How the hell could Grace be my sister? I had found no record of any children born other than Grace and her younger sister, Emily. I didn't know what on earth was going on, but the interchange of our minds over the keys had revealed some kind of bizarre truth, and now Grace was accusing me of keeping her chained. I didn't know what that was all about. Maybe she did know more about me than I knew myself. In fact, the more I found out, the less I really knew about what was happening, and even less about what had happened.
And I was still back in time. After she vanished, I stayed in that room by the lake until the sun rose the next day. Even after sleeping, I was still in the same time and place - back in my past. And in Grace's dead time. But she had told me to seek out her (our) mother, and something was telling me that the solution to this mystery was in an even earlier time. Her mother's time. Ok, I was getting used to this time shifting shit, but so far Grace had always been at the centre of it. And for all I knew, she was the power behind it. So how in hell was I going to go back any further?
Fucked if I know, but what I did know, was that I was bloody hungry, and knowing how things could happen to me at any moment, I had to get a feed before too long. So I set off down the road away from the strange place by the water. Searching in my pockets I found some old notes. OK, I had some of this era's money, so I wasn't going to starve. That's good.
But this is bad: on the power and telephone lines running down both sides of the road were birds, hundreds of them, just sitting on the wires. Hundreds of them, maybe thousands, almost as far as I could see. Up and down the wires, just perched there, silent. As I walked below them, silence. Just a slow ripple of wings every now and then, as if a wave of wind was rippling down the wire, but silence. Eerie, weird silence. And then the silence was broken by the sound of a big engine rumbling, and the crunch of gravel as big tyres slowed and stopped, just behind me. The birds perched, still on the wires.
I turned, and the car was huge, big sweeping fenders, huge round headlights, multiple exhaust pipes bursting from the sides of the bonnet. The coach work was luxurious, black painted, the windows a narrow edge of glass around the car's body. This thing was luxury on wheels, old wheels, so old luxury. The rear door swung open. "Get in sir, get in." The driver's voice through the window, smoothly rolling down, "I've been told to get you there in time."
A strange turn of phrase, but given my musings, quite the logical one to hear. Time was the key to all of this, so when a fucking big machine turns up (not quite as big as the train, but hey!), even a stupid like me is going to go along for the ride. Coz this thing is either going to go forwards or backwards, but the one thing that is certain is that it won't stay in the same spot. And with more birds on the wires alongside the long straight road than I'd ever seen, well, there had to be a tad more power right here and now than any sane man would know what to do with. And following my times with Grace, I knew that I was mad, not sane, and she for sure was from no sane place that I knew of. So, madness, then.
Inside the car the rear seat was empty. A glass partition separated me from the driver, and thin veils of cloth separated the windows from the world. The rear seat was big, comfortable, a carafe of red wine on a table folding down from the back of the driver's bench seat, one long stemmed wine glass. What the fuck, might as well have a drink, since someone else was clearly in control here, and I was just going along for the ride. With a growl the powerful engine accelerated, wheels spinning gravel and then gripping firm, and the big car moved smoothly down the road. On the wires above, the birds stood silent, watching as the vehicle sped between their sentry lines.
And the big car drove on down the road, which went on straight, straight, moving towards the horizon through the front screen; and when I turned to look through the rear window, away from the horizon behind me. And the birds on the endless wires, endless numbers on both sides of the car, wires strung in great curving sweeps alongside the road. And into a long dark night, the car drove on. Lulled by the steady rocking of the car on its big wheels, and the dull rumble of the wheels on the road, I drowsed. When I awoke, the car was still thundering on.
"Nearly there, sir, we're just about there. We've made good time." The chauffeur called through the dividing screen. And I noticed we were travelling alongside a black lake, the road sweeping around the shore. The car lurched to a stop, wheels skidding on gravel. The driver's door clunked open, and the driver then opened the rear door, swinging back smoothly on oiled hinges. Across the driveway, the grand doors of a big room stood open. Above the door, an illuminated sign announced 'The Peacock Club'.
Around me other cars were arriving, old vintage jobs, all big spoked wheels, flared mudguards and running boards, upright wind shields and big exposed radiators. And the drivers and passengers, all dressed in jazz era flapper clothes; short bobbed hair on the women, slick backed hair on the gents. Gatsby era.... back when Grace was still a twenty year old girl. Back when Grace was still alive, back before the birds?
I joined the crowd throbbing into the club, which seemed to be a big speakeasy, where I assumed the cops looked the other way and the moonshine booze flowed, just as smooth as you like, and the jazz was black and funky, and the women broads, just as smooth as you like, legs just as long as you like. Hot damn, I could get used to this! And in front of me, an elegant woman, older than all the others in the room, but silver haired, proud and poised, beautifully dressed in a peacock green dress, feathers belted around her waist, a feather boa around her neck. "Greetings, I've been expecting you, it's that time again." Well, I don't know who the fuck she is, but she clearly knows me.
"I'm Alexandra, it's been a long time since last we met, so let's go upstairs for old time's sake." And she swayed her magnificent hips, tightly sheathed in the iridescent shining silk or velvet dress (the light playing on the cloth was like liquid so I couldn't tell), swayed those luscious hips ahead of me as she slowly walked up a long flight of stairs, curving around to galleries above. And below, a big jazz combo was playing, saxes and trumpets blasting, a simple old drum kit punching the complicated beat. Jesus, she was old enough to be my grandmother, but this woman was pure class. Not my family then, the image of my own mother's lewd black snatch and Grace's flowing red hair flashed before my eyes.