I was in the middle of my lecture when Bijou walked into class. The topic that day was line breaks in poetry, and I was talking about how the William Carlos Williams poem "The Red Wheelbarrow" perfectly illustrated how carefully chosen breaks add sense to a poem.
She sat in the back of the room, crossed her legs, and smiled at me. Only one or two of the students even looked up at her entrance. The rest were too busy texting friends or dozing to notice.
"If you write out Williams' poem as prose," I said, doing so on the white board, "you can see that the language he uses is very straightforward—not at all 'poetic.' But," I wrote the text out again, this time with the breaks, "once you put the breaks in, the image you get when reading the poem is very different. It comes alive
because
of the breaks." I could see one or two students scribbling something like LN BRKS = MNING!!! into their notebooks. I suppressed a sigh.
"Now let's look at the Gwendolyn Brooks poem you read for today," I said, turning back to face the class. Bijou was staring intently at me. Slowly and distinctly she mouthed
I WANT YOU TO FUCK ME
, paused, then continued
RIGHT NOW
.
"Uh," I said after a moment, "'We Real Cool' is..."
N-O-W
she mouthed.
NOW
. "Uh, is like the Williams poem, quite famous as an examp..." Bijou started unbuttoning the filmy blouse she was wearing—slowly and deliberately, but definitely like she meant to continue. I was starting to get an erection, which would prove awkward, as there was no lectern to hide behind.
"...as an example of how carefully chosen line breaks can enhance a poem's meaning." I said as fast as I could. She was on button number four. I could see cleavage even from the front of the room "But rather than have me tell you about why the line breaks work in the poem, I think you should tell me. Let's break for today. Take the last thirty minutes and write a two-page paper about the line breaks in the poem for tomorrow. Why they work, how they work, if they work. Be specific and cite examples." Regina Phillips, who was sitting in the first row, was staring at my crotch and sniggering. I didn't care and didn't have much control over the situation anyway. "Thank you all and," I grabbed my lecture notes and almost ran down the aisle, "class dismissed." Bijou sauntered leisurely out of the room, hips swaying gently.
At the door, I stopped and turned to address the class. The students were all staring at me as if I had suddenly lost my mind. Perhaps I had. In any case, I couldn't stay.
"Office hours are cancelled today too," I squeaked. "Sorry," and shot out into the hall.
She was nowhere to be seen.
Damn woman
is
a witch,
I thought. I started toward the hall's main door when I heard her call my name.
"Will," she said in a stage whisper, "up here."
I was just passing the stairwell and looked up. Bijou was leaning over the railing on the second floor, waving at me.
I half ran up the stairs, hoping to keep ahead of any curious students who might follow me. Pausing on the second floor landing, I looked back. Nobody.
Still stunned,
I thought,
or stoned.
"Will!" cried My Siren, "Come on!"
Bijou was standing partway down the second floor corridor, in front of a blank door. She smiled happily and kissed me when I reached her side. "Love me?" she asked, impishly.
"What the hell are you doing?" I said. Then, "Yes."
"I thought you read my lips."