Author's Note: I am heavily indebted to the excellent Jack the Ripper Casebook, which sets out the circumstances of the Whitechapel Murders clearly and succinctly. Any mistakes and errors of historiography, however, remain my own.
Where I have used period vocabulary, or London canting slang I hope that I have successfully glossed it in the story itself. In case the meaning of an archaic word is still unclear, I have included a glossary of selected words, phrases and names at the foot of the text.
That said: Welcome to late-nineteenth century Whitechapel β
"Eight little whores, with no hope of heaven,
Gladstone may save one, then there'll be seven.
Seven little whores beggin for a shilling,
One stays in Henage Court, then there's a killing.
Six little whores, glad to be alive,
One sidles up to Jack, then there are five.
Four and whore rhyme aright,
So do three and me,
I'll set the town alight
Ere there are two.
Two little whores, shivering with fright,
Seek a cosy doorway in the middle of the night.
Jack's knife flashes, then there's but one,
And the last one's the ripest for Jack's idea of fun."
*****
Whitechapel, London. Wednesday 31st October 1888.
The fog chokes the streets. It is very, very dark. Whitechapel is almost Cimmerian, its inhabitants dwelling in near-perpetual gloom. In daylight the streets are thronged with Cockneys, Jews and stevedores, zealously going about the day-to-day business of starving to death. Children shriek and play and pickpocket and beggars clamour for a ha'penny. At night, Spitalfields falls deathly silent, save for the yammering of the drunks and the footfalls and hushed tones of the whores and their clients.
It is quiet at Buck's Row where the first victim was discovered and at Hanbury Street where they found Dark Annie with her throat torn out. It is noiseless too at Dutfields Yard, off Berner Street, where Long Liz Stride lay, minus all the teeth on the lower left side of her jaw.
In Mitre Square, just outside of Whitechapel, it is hushed and dark as Erebus. This is where someone stumbled across Catherine Eddowes with her intestines slung across her shoulder. Four women killed in a month, a district held in thrall by the self-titled 'Jack the Ripper'.
Since Jack's first appearance, the streets, lined with crumbling houses and philanthropic shelters, have become still darker, still more hellish. There has been a fascination with the case in the newspapers. Jack's deeds are blood-drenched, ink-drenched crimes, poured over by the cognoscenti at breakfast with evident, guilty pleasure and chattered about by excited street children, wanting to seem wise and worldly. There are skipping-rope rhymes and games and warnings. Jack's coming to get you.
The Ripper's success in monopolising the national dialogue has infuriated those who have been lobbying hard for reform for the destitute of London. George Bernard Shaw is outraged that the parsimonious prisoners of the circle of hell known as Whitechapel provide now only a kind of grotesque theatre for their betters. He wrote in The Star newspaper on 24th September 1888:
"Whilst we Social Democrats were wasting our time on education, agitation and organization, some independent genius has taken the matter in hand, and by simply murdering and disembowelling four women, converted the proprietary press to an inept sort of communism."
The Ripper himself was not silent. Or, rather, the Rippers (the gleeful products of the publicity generated by the self-conscious flamboyancy of his crimes) were not silent. Hundreds of hoaxers imagined themselves to be Jack, thrilling at his sexual crimes, breathless in the face of the pornography of his violence. They wrote to the police, seeking to identify themselves with the grotesque derring-do of their hero, seeking to emblazon the name of Jack across the annals of history.
Some of the correspondence may, of course, have been genuine. The detail of the severed ear lent credence to the 'Dear Boss' letter which was received on 27th September. "I am down on whores and I shant quit ripping them till I do get buckled," professed the writer. When it was published in the newspapers, it became insignificant as to whether it really was Jack or a clever hoaxer. The letter helped to build the mythology. "Grand work the last job was. I gave the lady no time to squeal. How can they catch me now. I love my work and want to start again."
Again, on 30th September the police received a bloodstained postcard:
"I was not codding dear old Boss when I gave you the tip, you'll hear about Saucy Jacky's work tomorrow double event this time number one squealed a bit couldn't finish striaght off. Had not got time to get ears off for police thanks for keeping last letter back till I got to work again. -Jack the Ripper."
The 'Double Event' he spoke of? He meant the slaughter of Long Liz and Catherine Eddowes. At the scene, someone had writ large in chalk the message "The Juwes are the men That Will not be Blamed for nothing." Fearing reprisals against the Jewish community, the police studiously erased it.
On October 16th half a human kidney landed on the desk of George Lusk, who headed the fruitless Whitechapel Vigilance Committee, together with a note which purported to come "from hell", by which, the writer may very easily have meant from the poverty-stricken, saturnine depths of East London:
"Mr Lusk,
Sor
I send you half the Kidne I took from one woman prasarved it for you tother piece I fried and ate it was very nise. I may send you the bloody knif that took it out if you only wate a whil longer
signed
Catch me when you can Mishter Lusk"
And then there was a silence from Saucy Jack. The denizens of Whitechapel almost, almost began to breathe freely again.
*****
Carrotty Nell and Ginger Kelly stand beneath the gaslamp on the corner of Commercial and Fournier, outside The Ten Bells public house. Compared with the other whores of Whitechapel, they are extraordinarily pretty. Ginger is five-foot-seven-inches tall and is pleasingly plump and buxom. Despite her nickname, she has blonde hair and vivid blue eyes and a remarkably fair complexion, unblemished by pockmarks. She is twenty five years old. Nell, three years her junior, is slightly taller and slightly more good looking, with a shock of red hair and green-grey eyes.
The light spilling forth from the opened door of the pub throws into sharp relief the darkness of Spitalfields and Whitechapel, to which the gaslamps are quite unequal. From inside the women can hear a clapped-out piano belting out Men of Harlech. The noise is almost immediately swallowed by the freezing, thick October air.