"Sign here, lady."
The parcel delivery guy was surly, taking it out on her for living on the third floor. He had to make two trips, there were so many boxes.
"Somebody must like you, to send you so many things," he begrudgingly acknowledged. He looked up from the scanner, and saw confusion on her face.
"I don't know. I don't know who's sent me these parcels. Look how they're all covered the same way."
"Yeah, well. I wouldn't know about that. You enjoy, lady. I'm always the one delivering parcels, but no-one brings them to my door. Huh, hell of a job, being a parcel guy. People get all sorts, plenty in brown paper wrapping, too. 'Specially them rich women, they like their brown paper parcels. All that mail order stuff, know what I mean?"
She was tolerant with the guy, one of life's moaning millions, and acknowledged in turn the rain and the heat he had to cope with as he did his rounds.
"Yes, I think I do know what you mean. But I don't know what these are, nor who they're from. Still, they are beautifully wrapped, aren't they? Thank you so much."
She smiled at him, her eyes creasing with a real smile, but dismissing him. She wanted to inspect the parcels in her own time.
She placed them on her dining room table, carefully laying them out. The parcels were identically wrapped in rough brown paper, not cheap; hand made, possibly, with speckles of colour scattered through. Each parcel was wrapped and tied with string, knotted tight so it would not come undone. Next to each knot was a single initial, her initial, R, written in a looping cursive, written in a deep blue ink.
Her mind immediately went back to the wonderful book she had received the previous month, and she looked more closely. Yes, the writing appeared to be in the same confident hand that had addressed the book to her. An admirer and a magician who sent her a miraculous book that took her every mood, told her what to do, and predicted her every response.
Her hand reached inside her blouse, an unconscious movement, adjusting the strap on her bra, lifting it just a little, shifting it on her shoulder. The movement, subtle and small, was just enough for her to sense the weight of her breast, a fullness, a heaviness. After they left the thin strap, her fingers lightly brushed the length of her throat. Her two fingers, fore and middle, left a slight trace. Subconsciously, all unthought, her fingers traced her skin. A faint blush rose on her neck, and her pulse quickened. She didn't know.
Next to each initial, her own letter, a number was written. Not a digit; no, her sender of parcels wanted to show off his wonderful script, and had written each number as a word. One, two, three.... Clearly then, the order in which each parcel was to be unwrapped. Each parcel numbered, each parcel a different size and a different shape. Seven parcels, string to be cut, paper to be peeled back, something within to be revealed. She tightened the muscles of her thighs and was aware of the base of her belly, the fullness of her breasts, a heat in her gut. Expectation. Who had sent her these gifts?
Parcel One.
The first parcel was about ten inches by six, perhaps three inches thick. Some weight to it. R turned it in her hands, touched the tying string with her fore finger as if she were helping him (it must be him, sending her gifts, again), helping him hold the string in place as he tied it. She saw that an end of string fell from the knot, which was intricate and looped. She pulled upon the string.
With a strange resistance, as if the thread was animate and reluctant, there was a movement as the string all unravelled. The paper, bound flat before, was released and unfolded, curving back to reveal silver metal and black plastic within. A Polaroid camera, one dark lens at its front, an eyepiece for viewing and a long thin slot for the ejection of film.
Images then, instantaneous and unseen, light to carve darkness away. But from what? Patience would be required, a frame and a focus, and then the revelation of a picture slowly darkening from a ghost to a vision, a small square of colour on a table. A picture of her? She hated pictures of herself, they revealed too much. Was that the point? Revelation?
She placed the camera on the table, and took one step back. The lens was a black circle surrounded by chrome, with a flash bulb to one side. She didn't have a tripod, but was already accepting that pictures would be taken. The camera would need to rest on a table or a shelf. Did it have a timer? She imagined herself brushing her hair so it would be shiny, thick and long down her back. If she held her head just so, the pose would be right. She's imagining herself already, holding a pose, waiting for the shutter. Exposure. Deep in her belly, a tightness started, an awareness. Good God, who would she expose? Herself, or another woman?
Parcel Two.
Her heart was faster, her fingers quick to the end of the string, she wanted to undo all of the parcels immediately. She wanted the peeled back paper to be a mess all over the table, spilling to the floor, all of it ripped open and revealed, spread wide. But she knew, remembering the book, that a story needed to be told, instructions given, directions followed. There was a sequence of numbers given, two, three, four.... She needed patience within herself to open the parcels in the right order. If she opened something out of sequence it would be all wrong, and she wouldn't know what to do.
The second parcel contained two bottles, one a shampoo, the second a body wash. A razor. Well, the next move was obvious. Before she could even think of opening the third parcel, the unwrapping must wait. She sat in her favourite chair, the dropping glow of the setting sun casting a golden light on her skin, and realised that the parcel maker was making her slow down and relax.
He couldn't wrap hot water, and she already had thick towels, one for her hair, another for her body, but she realised some of this experience didn't need to be wrapped. She turned to the camera, placed it on a shelf, and set the timer. She posed, her street clothes practical but dull. Never drawing attention to herself, her first image would document the time before seven parcels were undone and their contents revealed. R had a glimmer of what might be in the parcels, and just before the shutter clattered, she straightened her back and was taller. Click.
She promised herself to place all of the images in sequence, but not to look at them until the last one was taken, even though she had no idea what it would show. The first image developed.
She walked through to her bedroom and kicked off her shoes. In her hands she held the two bottles and the razor, which she placed on the dresser near the bathroom door. Reaching behind her back she unbuttoned the single pearl button on the collar of her blouse and slid the zip below it down. Crossing her hands she tugged the bottom of the blouse up from the waist of her skirt, and in a fluid movement pulled the garment up over her head, then dropped it to the floor.
She stood and looked at herself in the mirror, her face neutral, not judging, merely accepting herself. She reached behind her back and unclipped the bra, slid one strap off one shoulder, then the other. The garment dropped to the floor. She stood looking at herself once more, hands straight by her sides. In the mirror her reflection looked back, her dark eyes holding a steady gaze, observing, just looking.
She was what she was, and that was full breasted, one breast slightly smaller than the other, nipples a pale brown against her pale flesh, a tiny blaze of freckles just below her neck and down to where her breasts curved apart. A mature woman's breasts, with a fullness, a weight.
She imagined a man behind her, his hands cupping the heft of those lovely breasts, his fingers pulling the nipples up tight, his lips on the back of her neck. She closed her eyes, and with one hand pulled her hair from her neck and tilted her head to expose the side of her throat. He wasn't there, but in her belly a wetness began and with it an ache. She shook her head and dropped her fingers to the zip at the side of her skirt.