The Countesses of Tannensdal or: The Lady of Mirrors
A Gothic Romance in the Ruritanian Style
I.
Tannensdal, seen from the train, was as I had expected. Gloomy forests covered brooding mountains along the valley's vast length. Mist ventured out from the safety of crevasses and gorges to send probing fingers oozing up the slopes. Small hamlets stood isolated from each other by dark woodland and steep cliffs and, most likely, centuries of mutual dislike and distrust.
Though it was only a little while past noon, the autumn sun felt pale and weak, like the false smile on a villain's face. I shivered inside my greatcoat, more from the sense of cold indifference that leeched out of the place than from any physical discomfort. It was all a far cry from the soft glow of the Mediterranean, the blazing sunlight of Abyssinia, the sweltering heat of India.
More than half my lifetime I had spent away from Europe, and I had grown unaccustomed to the chill and gloom. Even so, this place in the depths of the Continent seemed a far cry from my fond memories of home: England, with its golden light, its rolling hills, its babbling brooks, its stout folk and cheerful beauties.
For that was another realisation. The people I saw were remarkably close-faced. They stood in the fields along the track, and looked upon the steam locomotive with distaste and incomprehension, as if it were some monster that they regretted welcoming into their valley.
I saw in the women none of the pale beauty of England, the dusky seduction of India, the dark promise of Africa. Here, even where the features might be considered attractive, a sullenness prevailed that made eyes suspicious and turned down mouths at their corners.
My travelling companion that morning shared my impression of the place. A short Irish priest with a beaming face, he had boarded the train for this final leg of my journey at the same station I had. Naturally we had fallen into conversation, and I had been struck by his good humour as much as by his wit and learning.
Yet he had frowned at the sight of so many unhappy faces, and drew a comparison to Browning's great poem of Childe Roland.
"A dismal place and a dismal people," he had remarked sadly. "Cursed by a malevolence, a sick presence that infects all nearby."
I raised my eyebrows at that. "Is that not an unusual thought for a Catholic priest, Father?"
My question seemed to take him aback, for he looked at me sharply before giving a wry smile. "Perhaps so, Sir Anthony, perhaps so! Yet I find that the tenets of Mother Church and the beliefs of my upbringing sit comfortably side by side. I believe in God the Father, God the Son and the Sidhe riding the wind, as I once heard an old soldier say."
I recalled his words as the train neared the small station beneath the valley's far slopes. Some distance away, high overhead, a dark castle drew my eye like a lodestone. Despair and wickedness seemed to press down even more tightly here, if possible.
Perhaps I shouldn't have come,
I thought to myself. In truth, I had wondered on several occasions during my journey from Trieste on the coast why I was in fact here. Boredom? Curiosity about this unknown cousin? An escape from the violent and meaningless existence of army life?
It had started with a letter, as so many adventures do. The news of my knighthood had been announced -- quite modestly -- in the papers.
Major Sir Anthony Woodall KCB,
recognised for bravery and resourcefulness during Napier's long slog through the Abyssinian mountains to Mogdala. A succinct description that glossed over a never-ending struggle to avoid unnecessary bloodshed.
The letter had arrived a week later, delivered to the hotel in Cairo where I was staying while I recuperated from a fever and waited for orders. Despite having visibly travelled far, the heavy paper of the envelope looked pristine. The careful hand that had addressed it to me was elegant and distinctly feminine, and the opening words confirmed the truth of its writer's sex.
My dearest cousin,
it began. That seized my attention at once. Having no immediate family remaining, I had been accustomed for years now to think of myself as alone. To be hailed suddenly as "cousin" was as intriguing as the writer's identity.
I trust this finds you well, and safely returned from the wilds of the Dark Continent. You will no doubt be surprised to receive this letter, and I hasten to explain.
Perhaps you have heard of Countess Ilira von Tannensdal. She visited London before the years of your Regency, and by all accounts enjoyed her stay. She was particularly close to your ancestor, William Woodall -- this was before his marriage to your great-grandmother, I should add.
When Countess Ilira returned home to Tannensdal, she was with child, and I am the descendant of her tryst with William. I even bear her name.
So you see we are related, and you will understand my joy at reading the news of your recent heroics and Her Majesty's recognition of your bravery.
Having no living relations in my own country, I am eager to make your acquaintance and learn more about my family in England.
There had followed details of where she lived, and instructions for contacting her and travelling there.
The letter was signed simply "Ilira".
Enquiries at the Consulate had yielded no information about this mysterious European noblewoman, and very little about Tannensdal. A tiny landlocked area hedged in by larger powers. Exports included wool and lumber, but neither in large quantities, and a variety of schnapps that was said to have the stopping power of a charging elephant.
"Look here, Tony," had said Elsham of the Consulate. "It all sounds very fishy to me. A mysterious lady sees your name in the papers and recognises you for her long-lost cousin? Very dicey."
"I thought you said it was fishy?"
"Fishy, dicey, uncanny, whatever you want to call it." He poured us both another brandy and sat back in his armchair. "I hope you're not thinking of going."
But of course I was. It was more than simple curiosity, more than fatigue with battle and bloodshed and a desire for more meaning. More even than a desire to meet a living relative, no matter how remote the connection.
That her tale was true I had no doubt. The stories of William and Ilira had been part of the family history, whispered with knowing smiles and the occasional joke.
William had been the lion of the fast set in his day, from an old family and with wealth and good looks to spare. He had fought at least two duels, and emerged from both the victor -- and only survivor. The visiting Countess had by all accounts gravitated to him immediately, and together they had set London ablaze. The gossips had had their mouths full with tales of scandalous parties, of highhanded insults, of bold adventures.
Then suddenly it had all been over. The Countess of Tannensdal had returned home one day. No news had ever reached us of a child being born, though her condition would explain her sudden and hasty departure that had always remained a puzzle.
So it was only natural that I should wish to see this newly found cousin, but my desire went beyond that. There was something indefinable about her handwriting, an elegance that bordered on the sensual, and I had always struggled to restrain myself around a sensual woman.
I alighted from the train with Father Doonan. He was travelling the Continent visiting old churches, and there was one nearby with an ancient Bible that he wished to see. I left him standing on the boards that passed for a platform, clutching his hat against the wind and beaming his defiance at the surrounding murk.
The handful of other people -- an old porter, a pair of peasant women -- had the same wary look that I had seen on the other faces. Nothing spoke of sensuality, and I wondered whether perhaps I had been deceived.
The porter took my valise and accompanied me outside, where an open carriage stood waiting with a pair of large black horses. The coachman exchanged a few words with the porter in a language I did not recognise -- it had hints of both German and Italian -- then pointed behind me.
A girl stood there, perhaps not quite out of her teens. She had been in the Third Class carriage of the train, and had followed us out of the station. Now she gazed around with large eyes, a thin shawl held tightly around her and a small bundle clutched to her breast. The porter turned to her and asked a question. She replied in a soft voice, and he gestured towards the distant castle.
The grizzled coachman climbed down and took my valise from the porter. "I will see you to the castle, good sir," he said in heavily accented English as he pulled down the step for me. "My Lady the Countess is waiting."
As I climbed in, I noticed the girl trudging off along the same track. An autumn wind was rising, and her shawl looked unlikely to offer much protection.
"The girl," I asked, "she is also going to the castle, yes? She will ride with us."