I took a deep breath in. The theater always had a certain smell: wood and paint and paper. But, in the wings, it was different: you could smell the fabric of the curtains and the musk of unkept instruments from the orchestra below, and the emptiness on stage coupled with the energy from the audience was something almost tangible. It brought me back to my theater days when I used to act instead of writing. Albeit, I was in elementary school back then, and only comfortable enough to audition for anything because my step brother ran the elementary acting program back then.
It took the urging of my good friend MarÃa, our resident costume designer for this little excuse of a community college, to convince me to actually try out for a role again, and a huge letdown when I only landed the position of understudy. Understudies are never really used, and essentially meant that they still wanted me in the program, but didn't actually have a role that they wanted me to act out. But, thanks to a bad bug making its rounds through the campus, one of our leads, Chet, was unable to perform and it was time for me to fill his shoes.
"Full house out there." I turned around. MarÃa.
"What are you doing here?"
She raised an eyebrow. "What do you mean 'what are you doing here?' I'm in costume design. It's my job to be here."
"Yeah, but-" My job is all in the writing. I guess I'd never really been backstage all the much during actual performances and the later rehearsals. It was odd to see her in action instead of watching how the costumes were shaping up somewhere more quiet and laid back while we caught up.
She looked so out of place- in a single snug black outfit with a roll of safety pins at her hip among everyone else's colored gowns and poofy sleeves.
"What, you don't want me here?"
"No, no, it's not that, I'm just..."
"Nervous?" she finished, face softening.
"No. No, of course not."
She gave me a knowing look that told me she clearly didn't buy it. "Anyway, I just came to check your costume. Your costume falling off is one thing you won't have to be nervous about, thankfully."
She circled around me, studying my clothes and checking the tie on my baker's apron. "Chet was a bit bigger than you, but since all of this ties and doesn't have to be sewn to size, I think you're good... for this scene. For the next one, race up to the dressing room so that we can make some last second adjustments."
She stepped back to study her handiwork. "Alright, Sam. You're good to go. Good luck."
"Ahem." I cleared my throat noisily and she turned back.
"Ah, right. Sorry. Break a leg."
And, before I had the chance to respond, places were being called, the curtain was rising, and my attention was being drawn elsewhere.
And it was everything I remembered it to be when I was little- both completely exhilarating and harmonious at the same time. There's something to be said about playing the part of a character whose life is much more exciting than anything you could ever dream of in front of hundreds of critical onlookers. But, it feels right, like you're taking some of that fantasy from that script and not just bringing it to life, but living it yourself. It's... fun, for lack of a better word.
But, just as quickly as my scene began, I found myself back in the wings, having completed my part in the scene.
A younger student I didn't recognize grabbed my arm. "MarÃa is waiting for you. She said to hurry," the girl whispered. I had to contain a chuckle. MarÃa can be snarky, sure, but I'll never know what she's done to some of these newer students to scare them the way she has. One way or another, it was best not to keep her waiting.
The school was never great to begin with, but was going uphill quickly. Unfortunately, that 'uphill' was not focused on the arts. As the backstage was so small you could barely even call it backstage, the rooms makeup, dress, and half of the production's props was upstairs above the theater, with curtains sliding on tracks in two corners for changing (though most people didn't bother with the curtains) and lit mirrors mounted on the opposite end for makeup.
"Hey!" She smiled as I walked in. "How'd it go?"
I couldn't help the drunken grin that slipped onto my face and was met with a too-hard but well-natured jab to the ribs.
"See? I told you you'd love it, but for years, you just wouldn't listen."
I winced and rubbed my side. "Uh... you're welcome?"
"Anyway, here you are." She handed me several folded pieces of fabric: the costume for the next scene. Each piece was astoundingly thin, save for a leather jacket. I guess that's another place the school decided they could cut the budget.
"Erm. I guess you can step behind one of the curtains to change. Just... let me know when it's okay to look."
"Yeah, sure."
Behind the curtain, I slid off my baker's apron, shirt, and pants, and stepped into the new set of clothes. The clothing pooled around my ankles and waist and covered my wrists. I had to grab the waistband of the pants to keep them from falling down completely. Shit. I knew Chet was a big guy, but he wasn't that much bigger, was he? There was no way anyone, not even MarÃa, would be able to fix this in time.
"Ummm, MarÃa?"
She poked her head in slowly and peeked one eye open. "That didn't sound like a good 'Ummm MarÃa'"
I motioned down to my oversized outfit as best I could without letting anything slip over my shoulders or waist.
She took a deep breath in and let it out slowly. "Okay. Okay, we can work with this."
"We can? How?"
MarÃa moved behind me and took a fistful of the shirt's fabric, which she pinned in a giant role.
"With a ton of safety pins."
"Won't people see that?"
"Not if we pin the inside of the leather jacket, and use it to cover up your shirt."
And slowly, MarÃa worked her magic. The chest grew tighter, the sleeves came up to my wrist, and the length came to the hem of my pants in record time.
"We've gotta take care of these pants now. We don't want them falling down on stage," she laughed.
"No, we don't."
And she went back to work. I jumped as she slipped a finger down underneath the waistband. "Gotta pin on the inside so that people don't see," she said. I merely nodded, but felt a worrying rush of blood drop down between my legs, and a twitch.
No. No, no, no. Why then?
I closed my eyes and breathed out, willing my penis to stay calm before it got too hard.
On the next pin, MarÃa was working on a section right in front of my hip bone and accidentally reached down into my boxers instead of just the costume pants. She felt around for the pin, fingers only a few inches from the base of my dick. It swelled with anticipation, and somewhere in my head, a not-so-smart part of my brain indulged in a brief fantasy of her reaching down just a bit more and stroking up the underside. It's only when I sucked in air through my teeth that she realized that her hand is down my boxers and not the costume pants, and abruptly pulled her hand away with a quick 'sorry' and joke about the pressure of working under a time crunch.
My dick had all but jumped to attention, not fully hard, but clearly visible through the thin fabric of the pants. I stared at the ceiling, trying to think of any way possible to smoothly exit out of the situation without MarÃa noticing. My mind blanked on me.
Amazingly, MarÃa hadn't noticed yet. Her head was a few inches above my penis, eyes solely glued to the hem of the pants that she was working on, and nowhere below. As she moved to the very front of the pants, every exhale she made I could feel on my dick, like warm shocks prompting it to enlarge and harden more. The pants didn't hold it down at all. It wasn't until it sat high and actually poked her in the chin that she noticed.
At first, she tried swatting whatever was on her chin away, but as soon as her hand came into contact with my dick, she looked down and stared, eyes widening. For once, she had no clever comeback. Not even enough wit to make fun of me. I cringed and squeezed my eyes shut so hard that it was painful.
MarÃa stared like a deer caught in the headlights for another second longer before just deciding to ignore it and to keep pinning. Part of me felt relieved that she knew and that I was no longer waiting for her to realize what was going on, while a larger part wanted to crawl into a hole and die.
"Well, we're done." MarÃa stood to examine the pinning, still not deciding to address the elephant in the room. "Most of the audience shouldn't be able to see the safety pins."
Silence.
"You can't go out on stage like that," she finally said. She was right. Those pants hid nothing, not that any pants could hide this. It looked like I stuck a water bottle in them.
"Uh... yeah."