After my weekend back-to-back sessions with Bethany on Saturday and Karen on Sunday, I would have expected to be dragging badly on Monday morning. Why would any graduate student in his right mind sign up for an 8 a.m. class on any day, let alone Monday, Wednesday, and Friday?
To my great surprise, however, I awakened Monday morning about 5:30 a.m. feeling remarkably refreshed, even eager, to get up and get going.
I lay there for only a few minutes, then started to get up. My feet had no sooner hit the floor than my cell phone rang.
My first reaction was concern. No one would call me this early unless it was an emergency, so my mind flashed the thought that something might be wrong with one of my parents. I grabbed the phone from the night stand and hit the send button without even looking at the screen.
"Hello!" I practically shouted into the phone.
Apparently my voice reflected my urgency and concern.
"Tom, this is Karen Matsumoto. Are you all right?"
I took a deep breath, confident I could calm down.
"Oh, good morning, Karen. Yes, I'm fine now." I explained why I had answered so abruptly.
"Oh, Tom, I'm terribly sorry. I should have thought first before calling this early. I hope you'll forgive me."
Her voice was sincere. She continued.
"I wanted to catch you before you left your apartment, and I just assumed your cellphone would either be off or would go to voicemail."
"It's all right, Karen. Actually, I was already awake and lying here. I was just getting up when you called. Don't worry. Everything's fine. But, why are you calling this early?"
"Remember, yesterday I explained how when responses to your material started coming in, I would get an automated message on my phone?"
"Yes, but you also said you didn't expect to start getting responses for a week or so."
"Well, I was wrong. I got a message a little after three this morning our time. It was from Japan, but not from one of the members I thought would have the most info and respond the quickest. It came from a small and rather remote museum, not one of the biggies."
"And ...?" I prompted.
"They sent images of some material for comparison to yours. It's a little complicated to explain on the phone. That's why I wanted to catch you before you headed out to the campus. If you'd be willing to loan the original of the authentication letter to us for a few days, I'd like to have our forensic document examiner look at it. Is there any way you could come by my office sometime today and bring the original of the authentication letter with you? "
"Sure. My last class ends at two today. I could be at your office at the airport by two-thirty probably. Would that be soon enough?"
"That would be perfect, Tom. Thank you. When you get here, come to the loading dock door rather than parking in the lot out front. There's an intercom by that door just like the one out front. I'll buzz you in. Just park inside in any open employee parking space."
"And you want me to bring only the authentication letter and not everything else?"
"Yes. You'll understand much better when you get here.
Also, I have another favor to ask of you. If you'll permit it, I'd like to call Bethany and see if she could be there, too. Since it was her keen eye that brought you and your material to my attention, I know she'd be very interested in what the Japan museum has found."
"Yes, of course you can contact her. Even if she can't be there today, I'd like for you to put her on some kind of access list so that you can discuss my material with her any time you think it would be appropriate."
"That's very thoughtful of you, Tom. I'll print up a standard release form for you to sign this afternoon. That will get your permission into the record. By the way, my forensic document examiner, Margaret Gibson, will be there, too. So, I'll see you this afternoon at two-thirty, then.
And Tom, thank you very much for yesterday afternoon. I haven't felt so desired and been so satisfied by a man in years." Karen's very direct remarks left me surprisingly hard.
I took a quick cold shower, then dressed, retrieved the authentication letter from the archival storage box, and headed off for campus.
At my university a student parking permit is nothing more than a hunting license. Still, I was fortunate to find a parking spot in the student lot closest to Hertz Hall. So, after my class ended at 2 p.m., I was able to jump in my car and head toward Karen Matsumoto's office on the north side of the airport.
I arrived about five minutes early and pulled up to the smaller of the two rollup doors.
Karen answered the intercom, and a moment later the door started to slowly raise. The door closed behind me immediately after I drove in and parked. By the time I was out of the car, Karen was at the loading dock. She walked to my car to greet me and escort me in. While we walked, Karen explained that Bethany was already here and waiting inside with the document examiner.
