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Copyright jeanne_d_artois October 2006
The author asserts the moral right to be identified as the author of this work.
This is a work of fiction. The events described here are imaginary; the settings and characters are fictitious and are not intended to represent specific places or living persons.
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The laundry of my ancestors' house is now my workshop. I'm a potter and good enough at my trade to make a reasonable living from it.
The main attraction of the laundry room was Martha, the resident ghost. I was aware of her from an early age. I would sit on the scrubbed table and ask Martha to tell me a story. She always did. When I became an adult, she told me about incidents in her life at the Hall. Each time I become Martha and experience the events exactly as she had. This is one of those stories.
Riding for a Fall.
Often, when I am concentrating on the repetitive task of hand painting details on some of my pottery I would hear Martha in my head offering to tell me another story. I rarely refuse.
"When the twins went off to university," Martha began, "my status in the hierarchy of the Hall changed subtly. As the twins' confidant and long-term playmate I was more than the servant my birth suggested I should be and less than the gentry, the relations of the Squire. I was treated almost as family but not quite."
I sent a thought to Martha. I understood the delicacy of her position.
"For example, I could take one of the horses from the stable and go for a ride whenever I wanted. I used to ride two or three times a week. Sometimes I would combine my ride with an errand for a member of the family but that wasn't essential. If someone wanted something from the village I'd probably ride there. If the weather was foul or if the item needed was heavy the family would send a groom. It was understood that I would go if I wanted to, and that I couldn't be ordered to go.
One morning the Squire wanted an urgent message sent to one of his tenants. I don't know what exactly what it was about. Something to do with a sale that the tenant might be interested in but it was happening the next day. The tenant needed to know NOW or the information would be useless. The grooms were with her Ladyship who was twenty miles away on a mission of condolence to one of her friends who had just lost a child to pneumonia so there was no one to send – except me.
The Squire asked me very delicately, as if he were asking a favour from a friend. How could I refuse? Of course I didn't. The tenant lived about five miles away. The most direct route was by road but I could return by the edge of the forest and have a swift gallop across some grassland. I delivered the squire's letter and set off to the grassland.
As a putative lady I rode sidesaddle. This time I had put a convertible saddle on the mare. I removed the sidesaddle hook and hung in a valise at the back of the saddle. I gathered up my skirts and mounted the mare astride. No one would see me in that remote part of the Squire's estate and I could ride as fast as I liked.
At this point I experienced what I usually felt with Martha's stories. I became the heroine, or if Martha was telling a story about herself, I became Martha. My body was still meticulously painting flowers on pottery. My mind and spirit were astride a fast galloping horse, my legs indecorously exposed, and I was enjoying every second of it. My hair, tucked into my mobcap was escaping and flying out behind me.
My grip on the mare began to slip. I eased the mare to a trot, then a walk, before easing my skirts and petticoats up towards my waist. Now my bare legs were gripping the saddle and the mare's flanks. When I persuaded the mare back into a trot my seat was much more secure. A canter back to the start of the grassland, then I set off at a gallop again.
The stiff leather of the little-used saddle was abrading my thighs. I would be sore later, but it was worth it for the sense of freedom.
The grassland narrowed as fields began to encroach to my right. On my left was the forest. A few hundred yards more and I would have to slow before approaching a wooden bridge over a small stream.
Then the mare shied. Perhaps it had seen a rabbit, or swerved to avoid a burrow. I don't know. I was flying through the air and landed hard.
I came to and found myself bundled across the saddle, my head hanging down one side and my feet on the other as the horse walked slowly. I tried to move and found that my hands were tied behind my back by my apron's strings, my knees roped together and my mobcap pulled beyond my chin and hooding me into a white limbo. Who had done this to me? And why?
I heard the mare's hooves clatter on a hard surface and then stop. Hands reached around me and lifted me from the saddle to a broad shoulder before putting me down on a heap of hay. I heard the mare being stripped of bridle and saddle. The hands returned to remove the rope from my knees. It must have been the mare's halter. I heard a rattle as the mare was secured.
I was rolled over face down. A hand swatted my backside smartly, almost as I would do to a horse.
"Now then, maid," a voice said, "I know you're awake. I'll uncover your face and see how you are now."
The ribbon holding the mobcap around my neck was loosened and my face freed. I looked up into the smiling face of George, the young assistant huntsman.
"Why?" I asked.
"Why what, lass?" George replied.
"Why did you blindfold me?"
"Blindfold you? I just covered your face so that any briars or bushes wouldn't scratch you as you dangled. Your face is too pretty to be damaged."
"Oh," I said. "And the rope?"
"To stop your legs bouncing around. It was hard enough keeping you on that saddle without your legs flying free."
"And my hands, George? What about my hands?"
He scratched his head.
"Well, lass, I didn't know how you'd take being carried off like. I wanted to be able to talk to you before you started scratching my eyes out or something..."
"Why should I scratch you, George?"
"I don't know, Miss Martha. I don't understand females that well. I thought..."
"Thank you George. Thank you for finding me and bringing me... Where are we exactly?"