Miriam observed the assessor from the Historic Buildings Commission with a measure of disapproval. When he'd first arrived she'd believed her luck had changed and he was about to reverse a previous decision and tell her that financial help was about to arrive by way of a grant. That was not what had happened.
"I was on my way to Chance Hall," rumbled Mr Crabtree, a thin, long-nosed man with the piercing eyes of an accountant, "And since Fairyfield Grange isn't too far off my route I took the opportunity to come here and insist you cease pestering the Commission with so many irritating letters. Fairyfield Grange as never been under consideration for a grant, and it never will be."
He had declined to take a seat, so he and the headmistress stood facing each other in the middle of her parlour-office like a pair of pugilists in a boxing ring. She, delicate and sparrow-like, Crabtree no bigger but with eyes that tried to dominate.
"You're being unfair," Miriam complained bitterly, "You're prepared to give assistance to Lord Chance-Barton who's wealthy enough not to need any, yet you give me nothing. Fairyfield as twice the historical interest of Chance Hall."
"That may well be," Crabtree replied heatedly, "But externally Chance Hall is a perfect example of a mid-Victorian stately-home. The Grange on the other hand as been cobbled about so much during its existence it represents neither one thing or another. It's an absolute mess, a dire hodgepodge of a place madam, and those two grotesque wings added during the reign of King Edward are the last straw. In no way do I intend to advise settling any money on this place."
Crabtree had the face of a spade and was as ugly as Himmler, decided Miriam. She looked at him as if he were a serial killer, or the sort of man who put pet poodles to death by slow torture. He was tall and trim and in his mid-thirties, sporting a bouffant hairstyle, and dressed in a well-cut suit that was too heavy for the weather. A white shirt, bow tie and black, well buffed Oxfords completed his ensemble. In Miriam's opinion such men always wore bow-ties, it betrayed their self-image of importance.
She was tempted to attack him with knives at that moment, but instead she turned about to conceal her anger and fixed her gaze on the portrait of Sylvester Fairyfield hanging on the wall over her desk. It was a frustrating sight in a time of financial starvation. She desperately needed money to oppose the National Trust in their claim against her home and the sale of the Laszlo would settle all her cash worries in a single sweep. But the painting had to legally belong to her first, and since it was part of Uncle Albert's estate that wouldn't happen until after she'd won her case in court.
Gathering up her wits she swung about to face her visitor again. "Would you like to have a look around the school Mr Crabtree? I've a number of lovely students here and many of them would cherish a lesson in - um - historical architecture from such a worldly person as yourself. Perhaps I could arrange a few interviews. In private of course."
Her attempt to appeal to the baser instincts of his carnal nature met with complete failure. The man ignored her innuendo entirely and reached for his briefcase. "I don't have the time for any such nonsense. I'm due to have tea with Lady Chance-Barton."
Before he could depart from the room the door opened and Emma Twist popped her head inside. "Sorry to..." She stopped in mid-sentence and her eyes glowed at the sight of the visitor, and immediately sidling uninvited into the room she swung her hips and offered him a broad smile.
"Billy! What a surprise it is to see you. I never dreamed we'd meet again once I'd gone from Leeds."
The man paused in his stride and the colour drained from his face. The sudden change in his demeanour was remarkable. That which just a few moments before had been bombastic and sneering was now one of hesitance and uncertainty. He seemed fearful of gazing at Emma full in the face, as if like some creature from a Greek myth she'd turn him into stone if their eyes met. The sparse flesh on his face moving into furrows as he struggled with a reply and his tone seemed defensive. "I-I didn't imagine we'd ever meet again either."
"But here we are." fizzed Emma. Sensing the tension in the room she held him with a stare for a moment before glancing at Miriam and then back at the man's hangdog expression. Finally she moved up to Mr Crabtree, took his briefcase from his limp hand and put an arm about his waist. "Tell you what Billy," she murmured as she ushered him towards the door, "You leave your briefcase here and stand outside in the hall for a minute while I have a word with the headmistress. I'll call you back in when I'm ready."
Having shut the door behind him she turned into the room and smirked. Her amusement was infectious and even in her depressed mood Miriam became tempted to smile. "What on earth went on between you and that grisly man when you were in Leeds? He allowed you to lead him away like a lamb."
Emma stopped smirking and settled for a broad grin. "Oh, he and I - we had a certain understanding. He has certain needs I've catered for in the past. Why is he here now?"
"I'd some hopes pinned on a grant from the Historic Buildings Commission to help me over a spot of financial bother, and that horror is the assessor who recommends such things."
"From the sour look on your face when I came in I'd say you hadn't enjoyed much success with him."
"He's a bloody simpering jack-in-office. A spineless know-it-all jobsworth." Miriam complained bitterly.
Emma chuckled. "Yes, I know that." Her fingers plucked gently at the buttons of her blouse. "Would you like me to help? I know him rather well and I could get him to change his mind."
The eyes of the headmistress narrowed. "Good Lord, I wouldn't expect you to go down on your back for the likes of that creep."
Emma removed her blouse and adjusted the sit of her breasts in the cups of the skimpy black bra she wore beneath, then before Miriam could make another comment she unclipped her skirt and let it drop to the floor. "Nothing like that will be necessary. Billy is not allowed to shag me. He and I have a special kind of relationship." she explained.
She went straight to the narrow cupboard in the corner and took out a school teacher's traditional mortarboard cap and schoolmasters gown that the headmistress rarely wore. Placing the cap squarely on her head and slipping the gown over her shoulders she then drew out a bamboo cane, and at last Miriam began to grasp what she was doing.
"Do you keep a cock here in the office?" Emma asked.
"In the vitrine, behind the sherry." the headmistress told her.
The strap-on was immediately hauled out and Emma stroked it. "Mmm, a black one. That will suit the colour scheme and the mood. And you always seem to favour the jumbo size, which is nice." Without pausing to consider anything else she buckled it onto her thighs, and when she'd finished she gave it a joyous shake with one hand whilst bringing the cane down with a sharp swish with the other.