The long hot summer of '76. Despite everything we hear about the swinging sixties, sexual liberation didn't even reach the end of the drive up to the door of Loxford Hall, the not quite posh establishment to which my parents had sent me.
Loxford Hall: a big Victorian redbrick building, set in its own grounds, or demesne, in the middle of the Derbyshire hills. Cold, isolated, perhaps romantic in a strange Gothic Horror way.
The establishment was a so called finishing school. A place where young ladies who were not suitable for university were sent to learn deportment, manners and how to be... well... young ladies.
I was sent there at the start of the summer holidays when it would have been expected that we young ladies would be spending a few happy weeks with their families.
But my family was no ordinary family, my parents were separated and my mother had gone to live with 'Uncle' Emile on the Riviera. Father was in the diplomatic posted to Africa, where he had deemed it unsafe for me to go.
It had ever been thus. I had always had the feeling that I was an unfortunate mistake. That my parents felt that I had been sent to get in the way of their, to them, perfect lives. Father devoted to his career, and mother devoted to a string of unsuitable gigolos and paramours.
It was not as if I was unattractive: short perhaps, and slightly too heavily built, but with big bosoms, an attractive face and straight hair of a colour usually described as 'chestnut'.
I was not particularly sociable though. I tried to work hard and keep out of trouble. Not like Lulu.
I had no other relatives, except for a dotty old grandmother living in the Wilds of Woolly, and not even my parents would send an eighteen year old girl to live with somebody like that.
That is probably why I ended up in Loxford - sent there at the start of the summer holidays. Myself and a few other girls abandoned by their families. Among these was my room mate Lulu.
We didn't mix much with the other girls, Lulu seemed to want my companionship and I was strangely attracted to her.
When I think about Lulu, I think about a girl seeming old for her nineteen years: a beauty, a romantic, a girl who not only looked romantic but seemed to embody the essence of romanticism. What dark events in her life had bereft her of friends and relatives I never knew, but it had left her with a depth of soul which I could never hope to match.
That sultry August evening the sun was just coming down towards the horizon. It must have been sometime between eight and nine, as the school had a strict curfew and we had to be in our rooms by eight thirty engaged in improving activities.
Lulu sat at the open window reading Byron. She was on the fourth canto of Don Juan (a book expressly forbidden as likely to bring salacious thoughts to the minds of young ladies), alternately reading and looking out over the wild hills of the Dark Peak.
It must be explained that salacious thoughts and methods for their prevention were a constant preoccupation of the staff at Loxford Hall, who knew only too well the effect of burgeoning sexuality on young ladies with time on their hands.
She looked lovely, dressed only in her pyjamas, her copper coloured hair let down, her long slim legs, tucked up, her small breasts just visible where she had left the top button of her pyjama jacket undone. She was an extraordinary beauty. Imagine Lizzie Siddall as painted by Rosetti and you get the idea.
She seemed deep in thought, frowning constantly as if something preyed on her mind, possessed her, blotting out the book, the room, me. Suddenly she put the book down and turned to me with those extraordinary green eyes of hers. The eyes that gave her that bewitching romantic look.
"Coming?" she asked.
"What do you mean 'Coming', you idiot? We're on curfew remember."
"Curfew. Who cares about that."
She was off on another of her trips. She hadn't really wanted me along I felt. And I knew what she had in mind. She did this some times; climbed down the wisteria that clung to the old stone walls and set off across the peak in search of...? In search of what I was not to discover until much later.
Without another word, she shrugged again and swung herself out onto the sill and then down the wall of the house and onto the gravel drive that led down to the lodge and freedom. I let her go. She'd be back by midnight.
She wasn't.
The night was light, with a full moon and I stayed up hoping to see her slight figure striding back up the drive. But she didn't come.
By six in the morning I was frantic. Should I wake Miss Trevelyan pronounced Trevillion, the iron willed and iron haired house mistress in charge of the school in the absence of Miss Dodds, the headmistress. She would have the police out. There would be a frightful fuss and Lulu would probably be sacked (that is expelled).
