Chronicles of Slave Nano No.3: A True Account of the Mission to rescue Goddess Rhiannon from the Roman debauchers
The dark grey sky hung over the Welsh border hills like an omen of impending doom. It was as if some cataclysmic event had disturbed the natural order of things. I knew the circumstances that had presaged the unleashing of these forces. I knew that the actions that I took would have a profound effect on what would happen.
Goddess Nemesis had briefed me on a serious threat posed to the sisterhood of Goddesses. She had told me how the Celtic Goddess Rhiannon was in dire need. The symbols of her power, her magical white mare and her three birds had been taken from her and imprisoned by the Roman forces in an underground fortress carved from the rock in a subterranean labyrinth of caves. It was the intention of the Roman invaders, under the leadership of Queerissimus, their legate in the Welsh border lands, to impregnate Rhiannon's horse with the seed of a white stallion and sire a herd of white foals that would possess the power to weaken the strength of the Goddesses. Rhiannon's powers had already been diminished by the capture of her companions and their separation from her life force. She had secretly changed herself into a brown mare to protect and watch over her mystic white steed and was also a captive.
Goddess Nemesis had entrusted me with the mission of rescuing Goddess Rhiannon and restoring the white mare and three birds crucial to her powers. She had described the tokens and symbols that I needed to pick up on the way that would help me to enter the underground labyrinth where they were imprisoned. Goddess had warned me of the desperate need of the mission and of the dire perils that I would face.
It was her instructions that had led me here to the border town of Ludlow, to a market stall at the foot of the castle walls that sold jewellery of Celtic design. I had been presented with a challenge. There was one piece of jewellery here that was a key that would allow me to enter the secret underground chambers and was essential to the success of my mission.
"Can I help you?" The old crone serving at the stall asked me.
"Yes," I replied, "I am looking for something very special, a daffodil broach of pure gold. Can you help me?"
She fixed me with a knowing gaze. She passed me a tray with thirteen broaches, all in a daffodil design.
I examined each of them closely.
"Perhaps you can assist me. Is there any here that you would recommend," I asked, hoping that she might have some knowledge of my mission and could offer guidance to me.
"No, there is none that I can recommend. The choice is yours and yours only. There is no advice that I can give you," she said. "Look at them closely and use your intuition. Beware. Make your decision carefully for much depends on your choice."
I knew now that the old crone must have some knowledge of my mission. I should have known that I would not get any clear direction from her.
I fingered each of the broaches, examining them carefully. I had been told that only one of the thirteen was pure gold. I sought inspiration from somewhere. I recalled one of my earlier missions when I was sent to Constantinople to the temple of the Goddesses, which had a door of pure gold that I had to pass through. I tried to remember the qualities of that door. When I reflected on this I could see that there was only one broach that captured the luminous qualities of that door and this was the one I chose, hoping that my intuition had led me to the correct choice.
The face of the old crone was inscrutable and betrayed no flicker of recognition as to whether I had chosen wisely.
I paid for the broach and thanked her. Time was passing and I needed to follow Goddess Nemesis's directions to a sacred grove of thirteen ancient trees dedicated to the Celtic Goddess Morrigan, where I would face the next challenge in my task.
The site was twenty or so miles from Ludlow nestled in the border hills. It was an ancient landscape resonating with the pagan powers of the ancient Celts. I could easily imagine how these hills had been the scene of battles between fierce Celtic tribes and the Roman invaders.
I stood under the dark canopy of a clump of the thirteen ancient oak trees that formed this shrine to the Celtic Goddesses. I had been told to seek out a stone with runic symbols under each of the trees. This part was easy, the stones with their angular pagan symbols were easy to find nestled in the ground at the base of each of the trees. The next stage of the task was more puzzling. My challenge was to form the runes into an incantation to summon Goddess Morrigan to the site to lead me to the entrance to the subterranean chamber.
But, this was one part of my mission that I did not need to leave wholly to fate or intuition. I had prepared myself by doing some research into runic symbols and their meaning and interpretation before I set out. Even with this knowledge I was still faced with a puzzle to solve. I examined the symbols and started to sort them in my head to make out a meaningful sentence. Eventually I found a combination that created a strange but meaningful rhyme that seemed to make sense: "Not from human flesh but from flowers of the Goddess was I created."
As I had been instructed by Goddess Nemesis I lie spread-eagled on the ground facing west and chanted the message I had deciphered on the stones. I waited patiently. If I had solved the riddle of the stones then the incantation should summon Goddess Morrigan to take me to the secret entrance of the underground fortress.
After a few minutes a hare jumped out in front of me. I realised that this must be the Goddess transformed into her animal form. The animal beckoned me to follow her where she led me to a spot in the grove. As I had expected there was a pile of clothes in Celtic fashion and a small vial of brown liquid. I quickly put on the clothes, clearly chosen for me so that I could blend into the background once I had penetrated the caves. I pulled the linen tunic over my head and then wrapped the long woollen cloak of tartan pattern around me and fastened it at the shoulder with a broach. I then picked up the flask of fluid, which Goddess Nemesis had said contained walnut juice, and hid it on my person. I knew that the fluid must be significant for my mission but I had been given no guidance as to how to use it. I would have to use my own intuition to judge its value.
Now fully robed, I followed the hare as it leapt forward using its powerful hind legs to jump outside the ancient grove of trees down the hill. She dashed off at great speed and I ran after her. I had been led to the entrance of a burrow with an entrance just about wide enough for me to squeeze through. I thanked Goddess Morrigan for her help and eased myself head first into the opening of the burrow. It was dank and musty. The burrow widened slightly but there was no room to stand up so I crawled on my hand and knees through the tunnel. It bent once to the right, and then to the left and again to the right until opening up to a chamber where I could finally stand up and move around freely.
Facing me, and just as Goddess Nemesis had described, was a boulder. In front of the boulder were thirteen stones, with a runic symbol on each one. This was the second puzzle that I had to solve before I could pass further. I pondered on my next action carefully. I knew that my task was urgent and that lost time could prove fatal, but at the same time I knew that I must keep my focus and resolve. There was nothing to be gained from panicking. I knew from my research that runes had numerous meanings and could represent animals or colours. I decided on a new strategy. I would use the divinatory meanings and properties of the runes to map out the cycle of my task. I started to set the stones out.