She sipped her champagne as she stared at the painting. She couldn't really say what fascinated her about it. The colours, of course; she was always attracted to the colours in art. This reminded her of the fauvist movement: bright and bold, but with tempered lines -- not quite real. Except that she couldn't actually make out what it was. She peered at the title beside the canvas: 'Woman', it said. Perhaps she didn't have enough perspective.
She began to walk slowly backwards, trying to find the optimal distance at which to appreciate the artist's expression. Her head tipped slowly from side to side, trying to see if a different angle would help. In the back of her mind, she knew also that it could be extremely abstract and that she might never figure it out on her own. But suddenly, her eyes widened as the pieces of the puzzle fell into place. She took a couple more steps to the side and backwards, just to be sure she was viewing from the best angle, and bumped into someone, champagne sloshing onto her wrist.
"I'm so sorry!" she blurted, whipping her head around, "I should have..." She stopped short as she found herself looking into the most amazing dark eyes; rimmed with lashes so long a girl could weep.
"Please don't apologize," he replied graciously. "It could happen to anyone." She realized she was staring and smiled slightly to acknowledge his comment, hoping she didn't appear too inane. "What do you think of the painting?" he asked indicating the canvas with a flick of his head. She became aware that his hand was on her hip where he had steadied her as she had backed into him, and that her buttocks were brushing his body. She felt that decency required her to move away, but those eyes had latched onto something inside her and she found herself unable to.
She turned her head away so he wouldn't see her blush. "Err... I've only just realized what the subject is..." she tailed off, but swiftly recovered, "I really admire the artist's style, though. His use of colour is quite astonishing." She wanted to keep the conversation going, to prolong the contact, "What do you think of it?" She was surprised when his comments on the technical details proclaimed him the artist.
Abruptly, she felt uncomfortable. Here she was, almost intimately close to a complete stranger; a stranger who had painted the most intimate details of a woman, and who had just explained to her that though he was happy with how he had rendered the subject, he felt that the painting was emotionally lacking. She could feel her mind boggling at the implications of that statement.
She took another sip of her champagne. The alcohol was beginning to work on her inhibitions, and she dared to look into his mesmerizing eyes again and ask, "Are you exhibiting other works here? Some that, perhaps, you feel, capture that emotional element better?"
He smiled warmly at her, his eyes twinkling. "Yes, I am. Would you like to see them?"
She wondered at that sparkle, felt some trepidation at what subjects she might see in his other paintings, but she allowed him to place his hand on the small of her back and guide her to another part of the gallery. They stopped some ten feet in front of another portrait, this time of a nude. Yes, she thought she could feel the emotion in this one; how the brush had stroked the contours of her body as his hands might have previously. The warmer colours seemed to be concentrated around the erogenous zones, the brightest ones not necessarily where you might expect. Even from so far away, she could tell the texture on this work was quite simply amazing.
"Did you know the model well?" she asked, unsure of why that should matter to her.
"We were lovers for a while," he replied almost off-handedly, contemplating his canvas. "I painted many pictures of her, but this one is an amalgam of those previous works, a sort of tribute to her."
She studied the painting again, moving forwards and backwards, trying to imagine the woman portrayed. It crossed her mind that here was a man who appreciated women, who loved sex. When she stood beside him again and felt his hand once more on her lower back, she became conscious of the waves of warmth his touch generated throughout her pelvic area. As if under some compulsion, she told him, "I was an artist's model once, but I never inspired such soulful works."
His left eyebrow raised and his head cocked slightly to one side, "Really? Would you like to model for me?"
She felt her face reddening. It had not been her intention to suggest that she should model for him. She would never have been so pretentious. "I...err...didn't m-mean to imply..." she stammered.
His hand began to move up and down just above her buttocks and she felt his breath hot on her neck and ear. "You inspire me, my dear," he whispered. "I want to paint you. I want to discover you." She closed her eyes, her breathing quickening. "Please say you will. Please be my muse."
Her heart beat faster still as he took her hand, set her champagne glass on a passing tray, and led her out of the gallery.
****** Undressing behind the Japanese screen, she could hear him shifting things around, perhaps moving canvases, selecting materials. Naked now, she put on the silk robe and came out from behind the screen, mounting the dais covered in brightly-coloured scatter cushions and surrounded by electric heaters. He smiled at her as he looked up from his preparations.
Dressed now in his working clothes, he approached her, pulled the tie from the robe and the robe from her shoulders, allowing it to pool around her feet. He stepped back to take in her body. As always, she found herself surprised at how unerotic this was. His gaze took in parts of her: her right breast, her left hip, the roundness of her belly, the hue of her skin, the curve of her calf; but not the whole of her. She was a subject, not an object, and felt no self-consciousness at his stare.
He asked her to sit, to fold one leg beneath her, raise the other knee, then lean back on one hand -- no -- elbow. He paused, his finger on his chin, his brow furrowed as he surveyed the effect. He changed his viewing angle, standing slightly behind her, his eyes tracing her back, the curve of her buttock, the space between her open legs. He knelt on the dais just behind her, his hand grasping the underside of her thigh, just behind the knee, repositioning her with her foot on her other knee. He pulled a cushion over and placed it under the breast nearest the floor, and another under her upper arm, then stood back again.
Apparently satisfied, he returned to his canvas and began to sketch her outline in charcoal. It took no more than 20 minutes, but she was glad when he seemed to have finished, as her muscles were already beginning to strain. He stood back again and regarded his work, his eyes flicking from the piece to her and back again. When he smiled, she started to push up to sitting.
"No," he all but commanded. "Don't move yet."
She was unsure why; it was usual for the model to rest every 30 minutes or so, and especially if the artist had reached the end of a stage. He walked towards her and knelt on the dais just behind her, placing his hand on her hip and reclining so his lips were level with her ear.