We walked to the small conference room. I greeted Bethany, then Karen introduced me to Margaret Gibson, a certified forensic document examiner and one of the three full-time employees of the library's Special Collection Division.
"Tom, as I said on the phone this morning, I received an unexpectedly quick and detailed reply to the information we put on the network only yesterday.
The responding museum in Japan believes that the elderly couple who bound your book of photos for Misako and Risa Sato are likely the last survivors of several generations of bookbinders. That family, and only that family, were the bookbinders to the Chrysanthemum Throne going back at least to the reign of Emperor Ninko in about 1817. They're still looking, though, to see if their history may be traceable back further.
If Misako's neighbors are that couple, they are not husband and wife but rather brother and sister. They migrated to the United States in 1947, sent here by their parents at age 14 and 11 to stay with their father's brother and his wife in California. Their parents had intended to join them, but both parents died in the 1948 Fukui earthquake. The brother and sister remained legally here and became naturalized citizens of the United States seven years later."
"Short of contacting them personally, is there any way to establish their identity now?" Bethany asked.
"Maybe," Karen answered. "That's why I asked Tom to bring the original authentication letter. Along with Misako, both the man and woman supposedly signed it.
When the Japan museum saw the copy of the letter we sent out, they searched their collection and found letters supposedly sent from the man and woman as children to their parents. The letters had been found in the rubble of the Fukui earthquake and preserved.
The names of the children who signed the letters to their parents match the names on Tom's authentication letter."
"And you hope Margaret will be able to determine if the signatures of the elderly people on Tom's letter match the signatures on the letters sent in '47 or '48? That seems like a long shot. Won't their signatures have changed after almost seventy years?" Bethany asked.
"It is a long shot," Margaret said. "You're right, Bethany. People's handwriting does change over decades with age, infirmity, injury, and so on. On top of that, the late '40s letters were written and signed in Kanji script. Tom's letter has been signed in beautiful Palmer cursive.
That's why Karen and I hoped you'd be able to help us, Bethany. Karen said you write in Kanji script far better than she does. I don't. I hope you'll show me exactly what strokes and in what order each of the Kanji characters in the earlier signatures were made.
Even though the elderly couple wrote in two different languages and script styles, their signatures likely retained some of the common features such as pressure, flow, linearity, and other things that forensic document examiners look for."
I was skeptical, but Karen reassured me. "Because we have to deal with material in languages from all over the world, Tom, Margaret has specialized in making interlingual handwriting comparisons. Handwriting is a line segment with a beginning, an end, and often recurring and repeating variations in between. To way oversimplify Margaret's skill, she will be looking for similarities or differences in the way each line is made on its medium."
"Wouldn't it be simpler to just contact the couple and ask them if they were the writers of the earlier letters?" I asked.
Karen responded patiently. "Yes, Tom, but for their own reasons, they may not want their personal histories known. Regardless of any historical interest by the public, they are absolutely entitled to their privacy.
Any actions we take to confirm or exclude them need to be done as discreetly as possible out of respect for them."
"Did the Japan museum's collection happen to include any full-length body and facial photos of them as children?" I asked.
Karen and Margaret simultaneously broke into wide smiles.
"You could be the first electrical engineer we ever recruited for Special Collections!" Karen said enthusiastically. "You've got the mind of physical anthropologist.
Yes, they did. The photos aren't in great shape, but since we know the children's ages when the photos were taken and there are some physical objects in the photos with them, we can have a photogrammetrist calculate their approximate body dimensions. We can have one of our contacts at the National Center for Missing and Exploited Children do an age progression to give us some ideas of what they may look like today.
Tom, if you'll give the letter to Margaret, she'll log it in and then begin her examination and comparison. Margaret, will you please log the letter and also print out a receipt for Tom? You can hold onto the receipt. We'll come through the lab on the way out and pick it up there."
Margaret nodded agreeably, took the authentication letter, and left the meeting.
"Are you considering discussing everything you find with Misako and his sister?" I asked. "To see if the age progressed images look like their neighbors who bound my photo book?"