The Amrita
Saengdao splashed out of her bed as the first pink light of morning's sun bled through the bars of her solitary window into the main living space of her circuitous prison cell.
The PermaMod facility had been constructed as an addition to an existing structure - a stone castle that had been built over a thousand years before. The facility matched the architecture of the older structure - heavy stones cemented together to create a formidable structure.
All these stones had been set in place around Saengdao two years before leaving no door or other passageway for any individual to enter or leave. While Saengdao's prison stretched almost the length of the facility, there were only three places where she might interact with any other Wom.
The first point of access, of course, was the small cage that Saengdao could crawl into which, when entry points were sealed and she was appropriately restrained, could be detached from the narrow portal and moved about the operating facility on an articulated arm. This is the perch from which Saengdao was able to observe the goings-on in the facility.
The second point of access was the small barred window looking out east from the castle across a field and onto a heavily forested landscape. The climate was such that temperatures did not vary much over the course of a year, so fresh warm breezes often blew through the bars into the Seangdao's dark prison room.
It was underneath this small window that Saengdao's "bed" was positioned.
The entirety of Saengdao's prison was covered in about a half meter of liquid. In the areas where there was sufficient headspace for the archivist to stand or walk about, the liquid level was higher than her knees. Movement about the space was accompanied by sloshing sounds as she waded through the fluid.
Saengdao's "bed" was only a small submerged platform - just high enough, so that when she lay upon it, only her face, chest, and toes remained above the liquid. The platform was contoured exactly to Saengdao's body and her head was cradled to discourage much movement. So, it was rare that Saengdao inadvertently twisted her face below the liquid's surface as she slept. Of course, being a divine immortal being, drowning in one's sleep was not a lethal concern - uncomfortable, at most.
Given the density of the liquid and the buoyancy of Saengdao's body, her sleeping experience was actually extremely comfortable. Even though the bed was made of stone, she mostly floated above it.
The liquid, itself, was not water. It was called "amrita", a magical fluid which had a soft white glow that sparkled and cast constantly shifting waves of dim light throughout Saengdao's prison.
Amrita could hold spells. That is, it could be laced with any number of spells which could be activated by an array of triggering events. Saengdao had been informed of only one particular spell...
The predominant language of the Wom contains about 200,000 words. There were perhaps another 50,000 words that could be attributed to several local dialects. If ever Saengdao were to utter any single one of those words the spell embedded in the amrita would activate. She was never informed exactly what would happen, but she was warned that it would disable her in such a way that her body could be retrieved from the prison and dealt with in "an extreme and unpleasantly debilitating manner". As a witness to the proceedings at the PermaMod facility, Saengdao had no illusion that the specifics of "extreme" and "debilitating" could push the limits of imagination.
Obviously, despite her ability to do so, Saengdao never uttered a word.
No matter where in her prison she went, Saengdao sloshed through the liquid. It was almost always in contact with her. Almost...
When she sat up in bed and shook her head, the amrita drained from her ears and dripped down in large dollops. It seems that the cohesive forces of amrita were at least of the same magnitude as gravitational forces. So, as the drops of amrita drained from her hair, they coalesced to form larger and larger drops which splashed back into the pool. The effect was that after moments of sitting up her skin and hair would be dry.
Saengdao grabbed the bars of her window and walked up the wall underneath the window with her feet, counterbalancing, until her body was completely above the level of the liquid. Every morning she spent a little time doing this. She had no illusion that she could escape the spell held within the amrita by climbing out of it. She had no doubt that if she were to scream words from her prison window, the amrita would be waiting for her to climb back down.
She could easily prop herself out of the liquid for fifteen minutes. She could probably do it for three times that length of time under duress. But, eventually, her muscles would grow tired and she would have to drop back into the pool. Still, she climbed every day for a period just to stay strong for the possibility that she might one day use this as a means to escape.
As she hung from her window bars, she watched the activity down below. Seven new carboy style glass bottles had been added to the growing collection in the past day. There were now 32 of them. They were thick glass cylinders - their heights and diameters were probably a little over a meter. At the top, the glass sloped inwards to a long narrow tube with an opening smaller than Saengdao's wrist. Each was empty. Each capped by a cork plug. She had no idea what the purpose of these bottles were, nor why they were being collected.
As she watched, two naked slaves were led out into the field by a collection of sword-wielding guards. The slaves' shackled wrists were attached to a rope and raised by a pulley system until they were straining to stay on the tips of their toes.
A leader of some sort walked out into the field. She was unarmed, but seemed to be giving orders to the guards. After a moment of reflection, Saengdao recognized the leader, a local chief architect. She glanced back towards the two restrained slaves and noted that each was particularly well endowed. The architect was beginning to poke and prod the breasts of the defenseless women.
Saengdao's hands were growing tired and a wave of nausea crept over her as she watched the scene below - the architect and the big breasted slaves. She slowly slid back down the wall and into the pool, squatting deeper and deeper until she sat on the stone floor - the liquid up to her chin. As always, the amrita made her feel better. It was a living liquid. It vibrated around her.
There was a single tone from a bell that rang out into Saengdao's cell. She was being called to the operating room. A slave was being brought in for a modification. Saengdao stood up and let the amrita drain from her body. She brushed her waist long black hair with her hands, squeezing out the amrita in large drops. It only took moments before her hair was dry. She quickly wove it into a long braid.
She waded across her prison room to a small opening - about a meter square and half filled with the amrita. She knelt down and pulled herself inside, half swimming, half crawling. This tunnel led to a dark hall, lit only by the liquid's glow. Saengdao splashed along to another tunnel opening which she ducked into. This tunnel ended in a narrow vertical shaft with a small platform she could step up onto - out of the amrita.
Saengdao spent a minute shaking all the liquid from her body, then climbed up the rungs of a ladder. At the top, she placed her right hand in an imprint perfectly sized for her. After a moment a small steel door slid to the side, revealing her small observation cage and the brightly lit operating room.
With practiced grace, Saengdao shuffled backwards on her knees through the opening and into her cage. She placed her arms behind her and felt them press into wide metal cuffs that were waiting for them. With a clacking sound the cuffs closed tightly on her arms, trapping her. The steel door of the opening slid shut as did a matrix of steel bars neatly completing the perfect symmetry of her domed cage. With a sudden thump, the cage disconnected from its place by the locked portal and swung out on its articulated arm into the operating theater where Saengdao waited patiently, watching from behind her metal eye grates, for the next victim to be brought forth.
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