This story is going out to my friend JagFarlane as a somewhat-belated birthday gift. Happy birthday, buddy. Many more to come.
*RZTR*
Seeing the old
Tag
, on the side of a passing train, brought back a thousand memories of a thousand nights. When that heavy aerosol paint smell had drenching me, in head-splitting perfume, often from early dusk to late dawn. Night after night.
How many years did I spend doing that? Sitting, waiting for the train to go past-looking critically at both good and terrible graffiti art-I ponder that question. How long? Thinking back, I can't easily recall an exact number; too many brain cells sacrificed to the graffiti gods, Krylon and Rust-Oleum. A decade? At least that long, yeah.
*RZTR* was a "known" tagger back in those days, before cellphones, and he had left thousands of pieces of art across a half-dozen cites and tagged easily a thousand train cars. As I watched the car rolling away, I thought back to the others I had known. CLAW, RAZE, Ghoster and a good dozen others, whose names escape me at the moment, but who I had stood beside in the dark and helped do work in those early years of my own spray can artist career. They had left tags everywhere, so many in fact that you had to often question if one person could possibly have enough time in their lives to manage that much paint. But then, I always found the time to do mine and I had almost as many works of
illegal art
as them.
"NIX"
Looking amateur as hell-in brilliant blue and metallic silver-my early tag had covered the rusty sides of maybe a hundred trains before I ever met my first fellow artist-of-the-can. It was late one chilly October night when I smelled paint fumes and followed my nose to the jaw dropping, still wet to the touch, paint covering a whole beautiful wall. I had stood there in awe, with my own backpack full of shaker cans, just looking. Begging to be arrested like the twit I was. Then out the dark came a grunted call.
"Hey! Scram, it's still wet, you fool!"
That growly voice was Ghoster my mentor, though I didn't know it at that time. Neither did he. With a sigh, he walked over to me and took me by the elbow and led me away from his wall like I was a child. With him telling me off the whole time. He was twice my age and had a mouth that would make a sewer rat retch, but he also had a heart-of-gold and more instinctive talent with a spray can that any other artist I ever met. Certainly more than I ever achieved in my time tagging trains.
A late breakfast at Waffle House later-with far too much coffee and syrup leaving us both with caffeine and sugar shakes-and I had my permanent tag
~NYX~
And a reluctant mentor-to-be already planning where to debut it. He said that people might look at it and think New York Ex, and that worked given that I was born in Queens. Not that I have any memory of ever living there. Hell, I was an infant-in-arms when my mother left the man she would forever call "The sperm donor" to head back to the deep-south where she had been born.
In fact, all the place of my birth ever gave me was the often unwanted nickname of
Yankee
and a dozen family members that called as often as twice a week to tell my mom or me how deep the snow was. Never anything important, like where my father was, why he never called, what time he was going to get out of county lock-up this month?
Through pieced together calls I got the idea he was a drunk. A fact confirmed when I managed to make a trip up to the "old neighborhood" and tracked him down. That was not long after I left high school. I met those eternally snow-bound relatives, who all warned me not to try and see my father. Well, I didn't listen of course, I was still a teen I knew everything. He started the meeting by calling me his "Southern Bastard" and ... well, that was the highlight of our reunion.
Mom had been right after all. Sperm Donor.
Anyway, painting "NIX" on trains led to tagging ~NYX~ on building, several bridges, even a tower crane on a high-rise construction site and then one night in my "Oh, hell! What were you thinking?" moment I put it on a half-dozen police cars. I was drunk. It seemed like the thing to do at the time.
That would be the year when I used PT*VPR as my tag, in a beautiful bright red with black fangs. It was sharp. Tacky, but sharp.
Under Ghoster's tutelage-when he got done thinking I was too crazy to hang out with-my art began to improve. Can control is paramount for quality art. Six months after he started teaching me I saw one of my old tags and wanted to go chasing after the train with a can of black spray paint to erase it. And as my artistic skills improved, and he introduced me to others, I grew from "skilled" to artistically surreal. Huge panels of art, signed with a signature tag in the corner that was a masterpiece in and of itself. Well, as much as three letters can ever be. I met the very best of the best when it comes to shaker can graffs over that next summer.
That was also the same dreadfully and wonderful year that I met
*Glass*
Bar-none the most psycho bitch on this whole planet, and that I even considered for a second asking her to marry me once still gives me the willies.
*Glass*
, I learned too late, was what they are generally referring too when they say someone is certifiably insane. To begin with she was a "repeller" artist. She liked to tag the impossible to get places, things like the sides of high-rises. Tall bridges, freeway overpasses, train trestles. Anything tall and hard to get too was fair game to her. She was often to be found hanging hundreds of feet over dark nighttime waters of a river or over a heavy traffic congested roadway. Her work all done while sitting on a small board. Dangling, like a spent yoyo on the end of its string, she would put her non-artistic tag in places better skilled artist would die to put a tag on. But then, come to think of it, that was probably what it took to have the guts to tag where she did.
A willingness to die.
See, she didn't care if she died, since she said she had already done it twice in her life. Once in a cold lake, when she was a kid. Dead twenty minutes and brought back to life puking freezing water through blue lips. The second time? Well,
*Glass*
didn't talk about the second one as much, but that long scar on her left arm, from wrist to inner elbow, spoke volumes.
Now, at twenty six, YOLO was her motto. Something she said constantly, long before the twitter crowd ever was a gleam in a computer's Geeks eye.
The car horn blowing behind me broke me out of my revelry. Looking up, I saw that the train was now long gone. The dinging bell had fallen silent, though ghosts of it were still being heard from further down the tracks, and the stripped crossing guard bar was already up.
Driving off before I go blown at again, I had to wonder where those old taggers were now? Blaze, Ghoster, CLAW and *RZTR* Some of them are probably like me, working the nine-to-five grind, their shaker paint can days a distant memory triggered only by passing trains. Yeah, I bet a lot of them were like me in fact. But then ... none of them ever did what I did.
None of them. Not one, became I did the
king
of all tags.
But not alone.
XX * XX * XX * XX
"Hey, NYX, we going to do this or what?"
I couldn't answer. How do you answer insanity on this level when it's presented as a simple question?
"NYX?"
"Yeah, Glass. We're doing it, I still don't see how, but yeah." My hands shaking, I turned off the ignition of my Ford Pinto. I then sat, my hands gripping the wheel, with my heart was in my throat with nerves at what was to soon happen.
"What do you mean you don't see how? We've got this as planned out as possible. Yeah, it's not perfect as plans go and sure there is some room for things to go disastrously wrong, but hell, what's the worst that can happen?"
"Ah... the Secret Service or the Marines shooting us dead where we stand!"
"Damn Skippy, right! See, if that happens you won't even know about it, right? So ... no problems." Glass, looking in the rearview mirror, finished covering her face with black shoe polish. Happy with her
mascara
she spit the pieces of Midnight gum out her mouth into the high grass outside the car window. "Now come on," She picked up her black backpack and
ghillie suit