I couldn't bear that. Surely she must get back soon. I could think of only one thing to do. I swung out onto the Wisteria myself and, terrified, clumsily clambered down, falling the last few feet into a flower bed and shattering a cucumber frame.
A struggled to my feet and limped down the drive. I was still twenty yards from the end when she came into view, rounding the wall of the demesne and entering the drive.
She was riding a milk white pony, no saddle, no bridle; her long auburn hair hung down her back almost to her waist, and she was stark naked except for a black velvet collar and one black velvet garter round her left thigh. Each bore a single ruby red gemstone.
"Lulu!" I shrieked, "what are you doing!" but she just smiled back at me with a strange seraphic smile.
"Girls!" What are you doing, "My office at once!"
I turned to see Miss Trevelyan. The martinet, wakened by my clumsy crash into the frame, was dressed in her dressing gown and looked as furious as I'd ever seen her.
How can I describe Miss Trevelyan, who plays such an important part in this strange tale: on the tall side, short cropped grey hair, deep piggy eyes, her mouth a gash of ruby red lipstick. Every school seems blessed with at least on sadistic martinet, and Miss Trevelyan was Loxford Hall's.
We were in for it now. We'd be sacked, both of us, sure thing. But we weren't. I thought perhaps Miss Trevelyan didn't want to lose the business, or didn't want the publicity, I didn't know.
We stood in front of her while she railed at us for our wilful disobedience.
"What were you doing girl? Dressed like that. Out in the middle of the night? You could have been... Could have been...ravished"
Ravished! The word, redolent more of Bram Stoker than modern Britain, brought a fleeting wry smile to Lulu's lips, and I wondered for a moment...
But not a word would Lulu say.
"Unless there is to be a thrashing you will tell me girl. Right now. What were you doing dressed like that and where did you get those!"
Still she remained silent.
"Where did you get those?" She pointed at the black velvet bands with the ruby like stones. She was red in the face with fury. For some reason the stones held a particular fascination for her.
She took out the leather strap or tawse that was used to administer punishments in the strict discipline ethos that prevailed back in those less enlightened days. Which wasn't as horrific as it sounds. Administered more for the humiliation than the discomfort, it was a common punishment for even trivial offences and I only say because it seemed to point out Lulu's strength of will.
For Miss Trevelyan was pointing at me to receive the punishment. I could see the psychology you see. It would take a much greater strength of purpose to see me thrashed and say nothing. We both knew that Miss Trevelyan knew that the unfairness would test her more than any punishment for herself.
It was only four strokes and I gritted my teeth. I didn't want her to have the satisfaction either. Lulu said not a word and Miss Trevelyan, her ace card played, could do no more to drag the story from her.
We were returned to our room gated for a month till the end of the holidays.
"Lulu," I gasped, "what on earth happened! I was beside myself."
She shook her head.
"You owe me," I said.
So she sat beside the open window, still naked, watched the sun rise, and told me the extraordinary tale.
"I was barefoot," said Lulu, and it was something, I must admit, I hadn't thought of, "...but I'm used to that. I walked out through the gate and into the lane. The night was bright and clear with a full moon high in the sky. I left the lane on the path that leads through Lakey Woods and left my clothes about four hundred yards into the trees."
"You did what!" she had said it in that steady rather mature slightly upper class voice of hers, more as if she were reading a short story by Somerset Maugham than recounting her own adventure.
"I took my clothes off and left them. I always do that. There is nothing quite like strolling naked through the woods on a fine summer's night completely naked, feeling the cool breeze on your bare skin. It's addictive. And you feel so much at one with nature, so free, so liberated. I must have walked miles. The night was so clear, the feel of the beaten earth on my feet so sensual, it is so important to be barefoot, to be completely nude."
She said it in a totally matter of fact way, as if it were the most natural thing.
"The next thing I knew I was completely lost. Things look so different in the dark. It was strange. So exhilarating and so scary. I was going to have to seek help. I was going to have to go up to somebody's door in the middle of the night, stark naked, knock them up and ask them to help me get back to the school. What sort of reception would I get?"