The first time I saw Nineveh, I had cotton balls in my ears. And I was drunk. I once considered that to be the worst of my sins.
I was in a coffeehouse I'd never been in before, writing a review for a band I'd never heard of and was certain I'd probably never see again. The smoke choked me, and I sat near the door for quick escapes into the fresh air and away from the toxicity of screaming guitar riffs.
"It's called Alternative music," Sharkey told me. Alternative music, I wrote in my notebook. Alternative to what? Two metal trash cans rolling down a rocky cliff? Two 18-wheelers smashing into each other at 80 mph on the freeway?
I guess I'd had three or four beers. It didn't take me much to get drunk back then. I must've had at least two, cause that's how many it took me to drown out the voice of my mother in my head.
"Ministers don't drink," she'd been telling me since high school. "Ministers' children don't drink, either." To avoid argument, I always agreed with her, keeping my strange and sinister thoughts, and my beer, to myself.
Mother was still alive, although she'd had a few rough years. A heart attack followed by the diagnosis of Alzheimer's disease left her and my father in their own worlds, unable to bridge the gap suddenly formed between them. I didn't even try. I went to classes, studied my scripture, passed through seminary, and took over Dad's church. No one forgot them, as they sat in the front pew every Sunday morning, watching their son live out their dreams for them. Yet, they were slipping farther and farther away, if not from the congregation, at least from my self, and each other.
I know I couldn't have heard Nineveh when she'd entered. In spite of the cotton seclusion, the deep-throat vibrato of an untrained tenor still crept in, accompanied by fuzzy chord progressions I imagined would still be fuzzy without the benefit of the fluff in my ears.