he'd written for a Wagnerian ensemble I would have despaired completing my task by the end of the year. The others kept me fed and supplied with coffee but otherwise left me alone. I took no recreation, knowing once I finished I would have some space to breathe. A quick note to Alfred Ernst sent my regrets about Thursday and promised a visit as soon as the parts were done. Word reached me the Broughams reached Colorado in good shape and were enjoying their visit, although Sir Charles sprained his wrist during a fall while hiking. Fortunately it was his left wrist, so his shooting was not affected by the injury.
Saturday I awakened late and realized I had to take a break. My eyes were tired, and I knew unless I rested them I would not be able to continue. I informed Maurice of my intentions, and he brought some cold compresses. I also requested to be left alone, and they respected my wishes. After a day's rest, I decided to take a walk after tea, and strolled out over the ridge to the swimming lake. It was peaceful and serene, and as I sat on its bank I realized someone was swimming. Ducking behind a tree, I thought at first it would be Pearl and Opal, but the swimmer came into view and I realized Maurice was taking a dip. She swam gracefully, her head above the water and dry, her motions economical. Flipping over, her breasts came into view, cutting through the water like white freckled sails, glistening in the late afternoon sun. I was afraid she would look my direction, but her attention was elsewhere and I remained unseen. She got out on the other side and lay on the grass, long and lean, fit and sturdy, her wet skin reflecting the sun except for the dry red hair of her head and the damp red hair between her legs. A horse was tethered near her exit point, and I took the opportunity to return to the house before she returned and saw me out walking.